ALICE COOPER RUINED MY BIRTHDAY - by Scott Carr

OK, that may sound a little harsh but it is 100% true. On my birthday in 1989 Alice released an album that I think is the worst thing he ever put down on tape. The aptly titled Trash was released twenty seven years ago today but my disappointment in this record and Alice are still as vivid as yesterday.

It's exciting when you learn that one of your favorite bands or artists are gonna release a record on "your" day. I remember in 1980 AC/DC released their career defining Back In Black album on my birthday. While it took me awhile to get used to singer Brian Johnson as the new voice of AC/DC, there was no denying that they had made a great record.  Also in 1980 Kiss made their debut performance at The Palladium in NYC with drummer Eric Carr, who had replaced the recently departed Peter Criss. Out of all the days in the year two of my favorite bands picked my birthday for these events. I felt like the coolest kid on the block.

Fast forward nine years and I am still at an age when birthdays are still exciting and seem really important. I had heard that Alice Cooper was gonna be releasing his new album on July 25th, so I knew my birthday would include a trip to the local mall to pick up his new record. I woke up bright and early on that birthday morning and could only think of one thing, I gotta get to the mall and get the new Alice Cooper record. Everything else could wait but I had to get this record. So I headed to the mall and was waiting patiently for National Record Mart to open. Once the store open I dashed in and grabbed the new Cooper record. I might add that I was the only one waiting in line but my enthusiasm for this record was like I was racing to get the last copy.

Alice had semi-retired after the release of his 1983 album DaDa. Alice was in bad shape during that time, struggling with alcohol & drug addiction and he decided to step away for a few years and get clean. Alice resurfaced in 1986 with the album Constrictor and quickly followed it up with 1987's Raise Your Fist and Yell. Both records were supported with very successful tours. Alice was healthy again and his shows during this time are considered some of his best. Alice had something to prove and you could tell he was ready to reclaim his title "the king of shock rock." I saw Alice in 1986 on the "Nightmare Returns" tour and I still consider it one of the best concerts I've ever seen. Constrictor and Raise Your Fist and Yell were both solid records but they didn't burn up the charts. Alice's concerts were sell-outs but that had not translated to record sales.

I liked the direction had gone with Raise Your Fist and Yell, it was a little more heavy metal than Alice had ever been but it worked. I had planned on getting more of the same with Trash but that was not the case. I became a little concerned when I saw the album was produced by Desmond Child. Desmond was credited with turning Kiss into a disco band. Desmond had co-wrote "I Was Made For Loving You" on Kiss' 1979 album Dynasty. Of course Desmond would go on to work with many other artists including Aerosmith, Joan Jett and Bon Jovi. Desmond had become known for his slick production work, so I was a little nervous at what his collaboration with Alice would bring.

When I got the record home and put it on the turntable I knew instantly that this was a different Alice than the one that had made Raise Your Fist and Yell. The production was very slick and big. The opening track "Poison" was pretty good but had a more commercial sound than anything in Alice's catalog. The album is loaded with special guests including Steven Tyler, Joe Perry, Jon Bon Jovi, and Steve Luckather among others. It felt like Desmond had called in a bunch of favors on this record. Desmond co-wrote almost every song on Trash and every song felt like it was trying to be a hit. The weirdest thing that struck me about Trash was the New Jersey twang that Alice had developed in his vocal delivery. I was like what the hell is wrong with Alice's voice. I was underwhelmed with the entire record and my birthday was ruined. How could Alice let me down on my birthday.......I was crushed.

The irony of all this is, Trash went on to be one of Alice's biggest records and  a worldwide success. It was his first platinum record in many years and the videos from the record were staples on MTV. So the direction Alice chose with Trash connected with a lot of people but not with this birthday boy.

All these years later I have still not warmed up to this record. I usually pull it out on my birthday to give it a spin but it still falls flat for me. Alice redeemed himself in my eyes with his next record, Hey Stoopid, a much better record all around. Alice has released some great records since Trash but none have been on my birthday. The only way I can see Alice making all things right with me is making a new album with all original surviving Alice Cooper Group members and releasing it on my birthday.

If that doesn't happen......I still have Back In Black!

I posted some videos below so you can decide for yourself.

