Movie Review: Hearts Beat Loud - by Ricki C.

Hearts Beat Loud is currently playing at the Drexel and Gateway Theaters, check the links for showtimes.


There are precious few ways to grow old in rock & roll music, fewer ways still to grow old gracefully.  Longtime readers of Pencilstorm will be painfully familiar with me grousing about this fact in past blogs: for every whip-crack, spark-spitting Joan Jett & the Blackhearts gig, playing their hearts out at the likes of the terribly-unforgiving Obetz Zucchini Festival, there’s a dispirited, not-even-going-through-the-motions Blue Oyster Cult appearing at a Q-FM Wing Zing, looking (and, in fact, PLAYING) like insurance salesmen, not like the Dark Princes of Heavy Metal they were when I loved ‘em in the 1970’s.

And don’t even get me STARTED on Pete Townshend & Roger Daltrey of The Who.

Anyway, the movie I caught over the weekend at the Drexel (and – let’s face facts – wouldn’t you much rather see a movie at the Drexel than the Gateway?) (Actually Ricki, I prefer the Gateway - Colin) Hearts Beat Loud, addresses that exact topic of Growing Old With Rock & Roll.  (Not coincidentally the title of my old blog, 2012-2013.)

In Hearts Beat Loud, Nick Offerman (apparently from Parks & Recreation, a TV show I never saw a single episode of) plays Frank Fisher, a 40-something Brooklyn record store owner and widowed father of 17-year old Sam, played by Kiersey Clemons, who is simply incredible in this movie, and whom I would like to think is somehow related to Clarence & Jake Clemons from Bruce Springsteen’s E Street Band, but she probably isn’t.

There’s really not much plot to the film: dad & (reluctant) daughter write & record a song together at home, which becomes a hit of sorts on Spotify (whatever THAT is, I’m 66 frickin’ years old, I have never ONCE listened to a song online, maybe Colin can fill in the blanks here).  But the plot is not really the selling point of this movie, it's the PERFORMANCES – from Offerman & Clemons, from (of all people) Ted Danson, from Toni Collette & Blythe Danner, and from the heartbreaking Sasha Lane, playing Sam’s love interest - that propel the picture.  (I have to credit director Brett Haley - who I've never even HEARD of - and his co-writer Marc Basch for pulling out performances this consistently brilliant from his cast.)  (Also, I calculate that the budget for this movie was probably IN EXCESS of $137.50.  I bet the producers of The Avengers spent more on DONUTS for the special-effects crew than the entire budget for this superlative flick.)

I’m a connoisseur of rock & roll movies (for a semi-complete rundown, check out The Best of Everything, part two in Growing Old With Rock & Roll), and lemme tell ya, for every masterwork like Almost Famous or Rock & Roll High School, there is always a The Runaways or Begin Again lurking around the corner.  And I’ve gotta say, Hearts Beat Loud is THE BEST r&r movie I’ve seen since 2016’s Sing Street or 2009’s Crazy Heart, starring Jeff Bridges. 

Hearts Beat Loud actually shares a lot with the aforementioned Almost Famous.  The first time I saw Almost Famous, by 45 minutes into the movie I loved it SO MUCH that I spent the rest of the film holding my breath, waiting for the writers & director to screw it up, to pull out something that would NEVER REALLY HAPPEN to a real rock & roll band, to trot out something so hokey-Hollywood that they would ruin the picture for me.  And it never happened.  Almost Famous was perfectly great, start to finish.

I felt exactly the same way on Sunday afternoon at the Drexel, taking in Hearts Beat Loud.  I was certain they were gonna screw it up somewhere in the final half-hour (i.e. Frank & Sam wind up on the Jimmy Fallon show or at Madison Square Garden, Beyonce shows up wanting to cover their song, etc.) but they never did.  It was wonderful.  You should go.  – Ricki C. / July 2nd, 2018


(ps. It has been pointed out to me that I never mentioned the TUNES in a music movie.  The songs Offerman & Clemons perform in Hearts Beat Loud were by written by Keegan Dewitt and they were pretty great.  They mighta been a little too indie-rock for this over-the-hill devotee of Mott The Hoople and The Dictators, but they were still great, and PERFECT for the film.)
 

The Pencilstorm Interview: Aaron Lee Tasjan - by Erica Blinn

Ohio's own Aaron Lee Tasjan, on tour with Social Distortion, will be in Columbus, OH: Wednesday, June 27 at Express Live!

When you experience a live performance by ALT and his incredible band, you will witness four dudes who have figured out how to build a rocket ship out of songs to transport themselves to a far better place, and they'll take you with them if you only believe. - Erica Blinn

EB - Your new album Karma for Cheap comes out this Fall; in a previous interview, you said that if this record doesn't find the commercial success you're hoping for that you'll probably quit and open a chain of Chinese buffets. Is that still your plan or has it changed?

