Getting Crafty on Pencilstorm - by JCE

I am not really a crafty person (but I do like craft beers, if that counts). I’m not an artist by any means.  Even if I was, I have a high stress job, a beautiful family and I love rock n roll, sports, skateboards, and - did I mention - beer?  Who has time for arts & crafts?  Apparently, I do.
One day while delivering my trash to our local solid waste transfer station, otherwise known as the dump, I hurled a bag into the dumpster and noticed two well-used but perfectly good skateboards amongst all that trash.  I pulled them out and tossed in them in my Jeep for no particular reason, other than I like skateboards.  A few months later I ended up making some shelves out of them for a room in my basement where I keep my collection of about 100 vintage skateboards. I mentioned this skateboard shelf project to the guy that operates the solid waste transfer station and he agreed to ask his staff to start saving all of the discarded skateboards that end up there.  So now, I had achieved a supply line of skateboards to recycle.  I came up with the idea of combining two things I love - skateboards and beer - in order to start making….Birdhouses.  Yep, you read that right.  I’m making birdhouses out of old skateboards and craft beer bottle caps.  The supply line of skateboards is hit  miss, but the beer caps I have completely covered, no problem.  I build these in my basement with music blasting, so I’m really working with three things I love.

I built the first one in a pretty plain style, I left it really rustic with the old skateboard graphics and then shingled the roof with beer caps.  It turned out like this:
 

THE ORIGINAL

The second one was supposed to look less like a house and more like a shed.  During the construction process I took a beer break and discovered a brand new, fully-sealed beer bottle in my six pack that was totally empty!  It was a terrible tragedy, but I took it as a sign and decided to incorporate it into my birdhouse as a smokestack.  The front entrance got some spray paint as well.  Here’s birdhouse number two:
 

THE SMOKESTACK


My third birdhouse was inspired by the idea of a beach shack, or a tiki hut.  It turned out like this:

THE BEACH SHACK
  

Given that I now had three different models, I built two more as gifts, one as a Christmas present for my father-in-law (the man has everything, but he didn’t have a handmade recycled skateboard-beer cap birdhouse!) and another one as a birthday present for my brother-in-law’s girlfriend.  I’m thinking these are getting a little better as I go…  and there’s more and more spray paint involved.

FATHER-IN-LAW CHRISTMAS

BIRTHDAY PRESENT

So at this point, I think I’m developing a hobby.  I don’t think I’m doing too badly for a guy who has a 1970’s era jigsaw, some sand paper, a rechargeable drill, a hammer, a screwdriver and not much else to work with.  I don’t have a table saw or anything to cut any fancy angles.  The latest effort was made especially for my daughter at her request.  She’s a rocker, so I tried to give it some heavy metal flare with a flaming roof design.  It looks like this:

HEAVY METAL

Thanks for reading my Arts and Crafts Edition of Pencilstorm.  If you like these things, let me know, but don’t ask me for one, because it takes me so long just to pound out one of these, I’d have to charge at least $100 each just to earn a few bucks an hour.  -  JCE
 

Juliana Hatfield and Paul Westerberg are The I Don't Cares - by Colin Gawel

Juliana Hatfield is playing Ace of Cups Columbus, OH Sunday April Sunday April 30th at 6:30 pm. 

I don't know much about Juliana Hatfield except this:

1) Every woman I have ever dated (4) cranks up the song "My Sister" at some point after too many drinks. 

2) Everybody references how she was once the lead singer in the Blake Babies and that is very cool. 

3) Nobody has seen the Blake Babies or heard any of their music. 

Yet still, for no solid reason I've always had Hatfield filed under: Cool beyond reproach. Though if you cornered me in a bar, I couldn't defend that position. I would likely just put a finger in your chest and scream "What's that one song... uh.... you know the one.. SPIN THE BOTTLE? People love that. and..uh....WHAT ABOUT THE BLAKE BABIES? What is ya, ignorant? HUH? HUH?" 

It took until the year 2016 for my head to catch up with my heart. That was the year Juliana and Paul Westerberg formed the I Don't Cares and released the amazing garage rock opus Wild Stab.  Not many things hipper than teaming up with Paul Westerberg for a super underground, double secret probation, so cool we hope nobody ever hears it slab of semi low fi rock. The promotion of this record makes Guided By Voices look like Michael Jackson History.  At least GBV keeps the same name. Wild Stab is basically a side project of the Westerberg side project grandpaboy. Yes, a side project twice removed.

Except it's not that far removed. It's basically a grandpaboy record where Paulie gives about 50% more a shit than usual and that makes it pretty damn amazing. I can only assume the presence of Juliana Hatfield helped push him over the finish line. Bottom line, two major talents joining forces for a common cause. Rock n roll.  Dig this!