Also for some further Alice Cooper reading you can check out my review of Muscle of Love here

Scott Carr is a guitarist who plays in the Columbus, OH  bands Radio Tramps andReturning April.  Scott is also an avid collector of vinyl records and works at Lost Weekend Records. So...if you are looking for Scott....you'll either find him in a dimly lit bar playing his guitar or in a record store digging for the holy grail.

Alice Cooper's official music video for 'Poison'. Click to listen to Alice Cooper on Spotify: http://smarturl.it/ACooperSpot?IQid=ACooperP As featured on Classicks.

Alice Cooper's official music video for 'House Of Fire'. Click to listen to Alice Cooper on Spotify: http://smarturl.it/ACooperSpot?IQid=ACooperHOF As featured on Classicks.

Alice Cooper with his hit from the late 80's "Bed Of Nails".

Music video by Alice Cooper performing Only My Heart Talkin'. (C) 1990 SONY BMG MUSIC ENTERTAINMENT

Grading the First PromoWest Fest - by Colin G.

There has been much buzz both online and in the coffee shop about the initial PromoWest Fest held last weekend in McFerson Commons. Since I have no dog in the fight, I figured it couldn't hurt to weigh in with my two cents as an impartial observer. Keep in mind that I only attended the opening day of the festival and I'm really no expert on anything except Cheap Trick. And......begin.

The Concept: There seem to be festivals popping up all over and if a local company with the clout of PromoWest wants to throw one in our hometown I say, "Why the hell not?" I'm a music fan and I'm all for anything that brings more music to Columbus. It was also a way to feature many of the bands the CD1025 has championed through the years. Grade: A

The Branding: Seems like most festivals have a snappy name like Bonnaroo or Lollapalooza or something to get the kids excited while distracting them from their parent's credit cards they are loading up. PromoWest Fest is fine I suppose but they may have left some easy merchandise money on the table. Grade: B

The Line-Up: No matter how you feel about the actual company that is PromoWest, even the biggest cynic would be hard pressed to find fault with this year's music line-up. This is the upside that PromoWest brings to the table. Ryan Adams, Snoop Dog, Modest Mouse and The Flaming Lips along with some local acts like Red Wanting Blue and Nick D, just to name a few. Great line-up. Grade A+

Ticket Prices: Not sure I could plunk down the 3-day pass cash but overall it was a reasonable value. Grade B

VIP Experience: While I wasn't a VIP, the sections they had access to were better than most VIP sections I have experienced. On the downside, some performers were bummed about a big empty swash of green grass right in front of the stage, harshing their groove. Maybe split the difference next year?  Grade: B

The Third Stage Being Cancelled: There seemed to be some hubbub about this online but I couldn't really follow what was happening. I didn't miss the third stage while I was there. I can't even imagine where they would have put it. Grade: Incomplete

Lots of green, excellent stages at both ends on McFerson Commons

Lots of green, excellent stages at both ends on McFerson Commons

The Venue: McFerson Commons was much bigger than I remembered. The grass was lush and green and the buildings provided plenty of shade. Once again, I was only there on Friday, but there was plenty of space if you wanted but it was easy to join a crowd if getting in the mix was/is your thing. Grade A+

Vendors/Bathrooms/Stuff:  After talking to vendors and patrons I have two suggestions to improve the festival next year. 1) The craft beer garden is a nifty idea, but once people discovered it, they had to walk 200 yards the other direction to load up money on the wristbands and then return. Some vendors felt all that effort was hurting sales as people just got tired and surrendered to Miller Lite, which had a choice location right next to the load up station. Next year, put an additional cash spot closer to the craft beer garden. So people could see beer, buy beer, with minimal effort. 2) Some patrons seemed to have trouble finding the water station so maybe set that up closer to the gate so everybody lays eyes on it right from the get go. However, these are minor tweaks, I thought overall there were plenty of good food/drink choices and I never saw a line at the restrooms. Grade: B+

Production: The park had stages set up on each end and both were totally pro. Great sound and lights. I liked the big screen placement so you could watch the band from a distance if you wanted to maintain a little green space. I was there primarily to see Noel Gallagher & the High Flying Birds and the whole show was excellent. The bands started right on time and having zero downtime between the acts was a plus. Grade: A

