Pencilstorm Hall of Fame Nominee: Goodfella’s “What the f#@* is so funny about me?” Scene

By Pencilstorm contributor: Wal Ozello

When I was in college, I lived with four other Italians.  Guys with last names like Colina, Ciarico, and Macharoni. It was like our own Little Italy at OSU. We cooked pasta meals together, ate real Sicilian pizza from Adriatico’s, went to the bars and parties together, and watched out for each other. My roommate even had a Dalmatian who’s name was Cassanova.

Early in the year, one of us had permanently "borrowed" a VHS of Goodfellas from the local campus video store. We played it all the time. When the movie was over, we rewound it and started it over again.

When you came to our house for party, you didn’t hear AC/DC, REM, or the Violent Femmes. You heard Goodfellas blasting because I had hooked the TV up to my stereo (this was pre-theatre surround sound, I spent a lot of time at Radio Shack and doing some fancy wiring). What freaked people out even more, is my roommates and I would walk around the party quoting lines from the movie. We had the whole movie memorized.

Lunch was a special time at our house.  Everyone had serendipitously scheduled their classes with a Noon break so we ended up eating lunch together. We only had time to watch three scenes from the movie.  Sometimes we watched the beginning (“From now on, any letters to the kid from his school come directly here.”), sometimes we watched the pistol whipping scene (Henry hits him 10 times – we counted), other times the wedding scene, the meal in the jail, or the late night dinner at Tommy's mom’s house scene (this happens in real life by the way, if I were to show up at my 80 year old mom’s house tonight at 2 am, she’d wake up and try to cook a meal for me).

No matter which scenes we watched during lunch, one of them was always the Bamboo Lounge scene more affectionately known as the “What the fuck is so funny about me?” scene. This is a one of the most brilliant scenes in one of the most brilliant movies.  

As we watched, each of us would chime in with one of the character's lines. The expressions, the pacing, we had all it down. At this point in the story, you’re not totally sure about Tommy and Henry’s relationship.  So when Tommy (Joe Pesci’s character) starts messing with Henry (Ray Liotta) you’re not quite sure if he's really mad at Henry or if he's joking around. Each of us knew what was really going on. It's part of the Italian culture. Our Dads and Uncles teased us like that. And in turn, we teased each other and today I tease my sons like that. What we knew as we watched this scene, it is that it was a depiction of our lives. And it was funny as all hell.

It’s amazing how Pesci begins the story about a bust in Secaucus and it just slips into messing with Henry. Tommy tries to get Henry to explain himself. Some guy Anthony tries to help out, and Tommy brushes him aside. He goes deeper and at one time angrily pleads, “Am I a clown? Do I amuse you? What the fuck is so funny about me?”

Just when you think Henry is going cave, he calls Tommy on it and they all laugh it off.

Two minutes of cinematic magic.

And ready for this? 

It was totally unscripted. That means Pesci, Liotta, and Scorcese come up with it on the spot.

Genius.

Here’s the clip.  Warning: This is Rated R. Might not want to watch this in mixed company.

Wal Ozello is a science fiction techno-thriller novelist and the author of Assignment 1989 ,  Revolution 1990, and Sacrifice 2086. He' was born and raised in Cleveland, Ohio. He's currently a resident of Upper Arlington, Ohio and a frequent customer at Colin's Coffee.

 

Complete Nomination List for 2016 Pencilstorm Hall of Fame

The new class of THE Pencilstorm Hall of Fame will be announced at the CD1025 Big Room Bar Thursday April 14th. Doors and Happy Hour start at 6pm. Winners announced at 7:30 and Willie Phoenix and The Soul Underground play a show starting at 8pm. FREE!!!

 

Below is the complete nomination list to be considered for induction in the 2016  Pencilstorm Hall of Fame. The Pencilstorm Hall of Fame seeks to recognize things, people, places and stuff for their outstanding achievements in the field of excellence. Or put another way, things that make life better. The list was complied by our staff writers with help from our friends. The field will eventually be cut to 25 with the final inductees being announced 7pm Thursday April 14th at the CD1025 Big Room Bar. Until that time, we welcome your feedback and our writers will be making a case for who they think belong in this first class of a new and very important institution, THE Pencilstorm Hall of Fame. - Colin G.

