PAUL McCARTNEY AND STEVIE WONDER VS. PAUL McCARTNEY AND MICHAEL JACKSON - BY SCOTT CARR

Just in time for his October 13th concert at Nationwide Arena here in Columbus Ohio, Sir Paul McCartney has released the latest in his ongoing Archive Collection re-issue campaign.

October 2nd brought newly remastered and expanded editions of his third and fourth solo releases, Tug Of War and Pipes of Peace. Over the past few years McCartney has been opening the vaults and giving his fans some rare gems along with remastered versions of some of his best work. The Archive Collection has already seen several titles from McCartney's post- Beatles band Wings including Band of the Run, Venus and Mars, Wings At The Speed of Sound and their classic live album Wings Over America, along with McCartney's 1970 solo debut McCartney and its follow up, 1980's McCartney II, plus Paul & Linda McCartney's Ram. This time around fans are treated to two underrated classics from Macca.

Tug of War originally began as the next Wings release, but a series of events - including the death of McCartney's Beatles band mate John Lennon in December 1980 - led McCartney to continue on as a solo artist. Tug of War is considered one of McCartney's strongest solo sets and has stood the test of time quite well. Tug of War was produced by George Martin and sounds amazing. The album features contributions from former Beatle Ringo Starr as well as Wings guitarist Denny Laine. Carl Perkins duets with McCartney on the track "Get It" and lays down some tasty guitar licks as well. Other guests include 10cc's Eric Stewart and influential jazz bassist Stanley Clarke. The albums highest profile guest is Stevie Wonder, who duets with McCartney on two tracks: "What's That You're Doing" and "Ebony and Ivory." The latter became the album's biggest hit and was a worldwide smash but for me it is definitely the weaker of the two tracks that feature Wonder. "What's That You're Doing" is an upbeat funky tune that McCartney co-wrote with Wonder and is one of many highlights on the record. Some of the album's best tracks are lesser known songs like "Wanderlust," "The Pound Is Sinking" and "Somebody Who Cares." The album's second single "Take It Away" was another big hit and helped push the album to platinum status. "Here Today" is the most poignant moment on the record, as it is a tribute to John Lennon which Paul has described as an imaginary conversation that the two may have had. Paul often performs "Here Today" in concert. If I had my way McCartney would break out "Ballroom Dancing" for his October 13th show in Columbus but I'm not holding my breath.

McCartney with Beatle producer George Martin at work on Tug of War. The two had not worked together since Martin produced the Wings track "Live and Let Die" in 1973.

Pipes of Peace follows pretty much the same formula as Tug of War but isn't quite as strong. Many of the songs for Pipes of Peace were recorded at the same time as the previous record and many of the same musicians are featured as well. McCartney brought in Michael Jackson to duet on two of the albums tracks: "Say Say Say" and "The Man," but unfortunately the chemistry that Macca had with Stevie Wonder did not repeat itself with Jackson. "Say Say Say" became a big hit but isn't one of McCartney's finest moments. The second track with Jackson, "The Man" fares a little better. Although Pipes of Peace isn't nearly as solid as Tug of War it does feature some great tracks. The albums title track and "So Bad" are among some of his best from the 80's. I wouldn't mind hearing "Average Person" when McCartney comes to town but again...I'm not holding my breath.

McCartney and Martin working on Pipes of Peace.

Both of the reissues come with a companion disc of unreleased goodies that are well worth a listen. McCartney completists will nitpick but I guess we can't have it all.

Paul's upcoming performance in Columbus is sold out and will no doubt be a magical evening of McCartney classics spanning his entire career. Earlier this year I attended Stevie Wonders Songs In The Key of Life concert here in Columbus and it was one of the best shows I have ever seen. In a surprising turn of events I got to meet Stevie after the show. It was a brief encounter but pretty cool. Stevie shook my hand and said hello and I told him the show was amazing and that up until that evening Paul McCartney was the best show I had ever seen, Stevie chuckled and said "Yeah, I've taught him a few things over the years." It would be nice if I could share this story with Sir Paul when he rolls into town on Tuesday.........

Scott Carr is a guitarist who plays in the Columbus, OH  bands Radio Tramps and Returning April.  Scott is also an avid collector of vinyl records and works at Lost Weekend Records. So...if you are looking for Scott....you'll either find him in a dimly lit bar playing his guitar or in a record store digging for the holy grail.