Minneapolis, Feb 2016.

Now I know five things about Juliana Hatfield:

4) She is a member of The I Don't Cares and I love that band.

5) I need to quit being such a lazy bastard and spend some quality time checking out her new record Pussycat and back catalog. Maybe even the Blake Babies. 

Colin Gawel plays in the band Watershed and you can read about him in the book Hitless Wonder. He was rushing to finish this story before Juliana's show at Ace of Cups. Just pretend Guided By Voices wrote the story. The flaws and laziness make it awesome. He also needs to wrap it up and finish mopping Colin's Coffee. 

"Dale" Westerberg gives a lesson on songwriting. ------ SUBSCRIBE to Pitchfork.tv: http://bit.ly/yK2Fbp ------ FOLLOW Pitchfork.tv on Twitter: http://bit.ly/KJ2PhP ------ For more videos from Pitchfork TV: http://bit.ly/M1lvs8 Like Pitchfork on Facebook: http://www.facebook.com/pitchforkmedia Check out Pitchfork on Tumblr: http://pitchfork.tumblr.com/ The I Don't Cares - "Whole Lotta Nothin'" (Official Music Video)

 

 

Your Abbreviated C-Bus Record Store Day Preview

Record Store Day 2017 is upon us. Make plans now to throw some cash at some tasty new platters and support your local record store. Click here for the complete list of all Record Store Day releases.   Below are some choice picks from a handful vinyl junkies. 

Jim Johnson - Sales & Mktg. rep for AllianceEntertainment. Drummer.
Drive By Truckers-Electric Lady Sessions
Doors-Live at the Matrix '67
Ramones-76-79 Singles Box set
U2 picture disc of Red Hill Mining Town
NRBQ 50 year retrospective
Cars-Live at the Agora(Cleveland)
Dennis Wilson- double LP
Springsteen-Live Hammersmith '75 (4 LP set)

Brett Ruland (Spoonful Records)
Atomic Bomb Band (Performing The Music of William Onyeabor)
Shocking Blue - At Home
The Meters - A Message From The Meters
David Bowie - BOWPROMO
Luna - Penthouse Deluxe

Click here for Spoonful Records RSD event page.

Kyle Siegrist (Lost Weekend Records)
Fleetwood Mac - Alternate Mirage
Son House - Oberlin 1964
Grateful Dead - Vancouver 1966
The Cure - Acoustic Greatest Hits
Columbus Blood 4 Compilation

Scott Carr (Lost Weekend Records)
Cheap Trick - The Epic Archive Vol. 1
David Bowie - Cracker Actor (Love In Los Angeles 1974)
The Cars - Live At The Agora 1978
Big Star - Complete Third Vo. 3 - Final Masters
Ramones - '75 - '79 Singles Box

Lost Weekend has all kinds of cool RSD events going on including portable screen printing and live performances including Lydia Loveless. Click here for the Facebook event page. 

And don't forget to visit Used Kids Records. Click here for their list of events. 

Pat Dull - this year I am looking forward to the Cheap Trick 2x lp of *somewhat* rarities (many already on CD bonuses), and anything on Parlophone! In the future, the Steve Abini re-recording of In Color would be the perfect RSD release!  Also the legendary 2x lp version of Combat Rock (my least favorite Clash LP tho) called "Rat Patrol From Fort Bragg."

Dual Review: Cheap Trick / Exene & John Doe - by Jeremy Porter

Dual-Concert Review
Cheap Trick - Windsor, Ontario March 24, 2017
Exene Cervenka & John Doe - Detroit, Michigan March 25, 2017

I’ve seen Cheap Trick so many times. I’m not positive, but the count is.....well, it’s a lot. I have a spreadsheet. Many of those were simply opportunity - an easy chance to see a great band that’s constantly on tour - but yeah, I’m what you’d call a big fan. I’ve seen them in arenas, sheds, festivals, race tracks, theatres, clubs, bars, private parties.....and casinos. On March 24th we descended beneath the Renaissance Center and under the Detroit River to Ontario, Canada to see them at The Colosseum in Caesar’s Windsor Casino. That’s my 3rd Trick show in Windsor and 2nd at Ceasar’s, if you’re keeping score. It’s a clean, sterile setting with movie-theater seating, nice carpet, and expensive-drink lines for miles. This ain’t Irving Plaza or Harpo’s. Despite the lecture hall atmosphere, good tickets are relatively easy to come by and it’s comfortable to a fault.    