 

Ace of Spades (the song)  /  Adriatico's Pizza (with pepperoni)  / "Thunderbird" by Terry Anderson and The Olympic Ass-Kicking Team (song) /  Andyman-a-thon /  Angelo Julius Palma's Facebook Page  /  Bernie Kosar  /  Black Francis  /  Bob Dylan "Chronicles" (book)  /  Bon Scott  /  Boxer Briefs  /  Brian McBride  / Cheap Trick / Converse Chuck Taylor Shoes  /  Creem Magazine - The 70's  /  DC comic books (1956-1960)  /  Dwight Yoakam  /  Eddie - the Iron Maiden mascot  /  Edgar Martinez's Swing /  Elliott Murphy  /  Fender Precision Bass  /  Fritz the Night Owl  /  Galaga (video game)  /  Get The Knack (album) / Goodfellas "What's So Funny About Me" scene /  Guns n Roses Live at the Ritz 1988 /  Hayley Mills in The Parent Trap (1961)  /  Highbanks  /  Hostess orange cupcakes  /  Hunter Thompson's "Hell's Angels"  /  ice-cold canned beer  / John Peel  / John Petric  / Judge Smails / Lost Weekend Records  /  Marc Bolan  /  Marvel comic books (1960-1964)  /  Mean Mr. Mustard's AC/DC - Cult Night  /  Mike Judge  /  Mott The Hoople  /  Mr. Show Episode 22 "Show Me Your Weenis"  /  Night Flight (late night video/movie show on USA Network)  /  Night Shift (movie, 1982)  /  Original B-Dubs on Woodruff and High  / Over The Edge (movie)  /  Paul Stanley's First Solo Record  /  Phil Lynott  /  Physical Graffiti / THE Pencilstorm Hall of Fame / Pink Floyd's The Wall (the movie, not the album)  /  Plank's Bier Garten  /  Rick Cautela, the Rock 'n' Roll Reverend and-or The Alrosa Villa  / SNL "Samurai Delicatessen" sketch /  Scoonie Penn  /  Studio 35  /  The 1978-79 Seattle Supersonics  /  The Beatles Marathon  /  The Godfather, parts 1 & 2  /  The Grapes Of Wrath by John Steinbeck  / Reds Opening Day @  The Library Bar  /  The Neighborhoods (Boston band, 1978-1990) / The Wire Season 3 (TV Show)  /  The Young Ones "University Challenge" Episode with Motorhead (TV Show)  /  Thirsty Thursdays @ Huntington Park  /  Tom Peterson's 12 String Bass  /  Travis Hoewischer  /  twilight (the time of day, not the tween girl vampire/werewolf book series)  /  Willie Phoenix

 

 

 

Four String Brew's Dan Cochran Talks About Playing in Why Isn't Cheap Trick in the Rock & Roll Hall of Fame?

Why Isn't Cheap Trick  in the Rock and Roll Hall of Fame? is playing Ace of Cups Friday, April 8th. Click here for details

- What is is about Cheap Trick that motivated you to join this band?
 
Dan - I’ve been a Cheap Trick fan for years now.  They have such a great catalog of tunes, and most of it is underrated.  In addition to that, they have toured forever.  It’s great for fans, because they come through most American cities every year.  They headline their own shows, open for obscure bands, play corporate gigs, and come through on festival dates.  If you pay attention, you can see them a couple times of year without having to travel very far.
 
 - Tom Petersson and his 12-string bass have a very distinctive sound, how has your rig evolved over the years trying to simulate it?
 
Dan - When we started this thing four years ago, I really had no idea what I was getting into.  The first few years, I used one of my Fender basses and my regular rig.  I’ve always played with my fingers and continued to do so on the Cheap Trick tunes.  In the end, it didn’t feel right and it didn’t sound right.  What a lot of people don’t understand is that Petersson’s sound is most of what you hear in the Cheap Trick sound.  His bass covers a giant frequency range, and the way he plays holds down the bottom end while creating melody and full harmonic range at the same time is truly distinctive.  