Set Length: I fancy myself more of a punk than a hippie, so overall, I prefer a one hour set time and a rigid schedule than some rambling jamfest that drags on until dawn. Don't bore us, get to the chorus. Having said that, I talked to a number of Flaming Lips fans that were disappointed that they had spent good money and the band only played 40 minutes and ended rather abruptly while headlining Friday night. In the future, PromoWest may want to budget in a little flex time at the end of the night so the headliners don't get squeezed. Grade on Overall Schedule B+ / Grade on Hard Closing Time 11 pm C-

Those Crazy Wristbands Part 1: Okay, this seems to be the big bone of contention. I got hipped to the whole no-cash/credit/wristband thing a day before attending so I was mentally prepared to bend over and take it in style. Sure, a $2.00 "activation fee" combined with a $3.50 "termination fee" was  a shameless money grab but aren't we all used to that by now? The bottom line about any for-profit music festival is always the bottom line. Even those peace- loving hippies who set up Woodstock would gouge out your eyeballs with a one-hitter for an extra nickel. It's a rock n roll tradition. 

Obviously nobody enjoys having their hard-earned money nicked in the name of convenience, but don't give me the babe in the woods routine, Karen (Goodfellas). We all knew the rules going in, The Man was going to get your $$ one way or another so deal with it, bitch a little about it, and then move on and enjoy the music.  Grade: C

Why I Hate Those Crazy Wristbands: Okay, NOW I've got a problem. I showed up with my 12- year old son at 4:30 on Friday afternoon. We walked up to the venue with our tickets and were told we cannot enter the venue unless we first have our wristbands. I asked, "We aren't planning on buying anything, can't we just enter?" "Nope. Got to have the wristband." He then pointed across the street to the Nationwide box office where a line a quarter mile long was standing in the sun. And not moving.

So now Owen and I are standing in a huge line that isn't moving, directly across from the festival where nobody is entering. Holding our tickets. Meanwhile, Red Wanting Blue has ended and X Ambassadors are starting. Thankfully, I was mostly concerned with seeing Noel Gallagher so I wasn't too stressed (yet) but people around me in line who bought tickets and were fans of X were understandably upset. By 6 pm, we have only moved 20 yards or so and Owen is asking, "Should we just go home?" At that point people just began blowing up social media, myself included, hoping to draw attention to what was happening outside the venue. 

Just before we were ready to bail on the whole thing, people emerged from the box office and began handing out wristbands to anybody who had a ticket. Geez, that wasn't so hard. After waiting with our tickets for about 90 minutes, we got into the festival with 15 minutes to spare. 

So in the future, if my ticket does not gain entry to the show, it needs to say on the ticket (in big letters) - THIS TICKET IS NOT GOOD FOR ENTRY - because normal folks like me just assume I can at least enter the show and then get my wristband. I am assuming this policy was changed for Saturday & Sunday. Once in the venue, the line to load up the wristbands was long but mostly because the entire line of 300 ticket holder flooded in at the same time. I heard the rest of the weekend was smooth.  Grade: F

For the record, I put $20 on a wristband. With activation fee that gave me $18.00. I bought one beer and one Sprite leaving me $5.00 I didn't use. The fee for "unused" money was $3.50 so I should be getting a tidy $1.50 back on my credit card. If just 1,000 people did this each day of the festival that's $16,500 in fees. Like picking free money up off of the ground. Pretty crafty indeed. Well played. 

Social Media: Sure, the interwebs are crawling with haters but here is an idea, next year PromoWest Fest should put somebody in charge of handling the complaints through social media. People who are paying good money to attend a festival have a right to their opinion, both good and bad. In fact, many of these ideas will help you improve the festival in the future. Hell, if not for social media, I'd still be standing in line with my son waiting for a wristband. 

So instead of trying to shut people up, how about, "We appreciate your concerns and are working hard trying to improve the situation in the future. Thank you for sharing your thoughts and have a great PromoWest Fest." See, that's not so hard. You can use it next year. You're Welcome. I would think of all companies, PromoWest would understand that people having feedback about the festival isn't personal, it's just business.   Grade D

But to be clear, my over all impression of the first PromoWest Fest is very positive and I look forward to attending again in 2017. Considering how many things can go wrong when planning an event of this magnitude, they got most everything right. Hats off to PromoWest Fest. It's a welcome addition to the Columbus social calendar and it has real upside to become something special in the future. 

