The Pencilstorm Rundown (Literally & Figuratively) on the 2017 Rock & Roll Hall of Fame Nominations - by Ricki C.

(author's note: I wrote this blog back in late October, but with one thing & another, it didn't run until now.  In light of the recent "Presidential" Election, I now believe the nominees inducted into the Rock Hall will be Tupac, Journey and Joan Baez.)

 

Longtime Pencilstorm readers are well aware of my problems with ther Rock & Roll Hall of Fame: from the Concept, to the Implementation, to the Selections for Induction; allow me to summarize…….

1)    Unlike sports, rock & roll does not lend itself well to the Concept of halls of fame.  Sports achievements are pretty much quantifiable: how many games won or lost, batting averages, yards gained, Super Bowl victories, three-pointers made in a single game, how many days or nights (or weeks) were played in soccer until a goal was scored, etc.  Much of rock & roll is based on heartfelt ephemera: The Syndicate of Sound’s “Hey Little Girl” is – on the Ricki C. Planet – JUST as important to rock & roll as the entire Sgt. Pepper’s Lonely Hearts Club Band album.  (And more exciting.)

2)    Implementation: SOMEBODY shoulda thought ahead 30 years ago in 1986 when the Rock Hall started inducting performers that SOMEDAY the well was gonna run dry of TRULY DESERVING members of a HALL OF FAME regarding musicians and rock & roll acts; that somewhere the choices were gonna start to get sketchy.  C’mon, let’s face facts: The Beatles and The Rolling Stones (and even Led Zeppelin) are one thing, Kiss and Deep Purple are quite another, which leads us to…..

3)    The Nomination/Induction Process: Why does there have to be 8 or 9 inductees EVERY YEAR?  (Other than the fact that The Rock Hall WANTS/NEEDS to throw a Big Concert every year for some Big $’s, but that’s pretty much the story of EVERYTHING in rock & roll in the 21st century, so what else is new?)  I was almost MORE comfortable with the nomination/induction process when the performers had to have been invited to Jann Wenner’s home for dinner at least once, and display their impeccable table manners to Mrs. Wenner before they could/would be considered.  (Examples: David Crosby, Billy Joel, Sting.)  All of which brings us to the latest pale, weak stew of nominees……. 
 

The 2016 Rock & Roll Hall of Fame Nominations


Tupac Shakur, Janet Jackson, Chic, Chaka Khan, Joe Tex:  Pretty much every year I am accused of racism in rejecting all of the Black Nominees to the Rock Hall.  And every year my defense is the same, there are MANY, MANY black performers who belong in the Rock & Roll Hall of Fame: Chuck Berry (without whom rock & roll MAY NEVER HAVE EXISTED), Bo Diddley, Little Richard, Jimi Hendrix, Sly Stone, etc.  If somebody – Berry Gordy Jr., for example – would like to establish a R&B/Rap Hall of Fame in Memphis (where the Rock & Roll Hall of Fame SHOULD HAVE BEEN BUILT, by the way, but that’s another blog for a different time) or Detroit (the original Motown), I would happily see those performers inducted.  I am sorry, but I was only a hippie for about 20 minutes back in 1969 and therefore do not subscribe to the kum-by-yah, politically-correct view that music is music: rock & roll is NOT r&b/rap and vice versa.  I don’t see anybody clamoring to induct country acts like Garth Brooks or Eddie Rabbitt into the Rock & Roll Hall of Fame, let alone Buck Owens, Steve Earle or Lyle Lovett (all of whom might actually DESERVE it.)  I view this as pandering, as reverse racism of the Highest Order.  (And while we’re on the subject, where are the nominations for The Chambers Brothers or Living Colour: ACTUAL black rock & roll bands?)

Steppenwolf, The J. Geils Band:  I saw both of these bands live in their rock & roll primes.  My view, INDUCT THEM NOW.  (And I sometimes wonder why nobody ever brings up the connections between The J. Geils Band and Bruce Springsteen & the E Street Band.  I firmly believe Peter Wolf, Magic Dick & Da Boston Boyz loomed mightily as an influence on the young Mr. Springsteen.)  