ALT - That plan changes daily. I'm always planning for a forced retirement. My manager will likely release a statement to the press about all my "years of service" and how everyone is "sad to see me go" meanwhile I'll be reluctantly agreeing to go to hair cutting school after a long talk with my Dad.

EB - What is an experience you've been hoping for on the road but hasn't happened yet?

ALT - A gig where I don't worry about anything.

EB - What planet would you most like to visit and what is the main attraction that is drawing you there?

ALT - I know a girl who was in the running to go to Mars so I guess I'd visit there. At least there's a chance I might know somebody.

EB - Of the planets that you have visited, which has been your favorite?

ALT - There's this planet on my front porch...it has an inflatable pool and a bubble machine and a person who has stolen my heart. It's my favorite planet in the universe.

EB - Which pair of animals should've been left off "The Ark"?

ALT - Mean-spirited snakes.

EB - In your opinion, how many strings does the ideal guitar have?

ALT -  Keith is king.

EB - Who would you say has had the least influence on you?

ALT - Ryan Adams's recent Instagram posts.

EB - When would you say would be the best time to exact revenge on someone and how would you do it?

ALT - When they're least expecting it. I would use a palm pilot. No one even knows the technology any more.

EB - What is your favorite thing to get from the ice cream truck?

ALT - Flintstones tangerine push pop.

EB - Shaken or stirred?

ALT - Shake, rattle and roll.

EB - Sunrise or sunset?

ALT - Sunrise in the evening, sunset at dawn.

EB - Would you say that you tend to: a) overreact b) under react c) react appropriately d) none of the above

ALT - I act like I don't know what I'm doing.

EB - You've competed in a lot of pageants over the years; what is one of your favorite memories from your time in the pageant industry?

ALT - I played the Mayor of the munchkins in the Delaware Children's Community Theater production of The Wizard of Oz. I got to wear a sash for the role. That was as close as I ever came to winning a pageant.

EB - If you could only wear one thing every day for the rest of your life what would it be?

ALT - Sparkle shoes and/or David Bowie's outfit in the Diamond Dogs photo by Terry O'Neill.

EB - What is your favorite Quentin Tarantino film?

ALT - Jackie Brown. I like the happy ending.

EB - Which of your prize winning show horses is your favorite?

ALT - Oprah Whinniefrey, Oats-Hay Simpson or Pony Bennett.

EB - What's the most money you've ever spent on Sparklers?

ALT - I've bought far more fireworks than I've ever set off.

EB - If you could be any dinosaur, which would you be?

ALT - Dinosaur Jr.

EB - If you were just starting on this record today, what would you do differently?

ALT - Record a cover of Party In The USA by Miley Cyrus. 

EB - Was there any fun gear that you used on this record? What were some of the effects pedals you used/acquired specifically for this record?

ALT - We used a lot of tape varispeed to make the guitars sound like they're melting. I used a fair amount of Sheryl Crow's guitars on this album, too. Please don't tell her. 

EB - If your band was more like the T.V. show Survivor how would touring be different (if at all)? Who would be voted out of the van first?

ALT - Me. I'm far and away the most annoying one of our whole band. Everyone knows it. No one is bigger or better at being annoying than me.

EB - No further questions, Your Honor.

Aaron Lee Tasjan's new record Karma For Cheap comes out this Fall on New West Records.  



 

 

 

 

 

 

 

 

How # Watershed Wednesday Became a Thing - by Nick Jezierny

I have a love/hate relationship with Facebook (not to be confused with Love/Hate the band).  I enjoy seeing what friends are doing and eating, plus I find out about some things happening around town.  That’s the love part.

The hate part is the shared political posts, fake news, and extreme right & left pages that I’m asked to like.

So during the election season last year, I decided that I was going to post a “Song Lyric of the Day” for the month of November.  I ride my bike 8 miles (each way) to work and listen to the 200-plus songs I’ve loaded onto my iPod Shuffle.  That first day, Black N Blue’s “Miss Mystery” came on and “I’m tied to the track, just waiting for the train” became the first lyric I posted.

I continued this each day, writing the lyrics on the white board that is built into my workstation (re: cube) at the office and photographing and posting them.  Typically, it’s a song I heard on my ride in or one over the weekend or one that pops into my head for no good reason.

I haven’t stopped doing this, only missing days when I’m out of the office.  I think the whiteboard is a nice touch, as opposed to just typing the lyrics. 

At some point, I picked a Watershed lyric and it was on a Wednesday.  That’s when I used #WatershedWednesday and started tagging Colin & Joe, who are Facebook friends.  It’s cool to get comments from them, such as the time Joe wondered how I even knew the song “One-Word Title.”  I enjoy comments from  people I don’t know.  I even appreciate learning the correct lyrics — I’ve guessed wrong a few times or relied on speculative Internet sites to get the words.

