Insider's Guide to Independents' Day Festival

Full disclosure: I have been a huge fan of this festival since it started and was honored when The Lonely Bones were chosen to perform and was happy to oblige when Watershed was asked for their only Columbus appearance a couple years back. What makes it so special? Hell, I can't define that. You will know it when you see it, so please make plans to attend the weekend September 19-21.  Click here for full schedule.

 In the meantime, let's get the straight dope from the Indy Day braintrust.

1) Obviously, the big question would be after all the success Independents' Day enjoyed downtown, why the move to Franklinton?

Adam Brouillette, Independents' Day Board Chair + Independents' Day Co-Founder: We moved to Franklinton for greater opportunity. We had largely outgrown our downtown location and in a search for our new home, we found Franklinton well-suited to the ethos the festival tries to adhere to. The partner neighbors, the ample space, and the diminished logistical issues have been beneficial to the growth of the festival. Now, as the neighborhood grows, we can grow with it. 

Michael S. Brown, Independents' Day Board Member + Co-Founder: Gay Street has seen incredible growth over the past seven years and we love it, but we also saw that there is some very real creative energy building in Franklinton, and that makes for a very attractive canvas.  Standing down near 400 W. Rich just begs the question, what next?  We think that the more people see it filled with life and art, the more they will love it and find ways to integrate that creative energy into whatever it is they are doing. 

 

2) Were you involved with this festival from the start? How did it begin?

Erin Corrigan, Independents' Day Board Member: I was lucky enough to be involved more or less from the beginning. The first Independents' Day was put together in an extremely short time-frame, so there was some very direct outreach to determine who could do what and how fast. I was the service chair for Cap Square Rotary at the time, so I was able to commit the club to providing some volunteers, and then worked on coordinating the rest with help from CYP (Columbus Young Professionals), other groups, and friends. We started with a few dozen volunteers, and now we recruit more than 300!

***it's not too late to volunteer! free T-shirt and beer tokens! Click here to sign up!

Brown: The summer before the first Independents’s Day there was a great crew of creative people who kept intercepting at events and festivals, we all felt there was an energy that needed to be tapped and that wasn’t getting showcased enough at other fests.  We knew we could get beer and bands together, but we believed the creative community is a lot bigger than that, so we tried to build the festival around that ethos.  This was also a time when downtown was just starting to show signs of a come-back, Gay Street was an open canvas that we felt we could fill in with fun and music.  It worked and we not only enjoyed each year more than the last, we built a community of organizers and volunteers who may not have every really worked together if not for ID.

3) It seems that Independents' Day is always a cut above other festivals as for quality of live music, what is your secret?

James Allison, 2014 Music Chair: We have about 20 people involved on the music committee that cover a range of tastes, eras, scenes, and genres who get an equal say in what gets booked for the festival. I think the greatest strength of the music line up at Independents' Day is its diversity. On top of that, we also try and focus on unique and rare experiences. We always dream big at the start of the booking process with reunions, collaborations, etc. We'll never gawk at a suggestion and always explore the possibilities. I think everyone's usually surprised by how many of them actually work out.

4) If someone was planning to attend this year, give me a couple can't miss options food, music or otherwise?

Corrigan: In addition to all the usual festivities, there are some really amazing things we've never tried before, including:

• Pinata Thunderdome 

We've recruited local artists to craft special works of piñata art just for us.

• Shipping Container Park

We've challenged a group of vendors to turn shipping containers into retail stores, art galleries, food concepts and alternative spaces for the weekend.

• Battle of the Pig

At 5 p.m. on Saturday, two of the city's best-known chefs will battle it out, preparing a series of pork-centric dishes for our panel of judges, and only one will be named King of the Pig! 

• PBR Skate Ramp

Our friends at Pabst Blue Ribbon and Abnormal Allies will be building and skating a PBR themed skate ramp all day. Stop by to check out riders on half pipes and fun boxes doing wall rides, grinds, and flips.

• Mini Moss Terrariums

This free of charge feature will provide you with the sand, soil, stones, moss, bark & a tiny glass container you need to make your very own terrarium.

• Urban Mini-Golf 

Scenesters may remember the A-Holes (art holes) mini-golf from a few years ago... well, it's back! Each of the nine holes was designed by a local group of artists to create a one-of-a-kind mini-golf experience.