The MC5, Bad Brains:  C’mon, the INVENTORS of a rock & roll style/sub-genre (punk crossed with metal) The MC5 vie for induction the same year as a band that was – at best – a minor sidenote to that style almost 10 years later?  Again, I must cite reverse racism.  Otherwise, where are the nominations for Black Flag, Fear or The Circle Jerks?  Further, if The MC5 had been from New York City or San Francisco (or – perhaps more accurately – if they hadn’t literally and/or figuratively pissed all over Jann Wenner’s Rolling Stone magazine and Bill Graham’s Fillmore Auditoriums back in the day) they would have been nominated & inducted back in 1994, their first year of eligibility.  The Stooges were inducted into the Rock Hall in 2010 and The MC5 is still waiting in 2016, 13 YEARS after the first time they were nominated?  Really, I just have to laugh.

The Cars: One of the ten best debut albums of all time, probably the best New Wave/skinny-tie power-pop band (along with Blondie) ever invented?  Induct them now.

Joan Baez: ROCKIN’!  Didn’t she used to date that nice Zimmerman boy from down the street in Hibbing, Minnesota about five DECADES before he won the Nobel Prize in Literature?

Kraftwerk, Journey: I’ll not be dignifying these nominations with comment.  Again, WHY do 19 acts need to be nominated and 8 or 9 INDUCTED every year?  The small pond of deserving Rock & Roll Hall of Fame Nominees is getting shallower every year, gentlemen of the Rock Hall.   

Jane’s Addiction, Pearl Jam: See above, yawn……

Yes, ELO, Depeche Mode: See above, all Hackmeisters of The Highest Order.  Jeff Lynne was an infinitely better producer than he was songwriter or bandleader.  Induct The Move first.  And Yes – whether they meant to or not – spawned the likes of Styx and Kansas, which alone invalidates them gaining entrance to the Rock & Roll Hall of Fame.  SOMEBODY needs to be held accountable for these atrocities in the name of rock & roll.

The Zombies: Really, The Zombies – who recorded a nifty little album called Odessey & Oracle, you mighta heard of it – await induction into the Rock Hall after The Hollies were inducted in 2010?  That couldn’t have anything to do with Graham Nash being in Crosby, Stills & Nash and those Jann Wenner dinner parties I referred to above, could it?  The British Invasion bands are CRIMINALLY overlooked while the likes of The Dells and Chicago gain induction.  Gimme a break, induct The Zombies, NOW. – Ricki C. / October 23rd, 2016. 

Show and Album Preview: N.P. Presley and The Ghost of Jesse Garon - by Jeremy Porter

Show Preview & Album Review: N.P. Presley and The Ghost of Jesse Garon


Lexington, Kentucky is a hidden gem in the independent music landscape of the southern-Midwest. Once you've had your fill of UK Wildcat basketball, beautiful horses grazing in bluegrass pastures, and some of the tastiest bourbon in the state, you'll find a welcoming music scene rich in camaraderie, talent, spirit and diversity. It's hip without being hipster, it's small without being townie, and it's steeped in the kind of culture that smaller cities can't support and larger cities lose in the masses. Venues like The Green Lantern, Al's Bar, and the newest, beautiful addition - The Burl - support bands like Those Crosstown Rivals,  Josh Nolan, Bryan Minks & The Kentucky Sons, Paper Bridges, and the great Justin Wells, among many others.


Not lost in the shuffle is N.P. Presley & The Ghost Of Jesse Garon.  N.P. and his 7-piece band will make the three hour drive north to Columbus this Tuesday to open for The Goddamn Gallows (Yeah Detroit!) and Gallows Bound at The Shrunken Head.  


N.P. (or Nate as I call him when he buys me drinks) is no stranger to rock and roll. His mom was cousin to none other than the King himself, Elvis, and toured with him in the 70s. Nate gets his snarl from Elvis, and some of his swagger too. Starting in the early '90s Nate led one of Lexington's greatest exports, the punk band Infected, through 20+ years of off-again-on-again touring and recording before forming The Ghost of Jesse Garon in 2014. 