Overall Grade: B+

Colin Gawel plays in the band Watershed. Read all about him in the book Hitless Wonder. He is also a member of the band Why Isn't Cheap Trick in the Rock and Roll Hall of Fame?. And the League Bowlers. and The Lonely Bones. 

Below: Noel Gallagher and the High Flying Birds showing why the first PromoWest Fest was a success. It's the music stupid.

Uploaded by nicelemon2 on 2016-07-17.

 

 

 

 

Day Drinking and Late Night Drives with Chris Isaak - by Colin G.

Chris Isaak is finally back in Ohio this week with shows at the Rose Music Center Tuesday July 12th and Hard Rock Live in Northfield Wednesday July 13th. Great tickets at a reasonable price are still available and I know because I bought some. 

The first time I heard the song "Wicked Game" I was sitting alone at the Out R Inn bar in my hometown of Columbus, Ohio. Twenty seconds into the tune I was completely entranced and felt like I, too, was some sad character drinking the afternoon away in a David Lynch movie. On my request, the bartender played the song three or four times in a row. I tipped him well and immediately walked two blocks down the street to purchase my very own copy of Heart Shaped World at Used Kids Records. Or Johnny Go's. Or World Record..

Around that same time, Watershed was playing any gig we could get and eventually ended up landing a semi-regular gig at Rockafellas in Columbia, SC. Every six weeks or so, we would make the 10-hour drive through the night to Columbia so we could check into the Red Roof Inn on Two Notch Road and then sleep all day before the gig. I would usually take over driving somewhere along the West Virginia turnpike.  As I piloted the van through the mountains in the darkness, Heart Shaped World and other Chris Isaak records became my personal soundtrack to I-77.

Those dark, lonely rides listening to Chris are still some of my favorite memories of playing in a band. I saw Chris play the Newport once around that time and was blown away. If you stopped in the coffee shop anytime in the year 1995, there is a good chance the record Forever Blue was playing. I swear I played it over and over for six straight months.

Eventually, I sort of burned out on Isaak and lost interest..

Until, we were camping on Lake Superior in September 1998  around a couple of shows Watershed was playing in Duluth, Minnesota. I had to find a record store because KISS was releasing Psycho Circus, their first original line-up record in 20 years. While waiting in line and taking the very last copy of the KISS record before a 12 year old kid could get it (sorry, kid) I noticed a new Chris Isaak record called Speak of the Devil and got that too.

Of course, I played the KISS record first and, of course, it pretty much sucked. For some reason I held off on playing the Isaak record for a few weeks or so. I guess I figured I had kind of heard the best of what Chris could do and didn't need anything new. Eventually, I got around to spinning it on another late night drive through Iowa or somewhere, and I fell in love all over again. God, I loved that record. I still do. Listen to this! Wanderin' from Speak of the Devil.

Anyway, there isn't much point to this other than to get on record I am a huge Chris Isaak fans and encourage everybody to check out his records. I'm driving up to catch him at the Hard Rock Live in Northfield tonight. Visit ChrisIsaak.com for all the info on his new record Here Comes the Night

Uploaded by ALEX NIKITENKO on 2015-11-19.

KISS Returns to Boise Rock City - by Nick Jezierny

I saw Kiss for the 10th time. I’ve now seen them in eight cities on nine different tours, dating back to 1978. The most recent show was Thursday night at Boise, Idaho’s own Enormo Dome, otherwise known as Taco Bell Arena. 

Those of us who have seen multiple Kiss shows – especially in recent years – know what to expect:
• Gene Simmons is going to spit fire and blood and “fly” to the rafters.
• Paul Stanley is going to jump on a pulley and make his way to the back of the arena and sing “Love Gun” for those in the cheaper (not cheap) seats.
• Confetti and streamers will fill the arena during the encore and anthem “Rock and Roll All Nite.”
All of that happened Thursday night, as well as an abundance of fireworks, flames shooting from the back of the stage and plenty of fog machine smoke.

And even though I saw all of it coming because I’ve seen this (Psycho) circus before, it was entertaining and pretty awesome. I’m a die-hard fan and Kiss always delivers what I expect.