In addition, we'll have some 30-foot visual pieces that will really bring a new dimension to the festival.

And last but certainly not least, James' music picks: sets by J Rawls and his stream of proteges; Happy Chichester, who's taking a break from his string of solo sets to perform with a drummer; and The Floorwalkers with Jared Mahone. All three of those sets are going to feature unique collaborations with different artists that you probably won't see again, or at least for a long time.

An Open Letter to Bono - by Brian Phillips

Dear Bono,

I write this with love in my heart. This is not trolling, but constructive criticism. 

When I was 17 I heard "New Year's Day" on MTV and ran down to the only record store in my small Washington State town to buy the 45. I played it over and over. I bought "War" soon after. My sister gave me "October" for Christmas. I was hooked. "Boy" soon followed and I was caught up. Over and over... over and over. Those three records ushered me through that universal period when "boy meets man." 

By the time I got a chance to see your band, in the Tacoma Dome 1992, your show was an "outrageous" $28 (seems quaint now doesn't it?). It was a night I'll never forget. For us now-greying old farts U2 was our Led Zeppelin, our Who, our Beatles. I love all those bands, but  you need your own.... bands that come of age when you do. Many years before my first U2 show I saw "Red Rocks" on Canadian TV (an advantage to growing up 20 miles from the border) and I thought it was the most amazing, revolutionary thing I'd ever seen. In my world, far from New York, far from London, (hell, it took two and half hours to get to Seattle) there was nothing like U2 until there was U2. You opened my mind to The Clash, R.E.M.... I could go on as my record collection will attest. U2 were my gateway drug. 

Getting to my point then... I have a big problem with what U2 pulled off today. People don't see this thing as "free, but paid for," as you put it, but "FREE." You've devalued what some of us still value, but more importantly, you've devalued a lot of hard work put forth by others. Just today a lot of cool artists released albums.... Delta Spirit, Interpol, The Kooks, Death From Above 1979, Vance Joy, and Ryan Adams to name a few. Their records cost money to make as yours did. The difference, of course, is they have to take their records to a brutal marketplace and you don't. To cut to the quick, you're not competing.....you've taken the easy way out. 

Also, and more selfishly I'll admit, you've cut radio out entirely. I've been in the radio business for my entire adult life. You helped light that fire! Hell, for me this goes back to college radio. When The Joshua Tree came in the mail we were beyond excited. It was an event. It went right on the air. By the time Achtung Baby rolled around I was working in Seattle and "The Fly" went from the UPS guy right to air. Ah! Those were the days. Opening the box and banging that record right on the airwaves for the people to hear! 

I've got news for you, my radio station still lives by those values. CD1025 in Columbus, Ohio has been here 25 years... predating even this old warhorse. We would have made your record an event! Out of the..... email... and right on the air. Apple can't match that brother. No way. There's no soul there. Radio has soul. Anyone can turn on the radio. It's democracy!

This whole thing bums me out, Bono. I play your music on the radio all the time, and I've been talking about how you've been working with Dangermouse on a new album. It was supposed to be an event. Instead it's a phone. Granted, a cool phone that can churn out amazing HD footage of a U2 show.... from the front... where it costs way more than 28 bucks. 

Sincerely,

Brian Phillips,

Lifer

Here's a link that helps explain this:

http://pitchfork.com/news/53827-u2-release-new-album-songs-of-innocence-for-free-on-itunes/

"You Lost to Appalachian State" - Dead Schembechlers (Live Footage)

I THINK EVEN JOHHNY RAMONE WOULD AGREE THAT THIS IS THE FINEST PUNK ROCK SONG EVER WRITTEN ABOUT APPALACHIAN STATE.

Click here to purchase the studio version or enjoy the live footage below. 

Will the Dead Schembechlers perform this year? Click here to visit Dead Schembechlers.com

The Dead Schembechlers perform "You Lost To Appalachian State" during their 200H8 Reunion Show at the House of Crave in Columbus, OH. Nov 21st, 2008 *Update: 11-20-09* Hey, this video was recently used in an article on AnnArbor.com in regards to the schembechlers canceling their 2009 shows.