In 2016 the band released their first full-length Broken Fantasy and it's chock-full of Kentucky Rock and Roll, edgy alt-country, and rockabilly punk. N.P.'s growl leads the way through 10 tracks, with a backbeat that's just ahead of the guitars and baritone sax, and sweet, sweet harmonies by Heather Parrish adding a nice varnish to the beautifully rough under-surface. I think the band shines brightest on "Only Time Will Tell," a fully-realized pop-rock-soul number that channels The Hold Steady with the main riff but lays a gritty vocal hook and call & answer harmony on top of that. "Won't Slow Down" is another strong one: a pop-punk almost-anthem with a growling, breathy vocal on top of driving, chunky guitars. The opening track "Dream While You Still Can" is a dark, acoustic, Americana number that recalls the underappreciated Massachusetts band Angry Johnny And The Killbillies. "Road to Insanity" and "It's a Fact" are rockabilly tracks that evoke Elvis' swingin' hips days.  The whole package is a bit of a goulash of a couple styles - but it's a cohesive set, not disjointed or unfocused. It's incredibly engaging with no filler and no lulls to open your attention to distractions. Fans of Social Distortion, X, The Replacements, Hank III, the Fat Wreck Chords bands, Jerry Lee Lewis, Johnny Cash, Naked Raygun and more will all dig this release.  


N.P. Presley and The Ghost Of Jesse Garon are playing Columbus on Tuesday, November 15th opening for Goddamn Gallows and Gallows Bound at The Shrunken Head, 251 W 5th Avenue.  Doors are at 8pm.  Get tickets here:  https://nppresley.bandcamp.com/  
 
N.P. Presley and The Ghost Of Jesse Garon:
http://www.nppresley.com/
https://www.facebook.com/nppresley
https://nppresley.bandcamp.com/


Thank you. Thank you very much.  

What Now America? What NOW? How About a Mixtape? - Wal Ozello

By Pencilstorm contributor - Wal Ozello

We have a strict rule here among us Pencilstorm contributors - no politics.  Even with the tumultuous Presidential election, I stopped myself from blogging about it.  After Tuesday's results came in my facebook feed lit up and it's been crazy ever since.  Both sides are still talking about what America needs.

You know what America needs now?  Some good ol' rock n roll.  So I made a mix tape for you America.  Enjoy!

American Girl - Tom Petty and the Heartbreakers

Liberty - Journey

Rockin' In  The Free World - Neil Young

For Those About To Rock, We Salute You - AC/DC

Johnny B Goode - Chuck Berry

Paradise City - Guns N Roses

American Idiot - Green Day

Right Now - Van Halen

Rock In America - Night Ranger

The Rising - Bruce Springsteen

Star Spangled Banner - Jimi Hendrix

Feel free to add your own in the comment section below.  It's time to rock.

Wal Ozello is a science fiction techno-thriller novelist and the author of Assignment 1989 ,  Revolution 1990, and Sacrifice 2086. He's a resident of Upper Arlington, Ohio and a frequent customer at Colin's Coffee.

Five Sentences About The Stooges Documentary Debuting at Gateway Film Center This Week - by Ricki C.

HEY, PENCILSTORM READERS, a new documentary about The Stooges (NOT Iggy & the Stooges, I WILL NEVER refer to them as "Iggy & the Stooges" they were just THE STOOGES) by Jim Jarmusch is playing at the Gateway Film Center this week.  I didn't get to go on Friday on accounta I was playin' roadie for The Whiles CD release party at Ace Of Cups (Columbus' finest venue for local rock & roll, and maybe just finest venue, period) and I've got a busy weekend comin' up, but you'd best believe I'm gonna be there THE MINUTE I get a minute.

So, I haven't actually SEEN the doc, but I think it's gotta be great, given Jarmusch's involvement and the fact that it's about The Stooges, for Chrissakes.  I read on the Gateway website that Tuesdays are Super Tuesdays, with $5 admission and FREE POPCORN, so my best advice to you, dear readers, is to QUIT YOUR JOBS (or just tell your boss you're headin' out to vote) and go see Gimme Danger on Tuesday.  

This is my fifth sentence: here's a trailer, GO SEE THIS MOVIE!!!!!!!

