New Willie Phoenix Fanpage and He is Playing Saturday, December 8th After CBJ

Pencilstorm Hall of Fame member and rock n roll legend Willie Phoenix will be playing at the A&R Music Bar (391 Neil Ave) following the Columbus Blue Jackets game Saturday, December 8th. Tickets are $8 at the door, or free with CBJ ticket stub.

Also - please check out Shadowlords - the Willie Phoenix Fanpages on Facebook. It’s the gathering place for Willie fans to share all their Willie pictures, stories and music. If you have trouble finding it we have the link on the front page of Pencilstorm.

Please Add "Still Love Christmas" to Your Holiday Playlist - by Colin Gawel

Next time your are on Spotify or Youtube or wherever you stream music, it would be a big help if you could add my song “Still Love Christmas” to your holiday mix tape. That way all those fancy computers can start suggesting it to other folks streaming holiday music. Of course, you can still request it on the radio or watch the video over & over, but adding it to your Spotify mix is a great way to help the song find fresh ears.

And if you want to hear it live we will be playing it Sunday, December 23rd at our annual Christmas Eve Eve show at Woodland’s Tavern in Columbus, OH.

Thanks in advance. - Colin G.

The title song to Colin Gawel and the Lonely Bones' December 2010 release. We shot the video at the "Still Love Christmas" release party at Rumba Cafe in Columbus, OH. COLINGAWEL.com

Ten Albums That Changed My Life, part one, 1964-1973 - by Ricki C.

(The response to the Ten Albums That Changed my Life series launched by our VA. correspondent JCE three weeks ago has been brisk to say the least. So much so that the Pencilstorm Editorial Board has decided to make it our regular “Sunday New York Times” prestige feature. This is the third installment, following Anne Marie’s entry last Sunday and JCE’s kick-off to the series before that. Ricki C. is up for the third round. Future entries will feature Wal Ozello, Jim Hutter & Pete Vogel. Stay tuned.)

THE DAVE CLARK 5 / Glad All Over

From the ages of zero to 12 years old, all I cared about in life was comic books and World War II. (Comic books ABOUT World War II like Our Army at War, featuring Sgt. Rock of Easy Company, were – needless to say – particular favorites, but Superman, The Flash, Green Lantern, The Fantastic Four, The X-Men and Daredevil all played a HUGE role in my character development.) Then, when I was 12 in 1964 The Beatles appeared on The Ed Sullivan Show and Everything Changed. Rock & roll largely became my Reason For Existence, and quite literally saved my life on at least one occasion. (see The Bathtub, Growing Old With Rock & Roll.) Oddly, I was never all that crazy about The Beatles, but I dearly LOVED The Dave Clark 5, who appeared on Ed Sullivan the week AFTER The Beatles’ inaugural three-week run.

I got this album as a present for Christmas in December 1964. It was all I asked for, and all I wanted. (I probably got some shirts & socks & underwear too, but I really don’t remember.) I had bought 45 rpm singles up ‘til then, but this was my first album, and I love it to this day. Did this launch my love of bands wearing “uniforms” that has lasted up until this very moment, and was last manifested by The White Stripes in the early 2000’s? Probably.

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THE MC5 Kick Out The Jams / JONI MITCHELL Clouds

Both of these records were released in early 1969, when I was 17, and neatly delineate the next segment of my Rock & Roll Upbringing. These were the records that turned me and my working-class-West-Side-of-Columbus-Ohio friends into Teen Hippies. They couldn’t have been more different: The MC5 is probably the greatest, most outrageous, LOUDEST live rock & roll record of all time, beaten out as the BEST live record of all time only by The Who’s masterful Live At Leeds (but only in the DELUXE CD edition, issued belatedly in the 21st century.) Live At Leeds edges Kick Out The Jams only because The Who had better songs, but when I listen to the MC5 record it makes me wanna BREAK STUFF – even at my advanced age of 66 – and The Who just makes me wanna mimic Pete Townshend air-guitar windmills & appreciate the craft.

The Joni Mitchell record boasts SUPERIOR lyric-writing & is simply just lovely and the dichotomy of me enjoying it AND The MC5 exactly the same amount has exemplified what my tastes in rock & roll have been ever since the 1960’s. Richard & Linda Thompson AND The Clash in the 1970’s; Suzanne Vega AND The Replacements in the 1980’s; Shawn Colvin AND The Mekons in the 1990’s; Mary Lou Lord AND The Strokes in the 2000’s are prime examples of the continuation of that split personality in my tastes. Is Ian Hunter – first with Mott The Hoople, later solo AND active to this day – the best merging of those two poles: great poetic lyrics crossed with bone-crushing rock & roll? Probably.

