I Once Opened For Steve Forbert at Staches - by Colin G.

Looking back, it's hard to believe I once opened solo for the great Steve Forbert at Staches. Not Little Brother's mind you, but the actual, let's-start-a-fistfight-in-the-bathroom, there-is-no-such-thing-as-a-fire-code Staches. Ya been there?

What's even harder to believe is that I got the gig. I mean, I certainly didn't ask for it. Hell, I had never even heard of Steve Forbert before Dan Dougan called and said, "Do you want to open for Steve Forbert? He is one of the best solo acts ever and even had a hit song once. That "Romeo" song. Give you some beer for pay. Are you old enough to drink yet?" I answered yes and yes. Somebody must have cancelled at the last minute and since I lived right around the corner Dan must have needed a quick fix. But rule #1 for a young musician: take the gig.

What's even harder to believe is that I am pretty sure I didn't completely embarrass myself. Certainly I was capable. To say I was "a little green" would be a major understatement. I cannot even imagine what songs I played. I had a bunch of originals but nothing I would dare to play opening for a craftsman such as Steve today. But like a wise man once said, "Youth Is Confusion." I seem to recall going over OK. People clapped 'n stuff. Bought me some drinks. Then, to top it off, Steve's guitar broke and he had to borrow mine for the show. Not quite as cool as Dave Davies borrowing the Watershed kick drum (with our logo on it), but still a thrill for a kid in the presence of a master.

Steve was touring behind  Mission of the Crossroad Palms. It is still my favorite Steve Forbert record. (Ricki C. would disagree, of course. Click here for his Steve Forbert preview.*) In fact, I think I have gone on record stating that the opening track "It Sure Was Better Back Then" is one of my top ten favorite songs. Think about that…..TOP TEN FAVORITE SONGS EVER. BY ANYBODY. ON EARTH. And the dude is playing Natalie's Coal Fired Pizza Wednesday, July 22nd.  

(*Ricki C. note: To be exact, Mission Of The Crossroad Palms is my third-favorite Steve Forbert record, after 1978's Alive On Arrival and 1980's Little Stevie Orbit, and all of 'em are great.)

A slide show with this fabulous tune from his "Mission Of The Crossroad Palms" album. 1995

And a full show from 1979

Steve Forbert - Full Concert Recorded Live: 7/6/1979 - Capitol Theatre (Passaic, NJ) More Steve Forbert at Music Vault: http://www.musicvault.com Subscribe to Music Vault: http://goo.gl/DUzpUF Setlist: 0:00:00 - Goin' Down To Laurel 0:04:45 - Romeo's Tune 0:08:36 - Grand Central Station 0:13:20 - Complications 0:20:05 - Smoky Windows 0:24:43 - Settle Down 0:28:51 - What Kinda Guy 0:32:11 - Baby 0:37:53 - Midsummer Night's Toast 0:40:53 - Big City Cat 0:44:50 - The Oil Song 0:52:12 - Say Goodbye To Little Jo 0:55:52 - You Cannot Win If You Do Not Play



Steve Forbert Is Better Than The Who (Or At Least Needs Your Support More) And You Should Go See Him At Natalie's - by Ricki C.

Steve Forbert will play this coming Wednesday, July 22nd, at Natalie’s Coal Fired Pizza, 5601 N. High St. in Worthington (436-2625).  Advance tickets are $20, and are strongly advised. 

Steve Forbert is a singer/songwriter whose first album – Alive On Arrival – was released in 1978 and, in my humble opinion, is one of the twenty best singer/songwriter efforts ever.  (And yes, I am counting Bob Dylan, Leonard Cohen, Richard Thompson, Dave Alvin & Steve Earle – among dozens of others – in that tally.)  Forbert – who will turn 61 in December – scored a modest hit with “Romeo’s Tune” in 1980, which still turns up on oldies radio from time to time, affording him the opportunity to continue touring, but he’s hardly on the level of – to name one – The Who.  He’s a hard-working guy without the benefit of C.S.I. franchise tunes or millions of dollars and English mansions under his belt, like Pete Townshend.

I seriously doubt that Steve Forbert tours have the luxury of legions of guitar techs & lighting designers, catered dinners in the Green Room and merch sales in the thousands every tour stop.  (I see a lot of paunchy 60-year old guys & late middle-aged women with brand-spanking new Who and Rolling Stones 2015 Tour t-shirts lately in my rock & roll travels.)  Hell, I just hope Forbert can afford a roadie to help with the driving.  And I hope they’re stayin’ in Red Roof Inn’s rather than Motel 6’s.