Paul McCartney - Tug Of War

Sent out to some radio stations and publications on a hand-duplicated TDK AD60 with standard commercial release inlay card. McCartney discusses his album with Alexis Korner and Stuart Grundy, along with a few memories and some thoughts on his relationship with John Lennon.

Paul McCartney - Take It Away - De su album de 1982; Tug Of War. Take it away, wanna hear you play Till the lights go down. Take it away, don't you wanna stay Till there's no one else around? Take it away, wanna hear you play Till the lights go down.

The best on-air performance of McCartney's dirge to Mr. JWL

Off Original Pressing Of Tug Of War Columbia/CBS Records CK 37462

studio interview Paul&GeorgeMartin

Paul McCartney Pipes Of Peace

Played in the movie "Give My Regards To Broad Street" (1984), with Ringo Starr. Original song from the album "Pipes of Peace" (1983).

http://www.PaulMcCartney.com Pre-order 'Pipes of Peace 2015 Reissue' below: US: Pre-order HERE: http://mpl.pm/ToW_PoP_KingsRoad UK / Rest of the World: http://paulmccartney.lnk.to/POP iTunes: http://smarturl.it/PMPoPiTunes --- MPL and the Concord Music Group are proud to announce two more landmark installments in the multiple GRAMMY-winning Paul McCartney Archive Collection.

http://www.PaulMcCartney.com Pre-order 'Tug of War 2015 Reissue' below: US: Pre-order HERE: http://mpl.pm/ToW_PoP_KingsRoad UK / Rest of the World: Pre-order HERE: http://paulmccartney.lnk.to/TOW iTunes: Pre-order HERE: http://smarturl.it/PMToWiTunes --- MPL and the Concord Music Group are proud to announce two more landmark instalments in the multiple GRAMMY-winning Paul McCartney Archive Collection.

Baver Talks OSU vs. Maryland & Dead Schembechlers Announce New Single: "Harbuagh to Hell"

Before diving into this week's Baver Bag, we just received a press release from the Dead Schembechlers announcing a new single - "Harbaugh to Hell" - to be available Halloween on I-Tunes. Click here for details.

Colin: Cardale taking that long coverage sack right before the half was again shades of Kent Graham. He is obviously talented, but how to do you feel he is progressing as a QB and a team leader?

Baver: I like Cardale, and as long as he is under center, I am pulling for him. But he’s not progressing well, and leadership probably isn’t his strongest trait. That said, you can’t dump all of OSU’s offensive woes on him. The game-day coaching isn’t doing Cardale any favors and the wrong routes that the WR’s continue to run have made Cardale look worse. The coaches shrunk the playbook for Cardale during last year’s so-called trilogy, and the results were, of course, better than fine. The opponents weren’t prepared for Cardale nine months ago, but they are now, while the playbook remains scaled back. The limited playbook is designed to protect Cardale and to reduce mistakes. If OSU minimizes mistakes, there is no one on the schedule that can beat them until late November. Unfortunately though, the Buckeye offense is still making mistakes at an alarming rate (117th in the nation out of 127 teams in turnovers committed), with 13 TO’s in 5 games.

Colin: With the loss of Corey Smith, the WR receiving core takes another hit. Overall, what grade would you give the WR's, and are they the weakest position group on the team?

Baver: Grading by Ohio State’s standards, I’d probably say a “D.” I mentioned the wrong routes above; it’s frustrating beyond belief, with Curtis Samuel being the biggest offender. I guess what saves them from an “F” is the mounting injuries, as you mentioned. Smith and Noah Brown are gone for the year, and injuries seem to have derailed the careers of James Clark and Johnny Dixon. Weakest position group? I think the WR group is neck and neck with (can’t believe I am saying this) the QB position right now.

Colin: Who exactly is calling the plays at this point?

Baver: It’s my understanding that co-OC Tim Beck took over the primary play-calling duties from Ed Warriner after the Northern Illinois game. Warriner is on the sidelines during games, while Beck is calling the plays from upstairs.

Colin: If the playoff were today and you could choose the four teams, who do you think are the best four right now regardless of current ranking?

Baver: Alabama, Baylor, TCU and I really don’t know. I had Ole Miss in there a week ago, and was surprised Florida ransacked them last Saturday. I think Alabama is clearly the best team in the country right now, despite having a loss, and after that Baylor and TCU are neck and neck. After those three, there are probably 8 or so teams bunched up, with Ohio State being one of those teams.