Watershed Really Blew It (Again), By Not Playing FMMF by Jeff Hassler

Well, the big weekend has finally arrived! The Fashion Meets Music Festival is taking Columbus - and the United States - by storm. THIS is the festival that will put Columbus on the map. THIS is the festival that will dwarf Comfest and rival SXSW for national credibility. And you know who turned down the opportunity to perform? You guessed it, my pals in Watershed. 

What makes it worse is that Colin didn't even ask the other guys in the band if they were interested in doing it. As hard as this is to believe, I happened to be standing with Colin both times he was asked. Once at a certain coffee shop, and once before a happy hour show at a music club in Grandview. Both times he nearly cut off the person asking by quickly responding, "Thanks for the offer, but we aren't available during that time. Good luck!"

I happened to know that Watershed was more than available during "that time" since we are having our  Pencilstorm fantasy football draft that same weekend. When I asked politely why he was so quick to dismiss such an opportunity at a new, first class festival he got short with me as usual. 

"Hassler, look at me. Look at what I am wearing. Why would Watershed perform at a Fashion Festival? I mean, I write songs because pretty boys who dressed nice got all the girls in high school anyway. At least the ones left over from the jocks. What's next? Should we play at Reggae fest? Or maybe between matches at the state high school wrestling tournament?"

See what I mean? Such a smart ass. Well, I hate to break the news to Colin, but once again, the joke is on him. Turns out they could have possibly been opening for O.A.R., one of the hottest most respected rock bands in the world. For a band like Watershed, that is most famous for having a book about them called, "Hitless Wonder," you would think Colin would recognize this could be THE BIG BREAK to signing with another major label. FMMF is going to as big as SXSW (or at least NXNW) and WSHED might have had a plum spot. We will never know. Think of all the successful music executives from LA and New York who could have turned out to catch their set. 

To make matters worse, Colin and the Watershed guys are all excited to drive 600 miles to open for Cheap Trick at the House of Blues in Myrtle Beach in October. OK, let's play Rock Manager 101: Option #1) Drive 600 miles to open for a band not even in the Rock n Roll Hall of Fame; or #2) Drive 5 miles to open for a band - OAR - that most likely WILL make the Rock n Roll Hall of Fame. 

In full disclosure, I have to admit I am a huge OAR fan going back to my fraternity days at OSU. In fact, my ex-wife Kim and I got pinned right before at one of their early shows at the PHI Delts Nookiefest party. (Lighten up, all proceeds went to stop human trafficking, or at least that's what the frat brothers told Kim.) It was obvious that night these guys were going to be stars. At least what I remember from it. Long story!

Anyway, because the Watershed guys are my friends and I want what's best for them I tried to appeal to Ricki C. to talk some sense into Colin. I mean, Ricki loves arguing about the Rock n Roll Hall of Fame. I would have expected him to see my point. I had Ricki check out the FMMF website and all he said was, "Jeff, the opening sentence of their press release has a grammatical error in it, and the second paragraph has a misspelled word, which in my eyes tends to undermine the hugeness of the event, in that they couldn't be bothered to hire a semi-competent copywriter and/or proofreader.  And if it is indeed 'The Nations...largest and first collaborative fusion festival,' doesn't it follow that it also  could be the first and smallest, the first and mangiest, the first and hungriest, the first and stupidest? I mean, it is the first one, after all."

Leave it to Ricki C. to get all bogged down in grammar.  

When I made one last appeal to Colin to reconsider, I argued how fashion had indeed influenced his music. "How is that, Hassler?"

"Uh, maybe your biggest song, "BLACK CONCERT T SHIRT?"

"Jeff, will you please, please, just shut up."

OK, Colin, have it your way, but don't blame me when all the other bands at FMMF get signed and once again you guys are left wondering what went wrong.

I love ya brother, but you blew this one. Just sayin'. 

Jeff Hassler is recently divorced and lives in a one bedroom apartment near Grandview Yards.

Click here to read his other stories featuring Bon Jovi, Kiss and Dead Schembechlers.

 

OK, Hassler here again, Don't take my word for it. Check out this clip of OAR performing live at Madison Square Garden playing my favorite OAR song, "Crazy Game of Poker". If you look close before the first chorus you can see my ex-wife Kim briefly (though we were "taking a break" from dating that Spring. Long story!) This song has it all: balls, reggae, great lyrics and showmanship. Below that is some clip of Cheap Trick that Colin makes me sit through every time he has more than eight beers so needless to say, I have seen it A LOT. It is in some park or something. Sad, really. I think you will see my point. Hassler is out.