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THE NEW YORK DOLLS / self-titled first album

By early 1973 rock & roll music had been largely Allman Brothers-ized and James Taylor-ized into an unappetizing form of pabulum hard to stomach for anybody raised on quality rock & roll like The Lovin’ Spoonful, The Turtles and The Left Banke. My two favorite “rock bands” in 1972 were probably The Eagles and Loggins & Messina, and THAT might be the saddest rock & roll sentence I have ever typed. Then I discovered Creem magazine at the corner drugstore by the parking lot at Doctor’s North Hospital where I worked all through the time I attended Ohio State University. Creem became my Rock & Roll Bible, Holy Grail & Koran/Talmud, all rolled into one. Lester Bangs, Ben Edmonds & Lisa Robinson said, “JUMP!” and I asked, “How high?” Creem said, “Buy The New York Dolls,” and I complied.

From the very first Johnny Thunders buzzsaw chords and yowls from David Johansen in “Personality Crisis” that SEARED out of my cheap-ass record player, I was IN LOVE, Jack! Here was everything I had missed/forgotten/been cheated of in rock & roll since Led Zeppelin, Black Sabbath, Yes, America and Seals & Croft had drained/sapped/sucked/vampired the lifeblood out of my Second Love.

It’s one of my most-repeated Smartass One-Liners about rock & roll, and people who know me well are sick of it by now, but it’s germane here: If it wasn’t for The New York Dolls I would be a Deadhead today, with grey hair in a ponytail halfway down my back. I can’t think of any better way to exemplify HOW MUCH this record changed my life than the two photographs below………

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ELLIOTT MURPHY / Aquashow

Quite simply: my favorite record of all time, my favorite singer/songwriter of all time, and – true to the IDEA of this piece – a record that literally Changed The Way I View The World. From the very first verse of the first song on the record – “Last Of The Rock Stars” – when Murphy sang, “I’ve got a feeling on my back like an old, brown jacket / I’d like to stay in school but I just can’t hack it.” THE SAME WEEK I dropped out of college and got on with Making My Way in the World to the second song – “How’s The Family” – when he sang, “And the cold, cold ballerina whose thoughts of love & life / Have split her down the middle ‘til she’s cracked like walked-on ice,” Elliott became my new Dylan, Byron, Shelley, Keats and F. Scott Fitzgerald all rolled into one, and packed a rosewood Stratocaster and a white suit to boot.

In case you’re interested, much more on Murphy linked here - On Elliott Murphy’s Birthday - from my former blog, Growing Old With Rock & Roll.

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Ricki C. will return with five more life-changing albums at a later date…….

Nine Albums That Changed My Life - by Anne Marie

(This is the second installment of what we here at Pencilstorm hope becomes a regular feature of the site: X-amount of records – it doesn’t HAVE to be 10 – that changed our writers’ lives. Our Virginia correspondent JCE launched the series a week ago, his inaugural offering is linked here…Ten Albums That Changed My Life - JCE. Anne Marie is featured here for the second round.)

I first wondered who this JCE was when he wrote a TV Party Tonight! about Mark Linkous and Sparklehorse. I’d never met another person who listened to Sparklehorse or who had even had heard of Linkous. Since then, I have gleaned from JCE’s writing that we’re around the same age and have daughters around the same age, so I guess it’s not surprising that in taking up his challenge tonight, two of my albums overlap his list.

Saturday Night Fever (Soundtrack) - When this movie was released in December 1977, I had just turned 11, and was the oldest of my siblings, ranging in age down to 5. I remember that somehow, however improbably, we convinced my father to take us to see this movie and he had to argue with the ticket guy to get us in, but in we went and see it we did and it was the most exciting two hours of my young life and then we got the soundtrack for Christmas and I became obsessed with the Bee Gees and their younger brother Andy Gibb for at least the next year, spending any gift/babysitting money I’d receive on fan magazines with glossy (fully-clothed) centerfolds.