Colin: Give us an update on your picks to date and games and lines you will be watching this week.

Baver: 9-5-1 against the spread on the year, a good start. As bad as Maryland is, I think you take the 33 pts against the Bucks. I see a 42-13 type of score. I’ll say take the Illini catching 11 at Iowa. Iowa is definitely an improved team and may win the B10 West, but I see a letdown after their big win in Madison. Tempted to say take Sparty with their spread down to 14 right now at Rutgers, but with Michigan State having Michigan on deck, I’d say stay away from that game. Instead, take Georgia in a bounce-back game, giving 3 at Tennessee. Must win game for Georgia and they are better than they played against Bama.

An Open Letter to Columbus Musicians - by Pete Vogel

Five years ago this month I began work on a documentary film about the Columbus music scene.  The film – “Indie” – took six months to shoot and it was screened in various theaters in 2011.   I’d been reintroduced to the original music scene in 2009 – after taking a few years off to recharge my batteries – and was blown away by what I saw and heard.  I felt it was time for somebody to capture this magic and thought I might possess the skill-set to actually pull it off.  

I focused the documentary on two businesses – Guitar House Workshop and Espresso Yourself Music Café – as well as ten singer/songwriters and their respective bands.  The film was intended to be a great big “group hug” for the Columbus music scene, and it’s been my proudest contribution to local arts.

A lot has changed since 2010 - some for better, some for worse.  Since I’m probably considered an “elder statesman” at this stage in the game – I’m going to be 51 in November – I think it’s time for an honest assessment of the state of our scene and what is great – and not so great – about it.

First and foremost, I want to say how impressed I am with the singers, songwriters, musicians, venues and performances of this esteemed city.  We are all extremely lucky to be part of this wonderful scene at this wonderful time in history.  There is a plethora of talent in every genre and every age group.  I’m constantly blown away by the musical abilities of my peers and colleagues.  Technology has made it possible for anyone with talent to get their music to the masses - we are no longer at the mercy of recording companies, agents, A&R reps and stifling bureaucracies.  We can write and play what we want and there’s no one to tell us what we can and cannot do.  This is a wonderful time for the arts, and I’m glad I’ve gotten a chance to be a part of this movement.

Since the field has been leveled, and there are more and more creative types getting into the scene, we are sharing stages with an increasing number of artists every single month.  And every artist is looking for the same thing: an audience.  We have a choice to make on how we’re going to regard our “competition.”  We could wage war against them and try and outflank them by coming up with creative ways to exploit the system in our favor.  I’ve seen this done time and time again and there are many who are quite good at it.  But what happens is audiences (and fellow artists) eventually catch wind of this manipulation and interest level fades.  I see this constantly: talented performers try and manipulate their audiences (and/or fellow performers) and eventually destroy their credibility in the process.

The other option we have is to welcome this “competition” as a community and work to collaborate within it.  I’ve seen this done time and time again and I think the benefits outweigh the costs.  Of course it takes time, energy and initiative to build a community but the outcome is almost always “win-win.”  Everybody benefits from collaboration.  Let me give an example.

For the past three years Billy Zenn has hosted an Open Mic at King Avenue 5 on Thursday nights.  It was pretty slow going at first, but over time this weekly event snowballed into one of the finest musical communities this town has ever produced.  Under the quiet tutelage of Mr. Zenn, he’s created a warm, open atmosphere of collaboration, cooperation, community and friendship that I’ve ever experienced in the local scene.  I’ve attended this Open Mic for nearly two years and can’t tell you the number of contacts – and friendships – I’ve made during this time.  I’ve seen a whole network of artists meet one another, work together, form bands, make CD's, create videos, do photo shoots, perform live - and all from attending this Open Mic.  A prime example is the band Ghost Town Railroad.  Four of its five members are songwriters who met at Open Mic - they eventually formed a band, perform around town and are in the process of recording their debut album.  What’s amazing is that all four songwriters contribute songs to the band: they collaborate on each others’ songs, find the “Ghost Town Sound” and share the songwriting duties between themselves.  It’s a perfect example of how a community can be created through collaboration and cooperation, rather than self-serving manipulation.
 