“Detroit Rock City” and straight into “Deuce” was the start of the show. It was pretty much the same set the band played on the first night of the tour in Tucson, except we got a few extra songs. “Flaming Youth” was the lone surprise. The only non-makeup era tune was “Lick It Up” and the 1998 release “Psycho Circus” was the “newest” song included in the set. (Click here to see entire setlist)

There was something a little bit different about this show, and it was my “a-ha” moment as to why the band pretty much sticks to the classics. It came during some of Stanley’s between-song banter that has helped his reputation as one of rock’s great front-men.

At one point, Stanley said “We know you want to hear some modern stuff, but how many of you want to hear some older stuff?” Of course, the arena exploded, thereby justifying the omission of newer material.

But the more telling moment for me was when Stanley asked one simple question:
“How many of you have never seen us before?” I couldn’t believe the number of people who responded with a roar. The noise definitely was more substantial than when he asked about the older material. 

That’s when the lightbulb came on. Kiss will continue to play the hits because, at least in Boise on Thursday night, that’s what the majority of fans wanted to hear. While I would love to hear more obscure songs – anything from “Unmasked” or “Music From The Elder” would be awesome – I am not the majority. Kiss does a cruise (or is it Kruise?) for fans like me, when classics are dusted off and that’s what the audience expects.

With that being said, having the two non-original members – drummer Eric Singer and guitarist Tommy Thayer – sing songs written by former members Peter Criss and Ace Frehley still feels wrong.

I love the new lineup. Singer is a beast on drums, and I loved Thayer’s band Black ‘N Blue (who opened for Kiss in 1985 when I saw the Asylum tour in New Haven, Connecticut). But I don’t need to hear Thayer sing “Shock Me” and then rip off Frehley’s patented solo from Alive II. If Thayer is going to sing, I want it to be “Outta This World” off Monster, which is a great song and ultimately his.

“Beth” is another tough one. It’s arguably the band’s second-most known song (behind Rock and Roll All Nite) so there are people who want to hear it, but do they want to hear it from Singer? I didn’t. That made for the perfect bathroom break.

Those are the only knocks on the Freedom To Rock Tour that is coming to a smaller, out-of-the-way city near you. This tour is hitting places Kiss hasn’t played in years or at all. For example, the last time Kiss played Boise was 2000 on the Farewell Tour. I moved here in 2001, so I didn’t have the opportunity to see them unless I wanted to drive to Portland, Seattle or Salt Lake City (which is where I saw the 2014 tour).

Kiss still delivers the expected. And Kiss still delivers it well. That’s hard to do. It proves you can be entertained by something that you know is going to happen – you don’t need any surprises.
Kiss has figured this out. And I’m thankful.

Nick Jezierny really likes KISS He also once ranked every single song by the band Watershed. Click here to check that out.    

Pencilstorm has a bunch of KISS related stories. Click here to see a list of the 12 best KISS stories (both good and bad), that you will ever read. 

June 30th, 1980 Queen Release The Game - by Scott Carr

 

Queen began the 1980's on a high note with their eighth studio album The Game released on June 30th, 1980.

 

Like all their previous albums, Queen explored different musical styles but in the end made them all sound like Queen. The Game produced two of the bands biggest pop hits with the funky "Another One Bites The Dust" and the rockabilly flavored "Crazy Little Thing Called Love." The success of both singles pushed The Game to the number one position on the Billboard album charts, making it Queen's only US chart topper. The album sold 4 million copies, which tied sales figures of their 1977 release New of the World.

The album opens with the very majestic and classic Queen-sounding track "Play The Game." Written by Freddie Mercury, "Play The Game" is as good as anything Mercury had written on previous Queen records and I would say is a very underrated song in their catalog. "Dragon Attack" follows and is one of Brian May's funkiest guitar riffs ever. Amazing guitar work from Brian is all over this track. Next up, two contributions from bassist John Deacon and they couldn't be more different from each other. "Another One Bites The Dust" is a funky disco- infused romp that became a worldwide success and the band's first number one single in America. "Need Your Loving Tonight" is Queen's attempt at power pop, maybe one of their catchiest tunes ever. John Deacon's importance in Queen is often overshadowed by the other three songwriters in the band but he wrote some amazing songs that have stood the test of time. Side one closes with a song that Mercury claimed to have written in five minutes, "Crazy Little Thing Called Love." This rockabilly tip of the hat to Elvis Presley would become the albums second number one single.