I first heard Alive On Arrival sometime in 1979, whilst nursing a rock & roll broken heart and it was just what the sonic doc ordered.  Forbert was actually coined a “New Dylan” by Rolling Stone at the time.  It’s kind of unbelievable to me that lame-ass rock critics were still using that tired-ass line as late as 1978.  “New Dylan” indeed; my term for those guys (and I never would have included Steve Forbert in their ilk) was “junior league Bruce Springsteens.”  I once characterized both Tom Waits and Warren Zevon – who I later came to appreciate & love – as “junior-league Bruce Springsteens.”  

So what is my point here?  My point is that I have watched the fresh-faced kid crooning out “It Isn’t Gonna Be That Way” in the YouTube video below mature into the nearing-Social-Security-rocker detailed in the second, more recent vintage video.  My point is that maybe just a few of the literally tens of thousands of aging rockers who attended The Rolling Stones at Ohio Stadium could make it over to Natalie’s to see Steve Forbert.  My point is that maybe some iPhone 6/Facebook/Bonaroo kids who have never seen a guy who has been at it for 40 years captivate a room with just an acoustic guitar, a harmonica rack around his neck and a fistful of great, great rock & roll songs, might want to attend a show in the fine, fine, superfine listening room environs of Natalie's Coal Fired Pizza, rather than a football stadium, or a big-ass open field in Tennessee.

(By the way, it wouldn’t break my heart if a few people went to see – to name just two – Marshall Crenshaw at the Lancaster Festival July 31st or Ian Hunter when he opens for the J. Geils Band at the LC in September (much more on that later). (And I don’t think it would kill ya to go see Willie Phoenix sometime for some homemade rock & roll.) 

Steve belts out "The Hit" (for probably the 5000th time or so).



 

Ian Graham: Young Prince of the Moondoggers by Jim Hutter

Anyone well-versed in the history of rock music is aware of Alan Freed.  In the early 1950's, the Cleveland-based disc jockey was a pioneer who broke social taboos, crossing the so-called color line by playing rhythm and blues artists for a predominantly Caucasian audience.  In order to avoid the racial stigma of the music, the self-proclaimed “Moondog” co-opted an old sexual euphemism and dubbed the style “Rock ‘n’ Roll.”

By 1956, as younger artists like Elvis Presley popularized the genre, Alan Freed became the spokesman for this controversial music.  Not only did The Moondog continue to champion the cause through his radio broadcasts, but he became a concert promoter, television personality, and the star of several films showcasing rock ‘n’ roll artists.  Unfortunately, it was revealed that Freed accepted payments from record companies to play certain artists over others.  This broke into a scandal called Payola, ultimately costing the media personality his career and sending him into an alcoholic spiral that ended with his death in 1965.

Fifty years later, a young visionary from Central Ohio has drawn inspiration from Alan Freed and created one of the most diverse and exciting radio programs to grace our airwaves: “The Rock and Roll Radio Show.”  That visionary is one Ian Graham, a 22-year-old disc jockey on WQTT 1270 AM, Marysville.  Dubbing himself “The Young Prince of the Moondoggers,” Graham has attracted a cult following with his weekday afternoon slot, playing an amazing mix of rock-related music from the past sixty years.  The host affectionately calls his fans “The Moondog Kingdom.”

Who, then, is Ian Graham and how did he come to feel connected to an individual from long before his time?  Blessed with parents who shared their collection of ‘50's and ‘60's rock ‘n’ roll, Ian also developed a passion for this music.  As a Marysville High School senior with journalistic aspirations, a key event happened that would shape his future.

“When I was a senior in high school,” he explained, “I was editing my school newspaper. I wrote an editorial on how I felt about industry where I lived, here in Marysville, Ohio.  I felt like it was funneling kids who weren’t academically inclined into that industry without helping them get into college.  There wasn’t much opportunity.  When it went to press, there had been no editing.  The editorial ran as I wrote it, including sour comments about Scott’s and Honda and the school.  I got suspended from school during the first semester of my senior year.  I kind of got pissed off at the whole faculty and the system…so I just dropped out.”