I’ve seen the selfish, exploitative side long enough to know it doesn’t work.  It works for a while, but in time resentments build and bitter breakups ensue.  If I have any wisdom to impart it’s this:  I’ve been in dozens of bands since high school, and some were exceptional, but all failed due to the exploitative nature of at least one of its band members.  Until egos are sublimated for the greater good, bands will always fail.  We don’t live in an era of managers, lackeys and tour managers, whose main responsibility is to keep egos in check.  The DIY cause requires that we do that work ourselves.  And if that work is ignored, small fissures become large cracks and the vision is destroyed.  

I used to play in a power trio – guitar, bass and drums – about fifteen years ago and we were really good.  Our guitarist was the principal songwriter, but he was only coming up with guitar parts and lyrics.  He’d present an idea to us and we’d finish the song as a band: we’d contribute bass lines, drum hooks, backing vocals and counter melodies to the original ideas.  Sometimes the songs would change dramatically when all the pieces fit together - sometimes they barely changed at all.  But when it came time to record the album, the guitarist wanted full credit for writing the songs, even though we finished them as a trio.  He was unwilling to share the writing credits with his bandmates and the band dissolved shortly after the album was completed.  Lose-lose.     

This kind of “me first” mentality is especially damaging in the creative world because it’s an illusion.  The energy within a band is symbiotic - the sum is always greater than its parts.  It’s the chemistry and/or imagination nurtured between musicians that makes a band so special.  This notion of “looking out for number one” is a recipe for disaster every time - I’ve seen this countless times in my career and it’s usually the reason why most bands fail.

Another dark shadow on the scene is the double standard of people wanting you to attend their shows but won’t return the favor.  This happens all the time.  I can’t tell you the number of times I’ve attended the show of a colleague only to have them blow me off when I invited them to one of my own.  In fact, one former bandmate even said to me: “Take me off your list…I have no interest in seeing your band.”  

Guess what?  I don’t attend his shows anymore.  Lose-lose.

This lack of civility hurts us all, and is especially damaging since we’re all essentially in the same boat.  Many of us sabotage our own careers – and our relationships with fellow musicians – because we won’t participate in the give-and-take that is part-and-parcel of the music scene.  Many people complain that nobody comes to their shows, yet I’m thinking: “I don’t see YOU at THEIR shows either, so why are you surprised?”  When it comes to karma, we’re all feeding at the same trough.

[Of course, I’m not immune to this either—there are many musicians who’ve attended my performances and I’ve not taken time to see theirs.  I’m just as guilty as the rest of them.  I imagine there are a few dozen performers who’d love an 8x10 of my portrait to throw darts at, and I don’t blame them.  I’m at fault as well and want to take this opportunity to apologize to those I’ve ignored over the years.  I promise to do better in the future.] 

Since we’re all in the same boat it’s time we adopt the same standards.  If you want people to attend your shows, attend theirs.  If you want people to buy your CDs, buy theirs.  If you want people to listen to your songs, read your posts, like your videos, buy your merch and treat you with respect, then do the same in return.   

We could all learn a valuable lesson from emerging talent Kelly Vaughn.  She’s only been playing in town for about two years, but during this short stint she’s quit her day job and has been a full-time musician for over a year.  After her one-year anniversary of releasing her debut album, she hosted a party at her house, paid for all the food and drinks, and invited forty of her fans/colleagues to celebrate her first year of being a full-time musician.  That’s right: she threw a party to show her gratitude to those who supported her.  And she paid for it.  It’s no surprise she’s already made TV appearances and has opened up for some national acts in town.  She’s had more success in one year than I’ve had in twenty.  She’s truly figured it out.  

I hope that all musicians in town – and elsewhere – will take time to assist others in rising to the top.  There is plenty of work to go around.  And we have enough of the opposite: Facebook is littered with self-serving artists trying to woo fans to their shows.  It’s boring.  And predictable.  It’s so much better if we take time to lift up other artists, and perhaps some day they’ll return the favor.  [I find that most are so grateful that they’re happy to return the favor.]  If we can learn to treat our fellow musicians as colleagues rather than competitors, we will all benefit.  The waters will rise for all of us.  

Win-win.

                              Pete Vogel    October 6, 2015

"Indie" a film produced by Pete Vogel, is an inside look at the Columbus music scene in 2010, early 2011. Matt Monta & The Hot Coal Band, The Shaw Brothers, Joey Hebdo, Donna Mogavero Band, Phillip Fox Band, Salty Caramels, Throat Culture, Angela Perley & The Howlin' Moons, Oswald & The Herringbones and many more bands/artists are featured!