Side two of The Game does not feature any hits but has some shining moments. The best song on side two would have to be Brian May's "Sail Away Sweet Sister." Brian takes lead vocals on this one and it sounds like something right off Queen's 1975 masterpiece A Night At The Opera. Mercury's "Don't Try Suicide" is another highlight on side two and probably one of the cheeriest anti-suicide songs ever recorded.

"Don't try suicide, Nobody's worth it, Don't try suicide, Nobody cares

Don't try suicide, You're just gonna hate it, Don't try suicide, Nobody gives a damn"

Drummer Roger Taylor delivers two strong tracks with "Rock It (Prime Jive)" and "Coming Soon," the latter sounding like  a New Wave Beach Boys. Brian May's "Save Me" closes out the album and is a true Queen classic.

If I were ranking the Queen catalog, The Game would be very close to the top. Mercury and company never really made a bad record from their 1973 debut through to The Game. They covered a lot of ground during those years and always came out sounding like Queen. The Game is probably the last classic Queen record as a whole. While they definitely had some great material after The Game, the records became much less consistent. 

Queen were a band in the truest sense of the word, every member vital to the sound that made them so unique and The Game finds them at their peak.

If anyone is interested, here are my Top Five Queen records......

1. A Night At The Opera

2. The Game

3. News of the World 

4. Queen 

5. Sheer Heart Attack

Scott Carr is a guitarist who plays in the Columbus, OH  bands Radio Tramps andReturning April.  Scott is also an avid collector of vinyl records and works at Lost Weekend Records. So...if you are looking for Scott....you'll either find him in a dimly lit bar playing his guitar or in a record store digging for the holy grail.

Click here to buy the Queen Collection Boxset - https://queenofficial.lnk.to/studio-collection Subscribe to the Official Queen Channel Here http://bit.ly/Subscribe2Queen Taken from The Game, and Forever, 2014. Queen - 'Play The Game' Click here to buy the DVD with this video at the Official Queen Store: http://www.queenonlinestore.com The official 'Play The Game' music video.

Click here to buy the Queen Collection Boxset - https://queenofficial.lnk.to/studio-collection Subscribe to the Official Queen Channel Here http://bit.ly/Subscribe2Queen Taken from The Game, 1980 and Forever, 2014. Queen - 'Crazy Little Thing Called Love' Click here to buy the DVD with this video at the Official Queen Store: http://www.queenonlinestore.com The official 'Crazy Little Thing Called Love' music video.

Fan made video :) Enjoy :) //http://www.youtube.com/watch?v=GljcR85z1WE&feature=channel - here's better quality

Subscribe to the Official Queen Channel Here http://bit.ly/Subscribe2Queen Queen - Sail Away Sweet Sister (Official Lyric Video) Taken from The Game, 1980 and Forever, 2014. Sing along to 'Sail Away Sweet Sister' with this official karaoke style Queen lyric video. Welcome to the official Queen channel.

Click here to buy the Queen Collection Boxset - https://queenofficial.lnk.to/studio-collection Subscribe to the Official Queen Channel Here http://bit.ly/Subscribe2Queen Taken from The Game, 1980 and Forever, 2014. Queen - 'Save Me' Click here to buy the DVD with this video at the Official Queen Store: http://www.queenonlinestore.com The official 'Save Me' music video.

Subscribe to the Official Queen Channel Here http://bit.ly/Subscribe2Queen Queen - Dragon Attack (Official Lyric Video) Taken from The Game, 1980. Sing along to 'Dragon Attack' with this official karaoke style Queen lyric video. Welcome to the official Queen channel. Subscribe today for exclusive Queen videos, including live shows, interviews, music videos & much more.

Subscribe to the Official Queen Channel Here http://bit.ly/Subscribe2Queen Queen - Don't Try Suicide (Official Lyric Video) Taken from The Game, 1980. Sing along to 'Don't Try Suicide' with this official karaoke style Queen lyric video. Welcome to the official Queen channel. Subscribe today for exclusive Queen videos, including live shows, interviews, music videos & much more.