But my favorite part about #WatershedWednesday is I take my classic iPod and select Music < Artists < Watershed < Play All.  I’ve got 98 songs loaded on there — Twister, Star Vehicle, The More It Hurts, The More It Works, Fifth of July, Brick and Mortar, Three Chords and Three Chords II, a few of the Singles Series, the Obvious EP and the cover of “Paint the Town Red”  I listen to those songs every Wednesday, and I swear it makes it my favorite day of the workweek.

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Live Taping of Rock & Roll Book Club, Gramercy Books, Tuesday June 19th: Thomas O'Keefe & Joe Oestreich's "Waiting To Derail" - by Ricki C.

Shy, socially-backward, book-reading child that I was, libraries were my first love, bookstores were my second.  (True story: My senior year of high school in the prehistoric ages of 1970, a few of us cut school and went up to the river to hang out.  My best friend Dave Blackburn & I were being the lives of the party and a girl named Christine George – who I had gone though 12 years of Catholic education with, at St. Aloysius and Bishop Ready – looked at me being a rock & roll clown, shook her head and said, “I can’t believe you’re the same person I went to grade school with.  In third grade we were all absolutely SURE you were mentally retarded, but you still got straight A’s.  We all thought the nuns just felt sorry for you.”)    

My current favorite indie bookstore in Columbus (Bexley, to be precise) is Gramercy Books at 2424 E. Main Street, right across from the Bexley Public Library (how perfect).  At 7 pm on Tuesday evening, June 19th, Gramercy will host a live taping of the Rock & Roll Book Club, presented by Mark Danzter, Patrick Buzzard, Chuck Johnson & Ryan Smith.

The subject of the podcast is the long-awaited Thomas O'Keefe book Waiting To Derail: Ryan Adams and Whiskeytown, Alt-Country’s Brilliant Wreck (co-written with Joe Oestreich).  Joe – as many Pencilstorm readers are certainly aware – is the bass player & co-lead singer of Watershed: Columbus, Ohio’s power-pop dynamo.  (Oestreich will be appearing at Gramercy Books for an author talk on July 13th.)

My previous experience with a live presentation of the Rock & Roll Book Club was an event at the Upper Arlington Public Library back in 2015, but next week will be the first time Dantzer, Buzzard & Co. will record their podcast LIVE for re-broadcast on July 2nd.  (The book being covered in 2015 was Joe's Watershed memoir Hitless Wonder, and Watershed's other co-founder/co-lead singer/guitarist - and Pencilstorm mainstay - Colin Gawel played a live set that evening.  Those Watershed boys are so literary.)  

There will be an ample supply of Waiting To Derail on sale at the store during the Rock & Roll Book Club taping, so support a local business, buy your copy at Gramercy Books, and maybe skip Amazon for once, okay?   

It's mid-June, not-quite-summer, we're done with rain, rain, rain, so get yourself over to Gramercy in Bexley on Tuesday for some books and rock & roll; it's easily my favorite combo, and I wish it could/would be yours.  - Ricki C. June 16th, 2018.

 

 

The Complete 2018 NOLA Jazz Fest Review - by Todd Baker

NOLA JAZZ FEST 2018: New Orleans Fairgrounds: May 5, 6, 7

Little Freddie King, Tank and the Bangas, Jason Isbell & The 400 Unit,

Aerosmith, Cowboy Mouth, Walter Trout, Lost Bayou Ramblers

Al “Carnival Time” Johnson, Clarence “Frogman” Henry,

Dixie Cups, Galactic, Rebirth Brass Band, George Porter,

Jack White, Smokey Robinson, Radiators, Zion Harmonizers,

Steve Miller, Buddy Guy, Trombone Shorty, Preservation Hall Brass Band

 

There is nothing like Jazz Fest in New Orleans. Don’t get me wrong, Mardi Gras is wonderful and has a magic spirit all its own. I love getting drunk, going to parades and collecting worthless plastic trinkets just as much as the next guy. but Jazz Fest is all about the MUSIC. For two weekends at the end of April and beginning of May you can see literally hundreds of artists spanning all genres: Gospel, Blues, Jazz, Zydeco, R&B, Rap, Soul, Funk, Pop, Rock and everything in between. It truly is an amazing experience and I highly recommend it! Especially if you have a friend who is willing to put you up for a few days. Hotels can be expensive!

Considering I usually live hand to mouth, saving money for an event like this takes some planning. However, I had $650 in cash, my “Emergency” $20, an extra $100 in my checking account and Dad’s AMEX card (just in case). I figured that was plenty, including the cabs and Uber’s. “The best laid plans of mice and men…” My flight landed early Friday morning and I took a cab ($36 on AMEX) to my buddy Allen’s house. By 9 am we were having breakfast at Please U on St. Charles. The biscuits and gravy looked good but I opted for a soft-shell crab po-boy and an Abita Purple Haze to start my day. ($45 on AMEX) It just rolled on from there.