THE NCP TACKLES COLIN’S BROWNS QUESTIONS FOR WEEK FOUR

Following last week's debacle against the Oakland Raiders, many questions about the 2015 Browns remain unanswered.  This week, Colin and the NCP try to unravel the mystery.

Colin:  While plenty of fans are itching to see Johnny Football get behind center, have you noticed not a single teammate has stepped up to endorse him as the starter?  Sounds like the locker room agrees with the coaches on this one.  Thoughts?

Big$: When I need to know David Arquette’s thoughts on Taylor Swift’s dating life, I go to TMZ. As it relates to the NFL, they aren’t a go-to for pertinent locker room info.  I assume they cornered Johnny and Travis Benjamin, offered them swag, massaged their egos, and bam!  Lame quotes appeared.  Johnny has yet to prove he can operate an NFL offense without relying on improvisation.  If a player disagrees with the coaches on who starts, they need to spend more time in the film room.

Colin:  It appears the almost as dysfunctional Raiders are starting to pull away from the Browns. Seems they have figured out that throwing the football is how you win in today’s NFL. Finding a QB is hard, playmaking receivers are everywhere, except in Cleveland. How is this possible? Who have we missed on?

Big$: Ray Farmer relies on “the Seahawks don’t have superstar receivers!” excuse. Well if Ray was truly seeking to follow the Seattle blueprint, Justin “the-anti-Richard-Sherman” Gilbert would have been buried on his draft board. The Browns have adopted the hilarious “play like a Brown” motto and it has led to ignoring the need for playmakers. There is not one player on the Browns roster that requires the special attention of a defense, and I think both Pettine and Ray are to blame.

Colin:  Who does LeBron start for this week?

Big$:  I’m over the Johnny- mania.  I’m starting The King at Q.B. If any self-respecting Clevelander can support Johnny over LBJ in anything other than a skins game, that’s their own issue.

Colin:  Any chance the North Coast sneaks a win on the West Coast?

K-Dubs, the Soldier:  There is always a chance, my friend, but it's going to take vastly improved efforts on both sides of the ball.  The biggest challenge is going to be on the defensive side.  San Diego has one of the best quarterbacks in the league in Phillip Rivers, and he is clicking with a corps of receivers that is as strong as any in the league from top to bottom.  The Charger offense is averaging nearly 300 yards per game through the air and rank fourth in the league in total offense, at 402 yards per game.  Cornerbacks Joe Haden and Tremon Williams really need to step their game up this week for the Browns to have any shot of slowing down the Chargers, especially with safety Tashaun Gipson questionable for today’s game with a groin injury and nickelback K’Waun Williams out with a concussion.  San Diego also has a threat on the ground with rookie running back, and former Wisconsin standout, Melvin Gordon.  The Browns have already made running backs Chris Ivory and Dexter McCluster look like Walter Payton this season and rank dead last in the league in rushing defense.  To have any shot at winning today, the Browns have to do a better job of controlling the line of scrimmage and get pressure on Rivers up the middle. 

The good news is that the Chargers defense is not that great either.  They are nearly as bad at stopping the run, giving up 135.7 yards per game.  It is time for the Browns’ high-priced offensive line to earn those paychecks and open up lanes for Isaiah Crowell.  The Chargers have not had much success pressuring the quarterback this year either and rank last in the league with just one sack.  If McCown has time to execute the Browns’ quick-strike passing game, the offense can put some points on the board.  Sure, the Raiders may end up being a halfway decent team this year, but losing to them at home has to leave a terrible taste in Cleveland’s mouth.  I foresee some redemption blowing in on the oceanfront.  Browns win 23-20.

An Open Letter Concerning Gun Violence to Congressman Steve Stivers by Colin Gawel

Sir, I'm writing you from Colin's Coffee. It's a small business I run in your district and where I have become increasingly weary of opening up the morning newspaper to find yet another story of a mass shooting on U.S. soil. Though I'm no expert, it appears our current gun policy primarily benefits two groups: mass shooters and lobbyists. It seems to be increasingly dangerous and depressing for the rest of us. 

 So, if anybody on Capitol Hill has any ideas on how to put a dent in the growing domestic body count, I for one, would love to hear them. Only Congress can get this ball rolling and as we both know, doing the same thing and expecting a different result is the definition of insanity. Perhaps it's time to explore a different approach to help solve this problem unique to our great country.  I would greatly appreciate your help in this matter. Thank you for your time.

Respectfully, Colin Gawel (Parent and small business owner residing in the 15th district.)