Working various jobs while getting his ECOT diploma online, Ian accidentally discovered WQTT and realized that the oldies format played the very music he loved.  After a bit of networking with the disc jockeys at the Union County Fairgrounds’ Garage Sale, Graham impressed his elders with his knowledge of ‘60's pop music.  Shortly thereafter, he was hired for a station internship.  The future Young Prince of the Moondoggers assisted with production of the morning show and writing ad copy.  He left such a positive impression that he was given a paid position as one of the morning show hosts.

Prior to January of 2015, WQTT’s afternoon drive-time programming was provided by satellite.  When the provider went out of business, the station opted to produce their own show.  Ian Graham was offered the 3 pm to 6 pm weekday slot, and “The Rock and Roll Radio Show” was born.  The Young Prince of the Moondoggers had arrived.

In keeping with the station’s oldies format, “The Rock and Roll Radio Show” plays a wealth of rock, pop, and soul from the ‘50's, ‘60's, and ‘70's.  The playlist goes deeper than most, playing album tracks, obscurities, and other surprises.  Unlike the majority of oldies shows, Ian Graham freely and passionately mixes tracks from the punk era and beyond.  On a typical afternoon, one could very easily hear Eddie Cochran, Mott the Hoople, and The Black Keys played in rapid succession.  The Young Prince presents all of it with equal passion, often punctuating songs with his own uninhibited Moondog howls.

How has the mix of old and new been received?  Fortunately, it has been very positive with very little objection to sometimes wilder post-punk artists like The Cramps, Ramones, or Sex Pistols.  Fans seem to get the connection between old and new and appreciate the common spirit between all of it.

As an added bonus, “The Rock and Roll Radio” show also features performances by local artists.  Not only will Graham play their demos, but invites bands to play live on-the-air every Friday.  To date, guests have included The Pink Flamingos, Rick Salazar, Bosswood, The White Outs, and others.

Throughout all of this, Ian Graham remains as passionate as Alan Freed, championing rock ‘n’ roll in a time when its popularity is seemingly eclipsed by rap, hip-hop, lightweight dance pop, and Americana. For those of us raised on rock, passions run deep, and those very passions are stoked and satisfied by the enthusiasm of Ian Graham and “The Rock and Roll Radio Show.”

NOTE: “The Rock and Roll Radio Show” airs 3 to 6 pm weekdays on WQTT 1270 AM in Marysville.  Broadcasts can be heard over the airwaves in Union, Delaware, and northwest Franklin Counties.  It also streams on the web at http://www.qt1270.com. 

Ray Davies is the Best Songwriter Exhibit K - Colin G.

Click here for previous Ray Davies is the best story 

Life After Breakfast - Ray Davies

It's been a while since we checked in with our sporadic Sunday morning Ray Davies series, so let's jump back in with "Is There Life After Breakfast?" from Ray's first solo record, Other People's Lives.

In my opinion, one of the factors that sets the great songwriters apart is being able to write songs that can make you laugh out loud. Writing ballads is easy.  In fact, it is so easy that in the history of rock and roll, only three bands have never written a decent "sad song." The first two are The Hives and AC/DC, who have avoided ballads by design. The third band is the Red Hot Chilli Peppers, who have somehow managed to avoid writing good songs in any tempo, mood or genre. Other than that, chances are that even the bar band around the corner can break out a decent tear- jerker written by their bass player sometime after his second divorce.

But to be funny, that is the next level. Or "The Chuck Berry Level" as those in the business call it. Reasonable people can disagree on whether Ray Davies is truly the best songwriter ever (he is) but I would suggest he is truly the funniest songwriter ever. Unless Weird Al counts.

I might be biased towards the song Life After Breakfast because I own a coffee shop and it has been my observation that as humans near the age of 70, meals become the primary source of pleasure. In fact, we become so excited for meal time, we just can't wait and start rushing everything. Breakfast is at 6:30 am, lunch at 11:15 am and dinner at 4:30 pm. After that I suppose it's just FOX News until bed with a bowl of ice cream around 8 pm. In the words of Mick 'n' Keith: what a drag it is getting old.

Song and lyrics below.

Uploaded by Giokebox on 2013-12-18.