We went back to his house off St. Charles, a gorgeous and large structure built in the 1830’s. Allen is a LOCAL! I quickly settled into my room and rolled a few joints for the day. The room has a desk, a big fluffy bed, private bathroom & shower. It’s perfect! The best part is I am welcome anytime and Allen understands I am coming into town to play. So, we actually don’t see much of each other. He gives me a key and we hang out when our paths cross. The only way I could have afforded this trip was thanks to Allen. Yet, he doesn’t do Jazz Fest. Not since they raised the price to $15 (30 years ago). It’s funny, with his family connections he could get in for free any day he wanted. It’s just not his thing. Trust me when I say, this guy is made.

I had a couple more beers at Allen’s house and we smoked a joint before I called my Uber to the Fest ($14 AMEX). My driver dropped me off directly in front of the gates, an Uber no-no I later found out. Bonus! The bar across the street was hopping so I bellied up to the Seahorse Saloon for another pre-Fest beverage. That makes 4 before noon. I wandered through the crowd chatting with random people. Hey, it’s what I like to do. Talk, drink, rock…repeat. The main attraction for me on Friday was Jason Isbell. He was scheduled to do an interview at 1:15 and play his set around 3:30, so I had time. The headliners that day were Beck, Sheryl Crow and L.L. Cool J.

Knowing I may have to leave early that day my plan was to start with the Isbell interview, see his set and then just catch a little of everybody on my way out. I planned on a long night! My 7:30 dinner reservations at Court of Two Sisters had been booked weeks in advance. Mom and Dad got me VIP passes to Preservation Hall at 9pm. Not to mention the Funky Meters were at House of Blues, Kermit Ruffins was at Blue Nile and Dash Rip Rock was at Circle Bar! The night shows are usually the best part of Jazz Fest…if you can still muster the energy. I am not as young as I used to be and binge-drinking for 72 hours straight is a bit more exhausting these days. However, sleeping is not an option at Jazz Fest. There will be plenty of time for that when you are dead. Just go to the show! Having said all that, I tried my best, but came up short.

Isbell’s interview didn’t start till 1:15, but I wanted to get there early. I was so early I had time to catch some of Little Freddie King’s set at the Blues tent and stopped in the Gospel tent to boot. I love the Gospel tent! You don’t have to be a religious person to feel the spirit when you are there. AMEN! By the time I got back to the Isbell interview several other fans had arrived. We all took our seats and waited patiently for Jason to arrive. Then the announcer said, “Jason Isbell was not available today….” A slight whimper/groan was clearly audible from the audience. Then we got up and walked out as a group. Oh, well. What’s next on the schedule?

As it turns out, an old friend of mine from THE Ohio State days lives in NOLA now. Friday was the only day she was going, so we made plans to meet. She sent me a pic of their gate number, what flag to look for and away I went. Personally, I hate smart phones but they make finding your friends in large crowds much easier! “Back in my day” we had to get a big pole and decorate it so your friends could find you. It’s true. The tradition continues to this day. I have a friend who claims to know the story of the FIRST stick. The ELVIS STICK! More on that later.  I found Tracey and she introduced me to her Crewe. She was excited to see the band coming up before Isbell, Tank and the Bangas. They did not disappoint. I got down front and had a blast! For me to try to describe them wouldn’t do it justice. Find them on YouTube and thank me later.

I love Jason Isbell & The 400 Unit! However, the last three records have been an extreme departure from his DBT (Drive By Truckers) days (which I love). I guess getting sober, getting married and having kids has a way of chilling you out.  It was a decent show, but pretty much the same as the last few times I’ve seen him. At least he played ONE Truckers song: “Never Gonna Change” and that was the highlight for me. Afterwards, I was getting beat down and tired. So much so, I blew off the headliners and got an Uber ($15 AMEX) to the Quarter. My dinner reservation at Court of Two Sisters sucked! Shitty service. I left after one beer and turtle soup ($20 AMEX). Sadly, I missed the Meters, Kermit and Dash but my VIP seat at Preservation Hall was great, especially since I got to sit on the bench right next to the band and not on the floor! Thanks, Mom and Dad!

After that, Friday night gets fuzzy. Bourbon Street can do that to you. I blew through the $150 reserved for the day and busted into the first of five $100’s to buy more smokes. I had already gone through TWO packs from the carton I brought with me! ($60 AMEX) Later that night, I thought I lost my AMEX, or left it somewhere. A little research the next morning, which was rough, revealed it was last used at The Funky Pirate at 1:15 am. Damn those Hand Grenades! Cab ride home ($15 AMEX). I woke up at 10am and went to Walgreen’s for a much-needed soda. I gave the cashier $50 from my change I got the night before. It was a fake! Movie money.  

Yeah, I was pissed, but also determined to ride the rail for AEROSMITH! That would require finding a spot and planting myself for five hours, which is no problem if you have a group of friends with you, but I was rolling solo. The AMEX card would have to wait and there was nothing I could do about the $50, except hold on to it and try to pass it on later. Does that make ME a criminal? Not compared to our “so called” President. My Uber ($15 AMEX) dropped me off about half a mile from the Fairgrounds, which kinda sucked but gave me time to smoke a joint.