Colin Gawel writes songs both solo and as part of the group Watershed. You can read all about it in the best selling book "Hitless Wonder-A Life in Minor League Rock n Roll" by Joe Oestreich. He owns Colin's Coffee and is the founder of Pencilstorm.com . Cheap Trick is his favorite band.

To contact Steve Stivers you can call his office at 614 771 4968 or Click Here for more contact info or to find your representative. 

Does Cardale Remind You of Kent Graham? Baver Answers Colin's Questions

Colin: I'm no football expert but sometimes Cardale reminds me of, gulp, Kent Graham. He has the huge arm but it tends to look a lot like backyard football out there. 1) After 3 games, do you get the sense he really knows what is going on? and 2) Does it even matter?

Brent: Compared to former OSU starting QBs, no; Cardale doesn’t seem to get it. And as of right now, no; it doesn’t matter. He’s been solid against the Bucks’ formidable opponents because the coaches have had a definite game plan in those games. But when the Bucks have faced Bliss College and the like, they have experimented more; Cardale seemed lost in those games. I am happy though with the baby steps taken against WMU.

Colin: Could Washington push Bosa to be a higher pick in the NFL draft? How many guys from this defense do you see playing on Sunday?

Brent: Adolphus is probably not a top 20 pick, but could be a 1st rounder. Bosa should be a top 5 overall pick if he keeps his nose clean. Bosa, Adolphus, Lee, and Bell definitely play on Sundays. Perry, Raekwon, and Apple should stick on NFL rosters, with Raekwon and Apple possibly going 1st round. Jury is still out on Lewis and Conley, with each having only a few starts to date. I think maybe 50/50 on Powell making an NFL roster. Schutt doesn’t have a future in the NFL.

Colin: Indiana gave us some trouble last year before Jalin Marshall almost single handily won the game for the Bucks. What do you expect this weekend in Bloomington?

Brent: They’ve given OSU trouble several times in recent years. Seems the Bucks always overlook them, but with things not going quite as planned the last 3 weeks, I think Ohio St will pick up the pace this week. I don’t think the Hoosiers keep Ohio State under 40 pts, as IU doesn’t play D and the Bucks will take another step forward on offense. I do expect Indiana to score a few pts; they have some players on O. I like the Bucks laying 21; Bucks win 41-17.

Colin: #2 ranked MSU doesn't look very scary. Unranked Michigan suddenly looks terrifying. Those who forget history are bound to repeat it. Are you getting nervous about Harbaugh and company with that sweet spot right after OSU v MSU?

Brent: Honestly? Yeah. I figured Harbaugh would field a solid team by year’s end, but didn’t see them playing this well, this early. Ohio State has not won by more than 11 points in Ann Arbor since before both of us were born… you have to go back to 1961. Sparty doesn’t look good right now, but I expect Dantonio and his boys to eventually get it going. As soft as OSU’s overall schedule is, finishing with Sparty and Michigan back to back is tough sledding.

Colin: What other teams around the country are impressing you?

Brent: I watched most of that Bama-Ole Miss game, and although Bama should have won the game, that’s a good Ole Miss team. Their WRs are so hard to match up with. If Bama gets by Georgia this Saturday, I could see Bama or Ole Miss in the playoff. If I'm Ohio State, those are probably the two teams I would least want to face down the road. Had Notre Dame not lost 6 starters to injuries, I think they were on their way to running the table in the regular season.

Colin: Give us an update on your picks so far and what games and lines will you be watching this week?

Brent: 2-0-1 against the spread last week, 8-3-1 ATS on the year. Took the Bucks giving 3 TDs against Indiana, as mentioned above. Other than Ohio State, I’ll go the underdog route, as the dogs have been good to me. I loved Iowa getting 8 at Wisky, but that line has dropped to 6.5. I will still take the Hawkeyes, as Ferentz seems to have awoken with his job possibly being on the line. And this is not a great Badger team. I’ll go against Northw’n again, taking Minnesota getting 4 in Evanston. Like the Wis-Iowa game, this looked like a better play before the spread dropped; but NW’s offense is very bad and of course faces a tough Gopher D.

Best footage of Kent Graham we could find is below. Remember that 1991 Team?

Louisville under Howard Schnellenberger visits Ohio Stadium to play John Cooper's Buckeyes. Led by Erik Watts, Louisville mustered a 300-yard passing performance before losing to the Buckeyes, 23-15.