The Cars / The Cars, Candy-O and Shake it Up - When their self-titled debut came out in 1978, it was not on my radar (that being full of Brothers Gibb that year), but by 1982, Shake it Up’s title track was getting major radio play and I bought that album and the debut and Candy-O. I had just gotten my license and when my cousin Karen would visit from Texas for extended vacations twice per year, I would drive my old Chevy Nova to mall parking lots where no one could hear us sing the songs from all three at the top of our lungs. Karen was my closest cousin in both age and personality and sadly she died in an auto accident when she was 18. But I’ll have these memories forever.

Tom Petty & the Heartbreakers / Damn the Torpedoes - How Tom Petty managed to sneak onto the radar to shake me out of my disco fixation in 1979 is still a mystery, but I think that it was when I had my Columbia House membership where I would get all these 8-track tapes sent to me each month. Anyway, Petty entered the picture and my sister and I, who just years earlier were jumping on our beds and arguing over whether David or Shaun Cassidy was cuter, both totally agreed that we loved this guy and every song on this album - and so it went with pretty much everything he ever did. Over the years, if a Petty song came on the radio and I was with my sister, we’d both reach out instinctively to crank the volume. This album was pretty much the first thing I can remember us agreeing on and is one of those points of connection that years later allowed us to transition from feuding siblings to lifelong friends.

Steely Dan / Aja and Donald Fagan / The Nightfly - By the time I started at Boston University in late 1984, MTV had been around for years and I thought that even though I hailed from rock-heavy Rochester, NY, I had been exposed to the world of music. And yet, I was wrong.  There was so much music that I had missed. Among my classmates at BU were two quirky best friends from Philadelphia, Bob and Brian, who were obsessed with a band called Steely Dan.  And this was music unlike any I had heard before – rock combined with jazz - and it blew me away.   

Ben Folds Five / Ben Folds Five - I love it when I hear fresh music, music that seems new to me. That gets me excited to find out, who is this? And once I know the answer, when can I see them live?  That’s how I felt in 1995 when I first heard Ben Folds. The debut is an amazing album and I’ve followed Ben Folds - with his distinctive voice and storytelling and piano- pounding delivery - ever since.  What’s really cool is that about five years ago now, my daughter Caitlin decided that she too loves Ben Folds and so we have been seeing his shows together ever since.  That makes three acts that she and I will see together if at all possible: Ben Folds, Guster and The Flaming Lips. Enjoying music with both of my kids (and having taken each of them to their first concert - both saw different Flaming Lips tours) is definitely life-changing.  I almost cheated and selected my favorite Ben Folds Five album - The Unauthorized Biography of Reinhold Messner – which is the first that came to mind. While it doesn’t fit the rules of the challenge, my favorite song on that album, the heartbreakingly beautiful Magic, has provided comfort following the untimely death of my sister’s son Matthew this year.

Alvvays - Antisocialites - In December last year, I went to the CD 102.5 Holiday Show, mainly to see Spoon, but was blown away by opening act Alvvays, a Canadian indie-pop band fronted by Molly Rankin, who looked like she had stepped straight from a J Crew ad but proceeded to give a high-energy performance full of songs from their then recently released Antisocialites album, decidedly more punk/harder edge than their 2014 self-titled debut, especially as performed live.  Just a few months later, I would move to Boston to start a new job and life and that album would become my personal soundtrack, in steady rotation for a six-month period of 2018 and still played regularly.

AML 11/18/18

 

 



Ten Albums That Changed My Life - by JCE

Not my ten favorite albums, not my “desert island discs,” but the ten albums that CHANGED MY LIFE. Don’t get me wrong, none of these records got me off of a ledge or anything. It’s just that rock and roll music, after family, means more to me than anything. So, certain records that impact how I feel and what I listen to, really do change my day-to-day life on occasion. Here we go:

1. Paul Revere and the Raiders / Greatest Hits – My first LP record. I had purchased quite a few 45 rpm’s, but this was my first full length album. I bought it for their cover of “Louie, Louie” which I could not find on a 45 but I had to have it. My Mom took me to Korvettes department store and I paid for it with nickels and dimes. When I got it home, I discovered that most every song on it was great, especially “Kicks.” And so began my full-on rock n roll addiction. This was released in 1967, but I know I must’ve been more than four years old when I got it, but I’m not sure how old. It’s very fitting that “many now see it as a bold 1960’s rock n roll record with a defiant punk edge” according to one review I just read.

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2. The Beach Boys / Endless Summer – I played this double-LP in my room and day-dreamed about girls for hours and hours on end. I had a little all-in-one stereo that I absolutely loved, and I think my true love for vinyl records began with this one. It had a gatefold cover and great artwork. It was released in 1974. I loved the song “Wendy.” I would have been eleven or twelve years old when I got it. Yep, that sounds about right.