(editor's note: Some of the footage in this trailer - the scene of Iggy throwing peanut butter into the audience and standing/pointing on the hands of the crowd - was shot at the Cincinnati Pop Festival, which Ricki C. attended on June 13th, 1970, exactly one week after he graduated from high school.  He's never been the same.  For a more complete account of that show, check out The First Time I Saw The Stooges on Ricki's previous blog, Growing Old With Rock & Roll.

One Night, Two Cities and Six Amazing Columbus Bands - by Colin Gawel

This Friday night, November 4th, 2016

Ace of Cups (Columbus, OH): The Whiles (CD Release), Ghost Shirt and Bicentennial Bear

The Pike Room (Pontiac, MI): Lydia Loveless, Aaron Lee Tasjan and Jeremy Porter & the Tucos.

The Whiles

Obviously anybody who reads Pencilstorm and/or is a fan of Watershed knows we go deep with The Whiles. Ricki C. has been a raving, slobbering fan since their first demos and still wrangles guitars for the Peppercorn brothers. I've had many a late night discussion pleading my case that Colors Of The Year is the best record to ever come out of Columbus. And I've been lucky enough to have Joe Peppercorn help out on both my solo records and the Watershed record Brick and Mortar.  And to top it all off, original lead singer Zach Prout is now my son Owen's 7th grade English teacher. 

Though the band has stayed active, this show is a release party for Mercury Ghost (Anyway Records) their first new record since Somber Honey in 2012. The word on the street is that  it could be their best yet, so needless to say, Ricki and myself are over the moon with anticipation. The band also performs their annual Beatles Marathon every Holiday season (this year it's December 10th) so this may be the last straight show of originals from The Whiles for - ahem - a while, so try not to miss it. You'll be glad you did. 

Lydia Loveless

Similar to The Whiles, Lydia Loveless' early records are so damn good they can overshadow her more recent work. And that's a shame, because although it doesn't reveal itself on the first listen, her latest record Real is her best to date and another big step forward for the talented Ms. Loveless. She and her kick-ass band have been touring since what seems like the last time the Indians won the World Series and in the process even became one of the few Columbus ensembles to perform on a national TV show. Click here to check it out.

Hot on her heels in the national sense, the pride of New Albany, Aaron Lee Tasjan has been making waves with his brand new release Silver Tears out on the very cool New West imprint. Aaron left Columbus for Brooklyn before settling into East Nashville where he has amassed a jaw-dropping resume as a side-player while simultaneously cranking out quality solo work. Don't take my word for it, check out his bio here.  The title track off his latest record is a must listen and a must watch.  Dig it here.  

Speaking of cool labels, while browsing around for this article, I realized five of the last eight 12" records I have bought were released on Columbus' own Anyway Records. One of those bands, Ghost Shirt will be making a rare live appearance to support their pals in The Whiles. I flat wore out the grooves of their last release, After the Spark, and I recommend it highly to fans of power-pop that falls not far from the Nick Lowe tree.

Bicentennial Bear is led by Miranda Sound alum Billy Peake and his talent for combining clever lyrics & clever arrangements played at stupid volumes is truly awe-inspiring. If you have never heard the song "Black Quarterbacks," I truly pity you. Click here to remedy that situation.  

OK, you got me, Jeremy Porter and the Tucos aren't from Columbus. They happen to be yet another kick-ass rock n roll band from Detroit. There is a local connection, however: Jeremy is longtime friends with Watershed producer Tim Patalan and - in fact - Jeremy added some musical parts to our last single Best Worst Night / Hey Lydia that was just released this summer. Like Lydia and Aaron, Jeremy is a touring machine who has built up quite a following around the Midwest and East Coast. Click here to check out some of the tunes. It's great stuff.

My best advice would be to try and attend one of these amazing bills in person, my next best advice would be to check them all out online and tell a friend. 

Colin Gawel thinks it's weird when guys in bands are also music critics. It's like being a baseball player and a sports writer at the same time. But he wrote this, so I guess he is weird. He owns Colin's Coffee and founded Pencilstorm. His latest video is here.