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As soon as I arrived at the Acura stage I made some new friends. Weed brings people together. Literally. As soon as you light a joint there will be a group of people around you! The first act of the day was a Grammy-award winning Zydeco band called the Lost Bayou Ramblers and they were fantastic! Next up was one of the greatest blues guitar players I’ve ever seen named Walter Trout. Seriously, look him up! Hell, check them BOTH out. After each band ended some people would leave to go to another stage. This is when you make your move. I got about three people back from the rail and was happy with my spot, directly in front of the vanity ramp! Bingo.

This sweet little old lady next to me had a chair with wheels and she was partying her ass off! There was a group of about eight people from the rail back to me and we made a square to close off any “intruders”. I was the left corner and took my responsibilities seriously. Then came a group of youngsters: two boys, two girls. Young to this old man anyway. They seemed nice enough, one of the girls was really cute. I gave her the duty of holding my space when I left. After chit-chatting with my new buddies, I handed them all my business card and got ready to hit the Blues Stage. The group was nearly in shock that I was going to leave my spot. The only other obligation I had that day was to see the R&B Revival show featuring The Dixie Cups, Al “Carnival Time” Johnson and Clarence “Frogman” Henry. This was a MUST for me! After I explained the seriousness of my need, they understood and said, “Good luck.” as if they would never see me again. In their defense, I was about to fight a crowd of 100,000 people and getting bigger by the minute. I turned around and said, “Save my spot. I WILL be back!”

Getting to the Blues Tent was easy. Getting back would be the hard part. Now, for those of you not familiar with the Dixie Cups, Al Johnson or Frogman Henry, they are New Orleans legends! The Dixie Cups were known for their version of “Iko Iko” as well as their 1964 hit, “Chapel of Love.” Al Johnson wrote the ultimate Mardi Gras song, “It’s Carnival Time.” Clarence “Frogman” Henry was best known for his hits, “Glory of Love” and “Ain’t Got A Home,” in which he sings falsetto and deep bass (ribbit). Sadly, after the Dixie Cups I had to piss so bad I missed most of Frogman’s set. At least I caught the last song. Hey, you can’t see everything!

With my mission accomplished I was ready to fight the crowd back to the front row. However, I hadn’t eaten all day and was starting to feel weak. I got a crawfish pie to start then remembered I still had that fake $50. So, I got a crawfish Monica as well. As I handed the bill to the nice, young, white girl behind the counter she took it and gave it to her supervisor. I thought I was busted for sure. She gave me my food and said, “Have a nice day.”  Elvis has left the building! Being full from the crawfish pie I took a few bites and gave the rest to a random stranger. Good Karma. After that, I bought 6 beers and they were kind enough to throw them in a box and tossed some ice on top. That made it much easier to push my way though the crowd! A few “pardon me” and “just trying to get to the guy in the orange shirt” then I was right back where I started!

However, the kids had moved up into my spot. No worries, now I was standing next to the cute one. Katie was her name. There was also an annoying blonde southern woman who weaseled her way into the circle. Who let HER in??? She promised that she just wanted a picture of Steven and then was leaving. Yeah you right, darlin'. She wouldn’t be staying long. I would make sure of that. I talked with Katie until Cowboy Mouth hit the stage: Impressive!  I’ve seen them before, but this show really knocked me out. Especially the “Stand By Me” sing-a-long. Kudos, boys.

Finally, it was time for the main event. We had been standing in the heat for five hours as the crowd had grown to enormous proportions. It was asses to elbows. Yet, there was still enough room to dance. This was my 19th Aerosmith show since 1985. The last time I saw them was in Philly 2012 and they closed with “Chip Away The Stone.” It was phenomenal. But, that was more than five years ago. Would Steven be fucked up? Could he still sing? I was afraid it might be a train wreck. My fears were quickly laid to rest with the opening number, “Toys in the Attic” followed by “Same Old Song and Dance.” They sounded great and looked like the true rock stars they are. That said, they setlist really missed the mark if you ask me. They should have opened with “Back In The Saddle” since they haven’t played live in such a long time. Or maybe even allow Joe to take the lead with “Let The Music Do The Talking.” Hell, they were in New Orleans and DIDN’T USE A HORN SECTION!!! No one thought to play “Big Ten Inch”? Ha-rumph!

When they started playing the 80’s/90’s stuff the younger audience members seemed to perk up. Me, not so much. “Last Child” was a nice break in between “Livin' On The Edge” and “Ragdoll” which was somehow supposed to be significant to New Orleans since they shot the video in the French Quarter. Ridiculous. At one point, they were playing “Janie’s Got a Gun” and I thought to myself, “Who picked this song?” I complained out loud for, “Don’t Want To Miss A Thing.” Yet, they did manage to play one nugget for the old fans, “Adam’s Apple” (first time since 2009) and also did a bit of “Mother Popcorn” before closing their set. However, they did TWO Fleetwood Mac covers and no “Train Kept A Rollin”? Come ON! Looks like I’m going for #20!