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3. The Cars – My sister Molly went to Boston University (we lived in Virginia). She discovered a local band there called The Cars, right before they broke it big. When their debut came out in 1978, I got a copy on her advice and I loved every song on it from the first day. I had been listening non-stop to the first Van Halen record, which I also loved, and which had been released a few months before The Cars record. The Cars were the band that somehow sent me down the path to punk rock. R.I.P. Molly, I miss you.

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4. The Clash – I probably got this record having never heard any songs on it. It was already older (1977) than the Cars record, but I didn’t learn about The Clash and the Sex Pistols and punk rock until after. I will always love everything about this record. It led me on a direct path to The Damned, The Stranglers, Siouxsie and the Banshees, The Buzzcocks, 999, Stiff Little Fingers, Generation X and on and on…. HUGE impact on my life.

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5. Tom Petty & the Heartbreakers / Damn the Torpedoes – This record just couldn’t be any better. In high school, being a punk and a skater made me somewhat of an outcast. Damn the Torpedoes was one record I could play that I was pretty sure everyone could agree was pure genius. “Here Comes My Girl” was a song that ran a shiver up my back every time I heard it, still does. The record was released late in 1979. I would have been a junior. The record got me through some of those times when I felt a little alone, maybe a little too much like a loner. I don’t know why, it just spoke to me. It still does.

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6. X / Los Angeles – After about a year listening to punk mostly from across the big pond, this record came out and re-energized me. I found it to be scary and dangerous and urgent. It is truly one of my favorite records and one I feel is very important. I consider the Dead Kennedy’s “Fresh Fruit for Rotting Vegetables” almost equal to this X record, but I got the X record first, so it gets on my list. Both records came out in 1980.

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7. Government Issue / Joy Ride – With my musical tastes firmly entrenched in punk rock, I found myself immersed in the punk scene which was percolating in the city in which I was born, Washington, D.C. The HarD.C.ore scene was very exciting to me, but being honest, I felt that quite a bit of the music itself was not up to par with other stuff I was listening to. Initially, I found it hard to truly enjoy the super-speed, play-as-fast-as-you-can style coming from the D.C. hardcore punk scene. Then I discovered Government Issue. John Stabb (R.I.P.) was spectacular live. This 1984 release had a song on it called “Understand” that really got a hold of me, although every song on the record is great. From this record, I embraced HarD.C.ore and I still listen to a steady diet of it today. I have many fond memories of the scene in its heyday.

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8. The Neighborhoods / The High Hard One – There was a guy in the music scene in Charlottesville, VA, where I went to college, by the name of Maynard. Maynard played in some great bands and he promoted some shows. He started putting up fliers all over town one day that said “Fire Is Coming.” I didn’t know what it meant at first, until I found out it was the name of an EP by a band from Boston called The Neighborhoods. I got very close to a bunch of amazing people in Charlottesville, including, eventually, my wife. We all saw tons of great shows, went to every gig played by our friends in a band called 98 Colours (some of those opening for the ‘Hoods)—it was a great time in my life. Everyone I knew absolutely loved The Neighborhoods upon the release of “The High Hard One.” I must’ve played “WUSA” ten thousand times. This record, for me, was the soundtrack for one of the happiest times of my life. I actually like the “Reptile Men” record even better, but this was the record (1986) that I associate with discovering so many new things and new people and so much new music.

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9. Enuff Z’Nuff – From the hair metal, Sunset Strip, glam and sleaze era, a few bands emerged that were so much more and so far above many bands from that genre. Every song on it is excellent and because of this record, I began listening to some different bands that I may have previously blown off as “not punk enough.” On the more metal side, I discovered The Hangmen. On the pop side, I went back and rediscovered my love of Cheap Trick. I started dating the beautiful woman that has now been my wife for 27 years in 1990. This Enuff Z’Nuff record, released in 1989, was played damn near every single day for the first few months of our relationship. We saw the band at The Bayou in Georgetown as they toured in support of this record. We have a handful of “our songs” but this is definitely “our record.”