Enuff Z' Nuff: A Band You Need To Know - by Scott Carr

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Hailing from Blue Island, Illinois, Enuff Z' Nuff was formed in 1984 by guitarist/vocalist Donnie Vie and bassist Chip Z' Nuff. Originally known as Enough Z' Nuff, the duo immediately began writing songs together. Leaning heavily on their influences of The Beatles, Badfinger, Slade, Queen, Elvis Costello and their home state heroes Cheap Trick, Vie and Z' Nuff built a catalog of hundreds of songs in short order and began hitting clubs all around Chicago. 

Enuff Z' Nuff took their shot at big time success when they released their self-titled debut album on Acto Records in August of 1989.  Glam metal was taking it's last gasp of breathe and Enuff Z' Nuff were pushed right into the middle of it all. While the band did have the glam image, their music was not metal and it certainly felt more sincere than their glam metal counterparts. Big media even took notice of Enuff Z' Nuff being quite different than the flavor of the week that the labels were churning out at the time. Rolling Stone magazine describe their music as "Beatle-esque song craft and ripping hard rock" while Billboard magazine called them "a truly gifted power pop act." Even radio shock jock Howard Stern took an interest in the band and often featured them on his nationally syndicated radio show, Stern would later write liner notes for the bands fourth album 1985. In the liner notes Stern mentioned a trip he had taken to a remote deserted island and he only took five cassettes with him and three of them were Ennuff Z' NuffEnuff Z' Nuff made back to back appearances on Late Night With David Letterman and Letterman said "when it comes to rock 'n roll kids, these guys are all you need." Kiss' Paul Stanley said "Their debut album is a classic!"

It would seem that everything was set in place for Enuff Z' Nuff to become a household name, but it just wasn't in the cards. The debut album did quite well and spawned the MTV hits "New Thing" and "Fly High Michelle." By the the time the band released their second album Strength the music climate had changed and anyone associated with the glam metal scene found it tough to get any attention. Strength was a far superior album to the bands debut album and found the band delving deeper into their Beatle-inspired power pop roots. Acto Records dropped the band but they were quickly picked up by Arista Records for their third record, Animals With Human Intelligence. Almost as soon as they were signed to Arista they would find themselves without a label again. This would be the bands last go around with the majors and Chip and Donnie forged ahead releasing their music on indie labels and sometimes you could only track down their new music via Japanese imports. Although they no longer had the support of a major label the quality of their music never suffered. If anything, it continued to get better with each record.

To date the band has released 12 studio records with a 13th on the way in December. The bands has had its share of inner turmoil, including the death of guitarist Derek Frigo in 2004 and the death of drummer Ricky Parent in 2007. Donnie and Chip have been the creative force behind the band and have struggled to keep the name of the band alive. Donnie has been in and out of the group a couple times and is currently not a touring member of the band. Chip is currently fronting the band and has a entirely new line-up touring the country. Their new record coming out in December - called Clown's Lounge - is an archival release of songs the band recorded around 1988 but never released. Donnie Vie has released several solo records over the past decade or so and continues making music on his own.

My personal history with Enuff Z' Nuff dates back to 1990 when a band I was in opened for them at a teen club in Huntington, WV.  We got to hang out with the band and they were really nice to us, which isn't always the case when you get an opening slot for a national act. I continued to follow the band and would open for them a couple more times over the years. The most interesting interaction I ever had with the band was sharing the stage with singer Donnie Vie for a one-off solo show he did at Oldfields On High here in Columbus in 2002. Donnie was in town for the holidays and wanted to play a show but didn't have a band. Donnie's wife at the time was a mutual friend and she reached out to me and asked if my band would be interested in backing Donnie up at this show. Of course we said we would. We scheduled a few rehearsals with Donnie and we had been doing our homework, so we already knew a bunch of songs. Donnie wanted to play mostly songs that we didn't know but by the end of rehearsals we had a pretty solid set put together. The night of the show the set list went out the window and Donnie said,  "We are gonna play one we have never played before...." He looked at me and sayid, "Stand By Me, John Lennon style." I launched into the opening guitar part, the band joined in and the rest is kind of a blur. Donnie ended the set with a swan dive into our drummer's drum kit. It was a crazy night but we all survived, barely. Although Donnie knows my name, throughout this whole experience he always referred to me as "Fingers." 