O.A.R. - Headed to the Rock n Roll Hall of Fame.....

O.A.R.: Live from Madison Square Garden from 2007

Cheap Trick, not in the Rock Hall of Fame.... 

Cheap Trick - Gonna Raise Hell - from "Silver" DVD - www.cheaptrick.com

 

 

 

 

 

I'd Rather Clean All The Bathrooms In the Schottenstein Center Than See Journey Play There - by Wal Ozello

Journey's coming to Columbus, Ohio on September 9 to play the Schottenstein Center. Tower of Power is opening for them.

You couldn't pay me enough money to be there.

Even if you're not a fan of Journey, even if you hate Journey and everything it ever stood for, let me put this in clear perspective for you.

Seeing Journey without Steve Perry is like seeing the Rolling Stones without Mick Jagger. Led Zepplin without Robert Plant. The Who without Roger Daltrey.

Heck... it's like seeing the Jackson 5 without Michael Jackson.

What makes it even more pathetic of a show, is their new lead singer is a sound-a-like.  As if you're tricking me into thinking it's really him. Who are you, Obi-wan Kenobi? You think you can do a Jedi mind trick on me?

Thank you Eddie Van Halen for finding a David Lee Roth replacement that was totally different. While Van Hagar wasn't anything like Van Halen, at least it was new, refreshing, and exciting to listen to.

But I digress... here's the whopper.  Journey thinks they are going to fill a huge arena (the OSU Basketball team plays there) and have people pay upwards to $90 to see them. Folks, the nose bleed seats are $72!

There's a lot of better ways you can spend that $72.  Go see a movie, buy a couple of CDs, visit Colin's Coffee (shameless plug for Colin's shop), come to my book signing at Colin's Coffee on Aug 16 from 10 am to Noon (shameless plug for my new book Revolution 1990), or even donate it to a homeless shelter.

But for the love of God, please don't feed Neal Schon's ego with it.

Wal Ozello is  a science fiction techno-thriller novelist and the author of Assignment 1989: The Time Travel Wars  and Revolution 1990. He's a resident of Upper Arlington, Ohio, a frequent customer at Colin's Coffee, and a long-time Steve Perry fan.

Learn more about Wal Ozello and other Pencilstorm contributors by clicking here

Ray Davies is the Best Songwriter: Exhibit I

We didn't forget about our semi-regular Sunday series systematically laying out the case why Ray Davies is the best songwriter ever in rock & roll, we just got busy. I put out a new tune, click here to listen, and with summer and gigs and the coffee shop and... anyway, let's get on with it.  Enjoy! - Colin G.

 

Click here for Ray Davies is the best songwriter exhibit H

 

The Kinks -  "Working at the Factory" written by Ray Davies

Sure, Think Visual isn't a masterpiece relative to other Kinks efforts, but as always, it has a number of gems scattered throughout. Considering this is TWENTY FIRST album released by The Kinks makes the it that much more impressive. Or put another way, has your favorite band released twenty- one records? That's what I thought. Get bent. Ray Davies is the best. 

The Kinks Working at the Factory

"Working At The Factory"
 

All my life, I've been a workin' man
When I was at school they said that's all you'll ever understand
No profession, I didn't figure in their plans
So they sent me down the factory to be a workin' man

All I lived for, all I lived for
All I lived for was to get out of the factory
Now I'm here seemingly free, but working at the factory

Then music came along and gave new life to me
And gave me hope back in 1963
The music came and set me free
From working at the factory

All I lived for, all I lived for
Was to get out of the factory
All I lived for, all I lived for
Was to get out of the factory

Never wanted to be like everybody else
But now there are so many like me sitting on the shelf
They sold us a dream but in reality
It was just another factory
I made the music, thought that it was mine
It made me free, but that was in another time
But then the corporations and the big combines
Turned musicians into factory workers on assembly lines

All we live for, all we live for
All we live for is to get out of the factory
We made the music to set ourselves free
From working at the factory

All my life I've put in a working day
Now it's sign the contract, get production on the way

Take the money, make the music pay
Working at the factory
All I lived for was to get out of the factory

Never wanted to be like everybody else
But now there are so many like me sitting on the shelf
They sold us a dream that in reality
Was just another factory

Working at the factory