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After the show it was a madhouse to get out. I said goodbye to Katie and her friends before forging my own path home. As I wandered around trying to find an Uber I stumbled onto the most kick-ass crawfish boil I have ever seen! The Uber would have to wait. After my miserable dinner experience Friday night, I was ready to EAT! Besides the unlimited mud-bugs, they also had a whole roasted pig and beer on tap. Just make a donation and help yourself. I kicked in $40 and did just that. Hell, I stayed for three hours before finally calling a ride to the Quarter.

 As I said, my AMEX was last seen at the Funky Pirate on Bourbon Street, so that was my destination. My Uber dropped me off at Jean Lafitte’s which is at the end of Bourbon towards Esplanade. I had to head the other direction towards Canal St. so I might as well get a drink! Jean Lafitte’s is one of the oldest bars in New Orleans and they are known for these purple slushies that pack a punch. Needed it! I wandered up Bourbon and enjoyed some people watching until I reached the Pirate. Sadly, they did not have the card. Shit. Then, I looked in my wallet again and there it was! I had put it on the other side in my drunken state didn’t notice! Problem solved.

Once I reached Canal Street I ran into a guy with an Aerosmith shirt and we started talking about the show. He must have had REALLY good seats because he pulled out a handful of pics and gave me one of Joe Perry, Brad Whitford and Tom Hamilton. Thank you, kind sir! I caught the streetcar at Canal and rode it back to the Garden District. God, I love the streetcar. For $1.25 you can get nearly anywhere in the city. It’s beautiful! Since I still had a little energy left I stopped off at the Avenue Pub for a couple of night caps and then called it a day. Whew! I was tired and needed some rest. Yet, I still had one more day of Festing to do and there was plenty left on the agenda: Steve Miller, Buddy Guy, Smokey Robinson, Rebirth Brass Band, and much more!

When I woke up Sunday I could hear the church bells ring next door. But it only rang once. Shit, I overslept! By the time I got to the fairgrounds it was already 2pm. Only five hours of fun left. Must see music! Eat later. There was a LOT on the schedule for the day and my choices were nearly limitless. On top of that, my sister texted me on Saturday and ask me to find some “glass monkeys.” All I had to go by was the picture she sent me. They look like the old kid’s game but bigger and made of glass. You hang them outside and they look pretty. Yeah sure, I’ll get right on that, sis. Not my top priority. I entered at the back of the Acura stage where Galactic was playing, not that I would have known it. I was focused on getting my bearings, finding a schedule and getting to the best stage at that very moment. I like Galactic. Normally I would have found some cool people, smoked a joint and waited for Trombone Shorty. Not today.

Rebirth was at Congo Square! The best part about traveling by yourself is not having to worry about walking too fast or waiting for someone else. Just hit the gas and GO! I like to bob & weave when walking through crowds. Focus about ten feet ahead of you and anticipate the next move. You can’t do that with a group of people. It just doesn’t work. Which is why you have those big sticks! So, you can meet your friends at a certain place at a certain time. If you get split up, look for the stick. It’s worked for 50 years. I made it to Congo Square, but unfortunately Rebirth were already half way through their set. That’s ok, half of Rebirth is better than nothing!

Smokey Robinson was up next but I had some time to sneak over to the Lagniappe stage and catch the end of George Porter & His Running Pardners. George Porter is a bad-ass on the bass! Seeing the end of his set nearly made up for missing the Meters on Friday, but not quite. The Radiators were up after George, so I stuck around for a few tunes. Then, I had to get back to Smokey. Unfortunately, by the time I got back the crowd had swelled and I could barely see the big screen, let alone the stage. Plus, the sound was very low! You could hardly hear him from my vantage point. So I saw “I Second That Emotion” and a couple more before heading back to the Gospel tent. It was Sunday, after all. Gotsta get my churchin’ on! Rev. Todd is testifying!

The Zion Harmonizers brought tears of joy to my eyes. Their music inspired me to hug fellow humans with no shame. I raised my hands to the sky and declared for all to hear, “I BELIEVE!” No matter what you believe, if anything at all, the Gospel tent is a beautiful thing to behold and it welcomes all.  Unlike our Republican-run Congress and the entire Trump administration. (Hey, it’s my story. If I can talk religion, I can talk politics too. Lighten up, Francis!) After I filled my heart to capacity with pure bliss I continued on to some ROCK. Now, I knew Jack White existed. I knew a few White Stripes songs. I was not prepared for what I saw that day! Mind blown.

The crowd was huge. Bigger than Aerosmith? I don’t know. I didn’t see Aerosmith from the back. However, it took me a LONG while to get through the small barrier to the main field. As soon as I crossed over, I got a beer and planted myself. That’s when I made a few more friends, one from NOLA the other from FLA. We were ALL feeling it! It was an organic orgasm between one hundred thousand people happening simultaneously! Who knew Jack White was that good?  I didn’t! When the show was over I planned on hitting Steve Miller with my new friends. Karma had other plans. The Elvis Stick was calling and I had to answer it. Where is Rob Kerner???