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10. Social Distortion – This self-titled release came out in 1990. The album “Mommy’s Little Monster” was released in 1983 and I have been a Social Distortion fan since that time. There are a number of reasons why this record is on my list. This record came out the year I started dating my wife, and like the Enuff Z’Nuff record, it was a record we loved together. The song “Ball and Chain” is one of my all-time favorites, and my wife adores the Johnny Cash cover, “Ring of Fire.” The record also includes “Sick Boy” and “Story of My Life,” which are both classics. My wife and I gave up alcohol for about twelve years, during the time that we conceived our daughter and during the formative years after she was born. We also saw very little live music during that period of time. Upon taking up beer and wine drinking after a long hiatus, the first show we went to see was Social Distortion at the 9:30 Club in D.C. in October 2010. It was so frigging awesome that we have been to see an average of more than a show per month from that day to the present. I recently got my first tattoo, to honor my sister who I lost, and during the process, at my request, the artist played the Social Distortion Pandora radio station. I can’t express how truly integral music is to my daily life, and this very personal experience was definitely enhanced by the soundtrack that accompanied it. This band has meant a great deal to me since 1983. This particular record is the most representative of the impact they have had

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This list is in chronological order.  I cannot guarantee that the list wouldn’t change if I thought about it longer, but I think I’m pretty happy with it.  You might notice there is nothing on the list newer than 1990.  That may be a mistake, as I love and continue to collect music now just as much or even more than ever.  I love music more than ever, but there probably just aren’t that many instances where it can change my life at this point.  My list is heavy on the 1977-1980 releases, but I think that’s natural because when you’re 15 years old, your life is just starting to take shape.  This is a list of records that truly left their mark. - JCE

(editor’s note: JCE thinks it might be cool if some/all of the other Pencilstorm writers - Colin, Ricki C, Anne Marie, Scott Carr, etc. write up THEIR life-changing disc picks. For that matter, it might be nice if we could figure a way for READERS of Pencilstorm to chip in and send their two cents worth on the matter, participatory journalism at its best.)

Little Steven Van Zandt is Playing at the Newport THIS Wednesday Night, and You Should Go - by Ricki C.

Little Steven & the Disciples of Soul will be appearing at the Newport Music Hall Wednesday, November 14th. Doors are at 7 pm, details available here: Little Steven & the Disciples of Soul.

I didn’t see Bruce Springsteen & the E Street Band for the first time until April 5th, 1976, at the Ohio Theater here in Columbus, Ohio on the Born To Run tour.  Consequently, I never saw the E Street Band when it did not contain Little Steven Van Zandt – or “Miami Steve” as he was nicknamed in those days – on lead guitar & harmony vocals.  Despite everything I read back then in the rock press of the 1970’s before that 1976 tour – about the legendary prowess of Bruce Springsteen as a live performance force of nature from the very beginnings of his career – I cannot believe the E Street Band was EVER as good WITHOUT Steven Van Zandt as they were WITH him.   

People tend to forget that Bruce didn’t play much lead guitar until the Darkness On The Edge Of Town tour in 1978.  That first night at the Ohio Theater, and the next show I saw, in 1977 at Veteran’s Memorial in Columbus (the so-called “Lawsuit Tour” when the E Street Band were scrabbling out a living on the road after being sued by original manager Mike Appel), Little Steven carried the lion’s share of the lead guitar duties in the soul-smashing E Street Band. 

And make no mistake, though Big Man Clarence Clemons on saxophone was undoubtedly Springsteen’s main onstage foil in those mid-period E Street Band days – and I LOVED Clemons’ stage presence & superlative playing – it was Van Zandt who was the Keith Richards to Bruce’s Jagger, that sure and steady hand on the rock & roll rudder that kept everything locked TIGHT and rocking. 

So did it break my heart a little when Van Zandt left the E Street Band in the 1980’s to go solo?  Yeah, I admit it did.  And do I believe for one minute that any of Steven’s “replacements” in the E Street Band – Nils Lofgren, Tom Morello – could (or should) follow five paces behind Little Steven and carry his guitar case, great as they are in their own way?  No, I really don’t.  

And don’t even get me started on Steven’s sartorial style or the verbal brilliance he deploys on his Underground Garage Sirius radio channel.

Anyway, I could go on gushing like a 15-year old girl all night, but here’s the point: If you can’t get yourself out to New York City and the Great White Way to witness Bruce Springsteen On Broadway, at least get yourself over to The Newport on Wednesday night and see some rock & roll the way it should be done.  It can’t hurt ya.  – Ricki C. / November 13th, 2018 

At the NJ Hall of Fame Induction Ceremony in Asbury Park NJ on May 6, 2018