Lift yourself out of the doldrums
Make yourself a cuppa tea
Drag your emotions out of the gutter
Don't wallow in self pity

When you wake up, all of a fluster
Thinking life has passed you by
Give yourself a kick up the backside
Jump out of bed and punch the sky

Is there life after breakfast
Full of possibilities
Is there life after breakfast?
Yes there is, after breakfast
So don't live in agony
Is there life after breakfast?
Yes there is, after breakfast

Cheer up son, put on the kettle
There's no point in being glum
Make your mind up, try to forget her
Boil the tea and I'll be mum

Is there life after breakfast?
Yes there is, after breakfast
So don't live in agony
Is there life after breakfast?
Yes there is, after breakfast

After breakfast
Life after breakfast
After breakfast

Just because all of the plumbing
Isn't all it used to be
Turn the tap, see, a little bit's coming
That must make you feel relieved

Don't turn into a total embarrassment
To your friends and family
Get out of bed, the whole day's ahead
So take the pills and drink your tea

Is there life after breakfast
Full of possibilities
Is there life after breakfast?
Yes there is, after breakfast
So don't be so depressive
Is there life after breakfast?
Yes there is, after breakfast



Read more: Ray Davies - Is There Life After Breakfast? Lyrics | MetroLyrics 

 

 

 

Two FREE Songs from the Willie Phoenix Tribute Machine

                    Willie Phoenix Tribute Machine
          
“Hey Little Girl” b/w “Strike Up the Band”

     Click here to check out the tunes!       

or click here for FREE Soundcloud link

“Willie’s skin was the color of baker’s chocolate. He sang like Wilson Pickett, wore his Telecaster upside down like Hendrix, and had Elvis Costello’s gift for cutting a pop gem. He didn’t play second to James Brown when putting on a show. He’s as good as we’ve ever seen. Who else is there? Prince? Springsteen?” – Joe Oestreich, Hitless Wonder

If you Googled the name Willie Phoenix you wouldn’t learn much.  Like another “Searching for Sugarman” it seems impossible that a musician with a career spanning thousands of songs, concerts & live gigs could still remain a virtual mystery in this day and age. 

This much we know: Willie was born in Marion, Ohio, in 1952 and has done NOTHING but play rock n roll since 1975.  He doesn’t drink or smoke.  Nobody knows where he lives.  Nobody has ever had his phone number.  Bandmates would wait by their phones for a pay phone call from Willie for practice and gig information. He plays a show or records a new song every night.  Always. 

The Willie Phoenix Tribute Machine is an attempt by Columbus, Ohio, musicians to preserve Willie’s legacy and draw attention to his enormous talents, which have inspired and entertained so many people in Central Ohio over the past forty years.  Please enjoy these free cover versions drawn from Willie’s back catalog, but more importantly, catch Willie playing live or drop him a line on Facebook and let him feel your love.  PLEASE send all Willie Phoenix stories, pictures, or discography info to williepproject@gmail.com.   

Click here to visit WilliePhoenix.com and all things Willie 

Click head to read Joel Oliphint's essential Willie Phoenix article published by Columbus Monthly January 2015 

A few words about the tunes, from Ricki C., longtime Phoenix roadie.
(For more on Willie, check out The Ballad of Willie Phoenix, on Ricki’s blog, Growing Old With Rock & Roll.) 

“Hey Little Girl” – I can’t remember the first time I heard this song.  I know it was from the first incarnation of The Buttons, circa early 1979 when Dee Hunt was still the drummer.  (The recorded version, self-released by The Buttons on a 7-inch 45 in 1980, featured Jerry Hanahan on drums.)  Willie was just putting so many new songs into the set back then, it would make your head spin.  I’m pretty sure this was from a particularly Elvis Costello-inspired period that also brought “Take My Advice” into the repertoire.

“Strike Up The Band” – This was the third song I ever heard Willie play, from when I ventured out a week after The Great Blizzard of 1978 to see Romantic Noise on February 3rd, 1978.  I have a heroically garbled tape of that show, made on one of those little dawn-of-time portable Panasonic cassette recorders, that I had brought to the show to interview Willie, for my punk fanzine, Teenage Rampage.  (see blog referenced above)  On that tape I can be heard saying – in reference to “Strike Up The Band” – “This sounds like the 1910 Fruitgum Company crossed with The Ramones.”  I stand by that statement to this day in 2015.  It was Willie’s early genius to cross classic pop with punk intensity into one of the greatest mixtures of power-pop I have ever witnessed.

                           

Watershed Performing in Columbus August 15th. Happy Fifth of July!

Watershed will be playing a full-go, balls-out set of rock n roll music at Ace of Cups on Saturday, August 15th in Columbus, OH. This is quite likely the only Watershed show in 2015, though bigger things are planned for 2016. Save the date now.

Click here to read the complete Watershed songs rankings with videos, commentary and free nacho chips. 

WATERSHED - 5th Of July