    

I lost the ladies but made it to Steve Miller. Once I got there I immediately made some new friends. As I stated earlier, joints do that. Then, a guy with a backpack strolled up next to me. He took a hit and I asked where he was going. To which he pointed at the Elvis Stick and said, “there”! Hey, I know that stick!  Maybe my friend was there. So I followed him through the immense crowd and we somehow made it through. Unfortunately, BK had already left for the day, dammit! I gave the guy my business card and said, “Tell him Rev. Todd was here.” The message was received.

With less than two hours of Jazz Fest to go I walked rapidly to the Blues Tent for a bit of Buddy Guy. Having never seen him before, it was a must and he tore it up! He took his guitar from the stage to the back of the house and back! I tried to get some video of it, but to no avail. Too late. Once again, you can’t see it all. Just try to see a bit of each when you can! It’s ALL good! Back to the Acura stage for Trombone Shorty, the end of my Sunday night. The last night of Jazz Fest is always bittersweet. You don’t want the fun to end but you know it must. When Quint Davis took the stage after Shorty’s set to say thank you I knew it was over, but it was wonderful.

As I was leaving, I made a frantic effort to find my sister’s precious request. Lo & behold, at the very end of the arts tents, I FOUND THE MONKEYS! Having not properly read her text, I did not realize she only wanted ONE monkey…in orange. She said it would cost about $100 with shipping. I ended up buying three for $200 and lugging them all back with me through Mid-City. Plus, I also got a Fleur-De-Lis for an early Mother’s Day present. With my time in NOLA waning, I enjoyed wandering the streets, listening to the music and taking in all the beauty of the city. Including nitrous! Hey, somebody had a tank. I had $20. What the hell? We only live once.

Once the “wah-wah’s” wore off I continued down the street until I found a cab. Forget Uber at this point. Go with convenience. Three others hopped in and the driver said it would be $8 apiece to The Quarter. Fine. We started driving and stopped at a red light. As I looked to my right I saw a sign that said Dookie Chase. Holy Shit! This is one of the places I REALLY wanted to eat! I told the driver, “Let me out here!” and I got out of the car without paying. It wasn’t until after he drove off I realized they were closed on Sundays. Now, I HAD to call an Uber ($15 AMEX), as this was not a place for a white boy with glass monkeys to be hanging out. Plus, I had to piss. Peeing outdoors in NOLA will get you arrested fo’ shiggity! I took the risk. Had to.

Uber picked me up and took me to The Quarter where I proceeded to crawl from one end to the other. Needing food, I opted for an old stand-by, The Clover Grill. The atmosphere is more restrained than it used to be and for that it loses points. Where are the tranny servers? Where are the gay-positive menus? This was just a diner now. No matter. I had the chicken-fried steak and it was good. I made one last stroll up Bourbon. Who cares if it’s a tourist trap or the best place to get shot by a gang-banger? It’s still fun. By the time I got to Canal Street I was ready for bed.

Once again, I took the streetcar home. I had to break into my Emergency $20 to make change. My $650 was gone. God knows how much I put on AMEX. Fuck it. Check the totals when you get home, Baker. As I rode the rails on that beautiful beast, I couldn’t help but eavesdrop on conversations while watching the downtown streets blow by. It was a beautiful evening and another extraordinary New Orleans experience. As we passed Lee Circle it was hard not to notice the lack of a statue on top of that huge column. I consider that progress. More is needed.

Monday afternoon I awoke groggy yet determined to squeeze every glorious moment out of my last day in New Orleans. As I came out of my room, there was Allen! I hadn’t seen him since I got to town. He thought I already left. We got to hang out for a little bit before I had to take off, which was nice. I mean, the guy put me up for a weekend and I barely see him? Some friend I am. Yet, as I said, Jazz Fest isn’t his thing and he has own schedule to keep. Spending some time together is better than nothing at all, right? Shit, I’ve known this guy for over twenty years and we really don’t talk much. A coupla times a year tops, usually around Christmas and if I’m coming to town. That’s about it. But, it’s better than nothing, folks. CALL YOUR FRIENDS NOW!

Taking my own advice, I finally got around to calling Rob Kerner and he agreed to pick me up at Allen’s. Saying goodbye to one amigo and hello to another, I got in B.K’s truck and off we went. To where I was not sure, but I knew it would be fun! My sister was his friend first, but when she introduced us in 1995 I knew has my friend, too. Rob was meeting people at their hotel in the  Quarter but he couldn’t reach them via text. So, we took a stroll through the French Market and smoked a few cigarettes while waiting for a response. We should have gotten a beignet at the Café Du’ Monde and taken a stroll through Jackson Square. Missed opportunities.