Chip Z' Nuff, myself and Derek Frigo 1990

Chip Z' Nuff, myself and Derek Frigo 1990

Me and Donnie Vie 1998

Me and Donnie Vie 1998

On stage with Donnie Vie at Oldfields On High.

On stage with Donnie Vie at Oldfields On High.

Donnie's infamous dive into the drum kit.

Donnie's infamous dive into the drum kit.

I'm writing this piece with the hope that it will shed some light on this great little band from the 1980's that not many people remember, but also as a tribute to the loyal fans that have stuck by the band for almost 30 years. Illinois has spawned so many great power pop bands like Shoes, Material Issue, Off Broadway, Pezband, and of course Cheap Trick. Enuff Z' Nuff has elements of all those bands in their music and they also managed to carve out their own unique sound. If you are looking for a "new thing" to listen to, I would suggest picking up an Enuff Z' Nuff CD. I think you will be pleasantly surprise.

The current touring version of Enuff Z' Nuff will be playing the Alrosa Villa on Saturday October 29th. 

Check out the clips below for a little taste of what Enuff Z' Nuff is all about....

Scott Carr is a guitarist who plays in the Columbus, OH  bands Radio Tramps andReturning April.  Scott is also an avid collector of vinyl records and works at Lost Weekend Records. So...if you are looking for Scott....you'll either find him in a dimly lit bar playing his guitar or in a record store digging for the holy grail.

 

Noisivision Studios produced this Enuff Z'Nuff video for their hit single "There Goes My Heart." www.noisivision.com Prod. Co. Noisivision Studios Director: Brian Smith Producer: Braddon Mendelson © 2008 Pony Canyon Year: 2000 Location: Exteriors filmed at Richard Rioux County Park, Stevenson Ranch, California http://www.noisivision.com/category/music-videos/

Provided to YouTube by The Orchard Enterprises Catholic Girls · Enuff Z Nuff 1985 ℗ 2008 Stoney Records (BCD Music Group) Released on: 2008-03-25 Auto-generated by YouTube.

Provided to YouTube by The Orchard Enterprises Goodbye, Goodbye · Enuff Z Nuff 1985 ℗ 2008 Stoney Records (BCD Music Group) Released on: 2008-03-25 Auto-generated by YouTube.

Provided to YouTube by The Orchard Enterprises Day By Day · Enuff Z Nuff 1985 ℗ 2008 Stoney Records (BCD Music Group) Released on: 2008-03-25 Auto-generated by YouTube.

Provided to YouTube by The Orchard Enterprises I'll B The 1 2 Luv U · Enuff Z Nuff 1985 ℗ 2008 Stoney Records (BCD Music Group) Released on: 2008-03-25 Auto-generated by YouTube.

Provided to YouTube by The Orchard Enterprises I'll B The 1 2 Luv U · Enuff Z Nuff 1985 ℗ 2008 Stoney Records (BCD Music Group) Released on: 2008-03-25 Auto-generated by YouTube.

Provided to YouTube by The Orchard Enterprises We're All Alright · Enuff Z Nuff Tweaked ℗ 2008 Stoney Records (BCD Music Group) Released on: 2008-05-27 Auto-generated by YouTube.

Uploaded by DonaldEVanDevelde on 2015-11-18.

Provided to YouTube by The Orchard Enterprises Ain't It Funny · Enuff Z Nuff Paraphernalia ℗ 2008 Stoney Records (BCD Music Group) Released on: 2008-07-22 Auto-generated by YouTube.

Provided to YouTube by The Orchard Enterprises Rollaway · Enuff Z'nuff Dissonance ℗ 2010 Copyright Control Released on: 2013-06-01 Music Publisher: Copyright Control Auto-generated by YouTube.

Enuff Z´Nuff - Mother´s Eyes (High Quality)

Promo Video

Enuff Z'Nuff performing High at M3 Rock Festival, Merriweather Post Pavilion, US. Fri May 11th 2012

Enuff Z'Nuff performing Fly High Michelle at M3 Rock Festival, Merriweather Post Pavilion, US. Fri May 11th 2012