 After seeing a band that many times the surprises are few and far between, but Cheap Trick usually throws something interesting in between the predictable fan-faves. What are they gonna pull out from the first record? What are the deep cuts gonna be? I’ve seen and heard them all, but I still get excited to hear something I wouldn’t expect, something most people there don’t know. This time the deep cuts were Lookout (a great, upbeat, live-only track originally from Budokan), Baby Loves to Rock, and She’s Tight - a couple songs that are very similar from One on One and All Shook Up respectively. It’s always cool to hear Big Eyes, and Never Had a Lot To Lose (from 1988’s comeback album Lap of Luxury) was a bit unexpected. The set included 5 covers - Velvet Underground, Beatles, The Move, Big Star, and Dobie Gray. That’s about 25% of the show, and they didn’t even do a couple of their staple remakes (Ain’t That A Shame and Don’t Be Cruel). And of course, there are the hits - the ones everyone knows and were there to hear. 

The band was a little looser than usual. Long-time fans might have caught the stumble during Top of the World, and I took some satisfaction in seeing a band that plays 200 shows a year still mess up the way my own little group does from time to time. Drummer Daxx Nielsen was getting over a bout of stomach flu, but you couldn’t tell it from the smile on his face and the youthful kick in the ass he gives the three front-line men, 30+ years his senior. Robin Zander continues to amaze. He might not be quite as consistent as he was a decade ago, but he’s still able to sing circles around most other rock vocalists, turning songs like Voices and The Flame into vocal clinics for anyone who’s ever stood in front of a microphone.  

These days a lot of the novelty has worn off, and I even look back myself and ask “why” sometimes, but they still bring the goods to the stage and the songs are timeless. Even staples like Surrender and Dream Police are delivered with the same tenacity and spirit as the deep cuts and newer songs. Your entertainment dollar goes a long way with Cheap Trick, and I have a feeling I’ll be seeing them again someday.   

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What is the polar-opposite of seeing a classic-rock concert in a 5000-seat theater attached to a Vegas-style casino in Detroit’s Canadian sister-city? How about a special acoustic set by a couple of legends from the Los Angeles punk scene at an old warehouse-converted-event-space down a dark side-street in Detroit’s New Center area? John Doe and Exene Cervenka - the voices of X and The Knitters - flew into town specially for the event which was a fundraiser for Public Pool, an art co-op in Hamtramck.  

I often find myself wishing I lived in Southern California where stuff like this seems to happen constantly - legendary bands like X playing little shows - special events that are usually limited to the proximity of where they live. They don’t happen in Detroit often, so I just couldn’t pass it up. We parked around the corner, stuffed anything of value from the car into our pockets to deter would-be thieves, and headed into the warehouse. 

This ain't no casino. The concrete floors, exposed oil-stained wood walls, and high ceilings feel SO Detroit. There was a small bar with a couple choices for liquor (at less than ½ the price of Ceasar’s) and a card table where they were handing out PBR's that were gratis with your donation to get in.  We stocked up and headed into the dark back room where John and Exene were just about to start.  

The setting was casual and loose, with some funny banter between songs about death, loss, longing, and want. “You’re harshing my mellow,” Exene said quietly (and jokingly) after John joked about the dark subject matter. There were a couple old country tunes played, including an incredible version of Something to Brag About, originally recorded by Charlie Louvin and Melba Montgomery, later by George Jones and Tammy Wynette.  They did some great Knitters songs (Skin-Deep Town, Poor Little Critter on the Road) and a few X tunes that were the best received - I Must Not Think Bad Thoughts, The New World, Burning House Of Love to name a couple.  

I’ve seen both X and The Knitters a few times but I’ve never seen or heard John and Exene really come together like this. It’s no secret that they have an amazing chemistry and those unique harmonies are a part of the lexicon of American punk rock, but the stripped-down setting really drove that home. They were both in very fine voice and John’s lack of prowess on his Guild acoustic (blaming his “bass-player fingers”) were overcome by the spirit and vibe of the set. It was a really special thing to see, and I don’t think anyone would have complained if they’d played twice as long. The 45-ish minute set went by fast and people lingered well after, drinking and talking, waiting for more bands and the 50/50 raffle (that my wife won!). I was so glad I got out and saw this show - there’s a decent chance I won’t have the opportunity again, and it was everything I’d hoped.  

Jeremy Porter lives near Detroit and fronts the rock and roll band Jeremy Porter And The Tucos. Follow them on Facebook to read his road-blog chronicling their adventures and see his photo series documenting the disgusting bathrooms in the dives they play. He's a whiskey snob, an unapologetic fan of "good" metal, and couldn't really care less about the UofM - OSU rivalry since he once saw The Stones at the Horseshoe. Still, go blue.     
www.thetucos.com
www.facebook.com/jeremyportermusic  
@jeremyportermi
www.rockandrollrestrooms.com