Sadly, there is TOO MUCH to do in New Orleans. Whether you are at a Jazz Fest, Mardi Gras or just the average Thursday, you can’t do it all in a weekend. Sorry. It’s impossible no matter how much money you have. You can’t buy TIME! I spent the rest of my Sunday by the pool with B.K and his friends at Hotel Le Richelieu. It was wonderful. Laughing, lounging, drinking. Just what the witch doctor ordered for my last day in NOLA. Yet, the time in my happy place was closing.

Rob and his friends had dinner reservations at Briquette and I had to catch a plane back to Florida. He gave me a ride to the restaurant in the back of his truck and I took the opportunity to take a few parting pictures of my favorite city in America. I wish I could afford to live there again, but alas it is out of my means these days. So, I will suffice with visiting as often as I can. Or, as long as Allen lets me stay. Did I mention hotels were expensive? Well, they are!

Sigh…back to reality, and my AMEX bill, which was about $700 by the time I got home. Whoops, I guess I went a little over budget. It happens. Who gives a shit? I had a blast and THAT is what life is all about, folks. You can’t take it with you and I have no one to pass it on to anyway. So, I plan on dying broke! Besides, I had my glass monkeys and Katie’s number in my cell phone. Life was indeed good. I made it to the airport on time with a lifetime of memories jammed into half a week. I hope to come back to New Orleans and my friends soon, but I had a wedding in Columbus to attend in two weeks. No rest for the wicked. Looks like somebody is getting a glass monkey for a wedding present. Congrats to Andy and Alicia Hindman!

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Did Steve Earle Have the Best Three Album Run in Rock History? - by Colin Gawel

Steve Earle and the Dukes will be playing the Newport Music Hall in Columbus, Ohio Sunday, June 10th.

Among the many subjective questions music geeks like myself love arguing about online and in line at bars is the classic quandary: What are the best three album runs in rock n roll history? (Not including live records), Hell, almost every band with some success has made a pretty great record. Less have made two in a row. And fewer have cranked out three consecutive five star efforts.

I would like to use this space to suggest that starting with I Feel Alright and continuing with El Corazon and Transcendental Blues, Steve Earle had an amazing three record run that deserves to be mentioned among the most worthy of all time.

I Feel Alright (1996)  A great record by any standard, context is what really pushes I Feel Alright into five star territory. By this point in his career, Steve Earle was just an addict who under-achieved despite his enormous talents and opportunities. And quite frankly, as he writes in South Nashville Blues, was always on the verge of being killed or locked up again.

Along with Dwight Yoakam, Steve Earle was going to save country from Nashville and its Music City excesses. And though all the guys in my band Watershed liked Steve Earle, something was always a little off. Guitar Town was good, not great. Exit 0 was uneven to say the least. And for all of its calculated AOR success, even Copperhead Road had kind of an unfocused, muddy pall about it. Don’t get me wrong, I really liked the record, but compared  say, If There Was a Way by Dwight Yoakam, it was just missing something..

Turns out what was missing was sobriety and a clear mind from Mr. Earle. Following The Hard Way, Steve disappeared for five long years before dipping his toe back in the water with the folky Train a Comin’. It was pretty cool and the Watershed van was happy to be spinning some new Steve Earle again, but for guys who has spent New Year's Eve seeing KISS on the Crazy Nights Tour a mere seven years before, we weren’t really prepared for the mighty wind Steve had blowing on this record.

Then…. Steve dropped I Feel Alright. From the opening chords of the title track to the stunning finale of “You’re Still Standing There” (featuring a jaw-dropping cameo from Lucinda Williams), this record ruled our world.  

The very next year El Corazon was released. The album opener stopped me dead in my tracks. Nobody led off a record with a song like Christmas in Washington. Did they? That ain’t your granddaddy's Xmas song. Republicans bad. Woody Guthrie good. El Coro felt like an extension of the previous record and Steve was still rolling. Heavier moments like Here I Am (Live with The V-Roys!) balanced with heartbreakers like Fort Worth Blues. Man, Biggie would drive the van, dip and play this one all night long. 

(Ok, I know I’m cheating a bit, but Earle's next record, The Mountain, was a collaboration with the Del McCoury Band recorded as a tribute the founder of bluegrass music, Bill Monroe, who had died in 1996. We are going to skip that one.)

Just when it seemed Steve was going to disappear up his own ass on a bluegrass bender he released his best, and possibly my favorite record of all time, Transcendental Blues (2000) Outside of Darkness on the Edge of Town, no record has meant more to me than this gem. Just spin it top to bottom over and over until you die. I have never tired of the title cut despite not being able to spell the word Transcendental or really understanding what it means. Even after reading the definition and after repeatedly looking up how to spell it. 

Coffee customers staring at me. I better jump. Check out these amazing records and catch Steve at the Newport June 10th or on tour later this summer with...wait for it…. Dwight Yoakam and Lucinda Williams.

Colin Gawel founded Pencilstorm and plays in the band Watershed. He wrote this while spilling hot stuff at Colin’s Coffee in Columbus, Ohio.