Once I really started listening to the Budokan record, I realized that he was playing most of the parts.  What I thought was guitarist Rick Nielsen in so many places was actually Petersson.  Nielsen really just paints on top of everything with tasty leads (and writes nearly all of the tunes).  Even Robin Zander plays more guitar live than people think…..and not like a pussy either (Bono).  So, I realized last year that I needed to take the plunge and get the 12-string bass sound going.  For those who don’t know, Tom Petersson literally invented the 12-string bass.  His basses have multiple outputs and he splits his signal in many ways.  Nobody knows for sure exactly how he is crossing the frequencies. He also changes his amplifiers on a regular basis.  For me, part of the fun of going to see CT is to stand stage left in front of Petersson and look at what amps he brought out.  It’s different every time, and always totally bad-ass.  

Dan Working on Gonna Raise Hell at his Brewery. Photo by Chris Casella. Bass Tuning by Oscar.

Dan Working on Gonna Raise Hell at his Brewery. Photo by Chris Casella. Bass Tuning by Oscar.

I decided against buying a 12-string bass.  What I would want is ridiculously expensive and I’m still not convinced it would sound right.  So, the challenge is to get a distorted 12-string bass sound from a 4-string bass.  With some help from bandmate Rick Kinsinger, I started building the rig.  I have played with bass distortion for many years, and there is a major problem with it.  No matter what pedal you use, the low end goes away when the distortion is engaged.  So, the answer is to split the signal.  I use my regular rig for a clean low end.  It’s a Traynor 200 watt bass head on an Ampeg SVT ported 4x10.  For the high end, I’m basically putting a guitar half-stack on top of my other amp. This year I’m using a Sovtek 50 watt head on a vintage Music Man folded cabinet.   The high end signal is run through distortion and a pitch fork pedal.  The pitch fork gives me the octaves for the 12-string sound.  Together, it sounds killer!  

The other issue is what bass to use.  When I plug a Fender bass through it, it sounds great, but not like Petersson.  Last year I used a vintage Gibson Thunderbird.  It was perfect!  Everything I wanted.  Lately, Petersson has been playing a semi-hollow body Gretsch 12-string.  I recently found a 4-string version of the bass that is really cool.  That’s what I’m using for the show this year.  The hollow body gets a great low end tone and tons of feedback!  It’s basically a giant guitar envy setup, which has been a lot of fun. 


- Do you feel like Tom gets enough credit strictly as a bass player? 
 
Dan - No, I don’t think he does. I think it’s linear with Cheap Trick as a band.  They are one of the great bands in rock & roll, and most people don’t realize it.  Petersson is the same way.  If you ask bass players who their favorite players are, his name doesn’t usually come up.  It’s probably because of his crazy tone and 12-string basses.  What CT fans need to know is that his sound IS Cheap Trick.  His sound covers the entire stage.  He’s more than a bass player.  There aren’t many other examples of this.  John Entwistle from The Who is one.  I remember reading an interview with Pete Townsend talking about the reunion tour The Who did back in the late 80’s.  They decided that because of hearing damage, the stage volume would have to stay below 90 db.  The problem was that when The Ox wasn’t able to turn the full rig on, they had to hire strings, keys, and horns to sonically fill things out.  Petersson does the same thing.
 
 - What are your favorite Cheap Trick songs to perform live?
 
Dan -  I really like the heavy stuff….Auf Wiedersehen, He’s a Whore, On Top of the World, etc.
 
- Who are some of your other favorite bass players?
 
Dan -  There are so many: James Jamerson, Donald “Duck” Dunn, John Paul Jones and Paul McCartney are a few.
 
 - Four String Brewing is going through a major expansion and you have two young ones at home, how do you find the time to squeeze in a project like this?
 
Dan - That’s a great question.  My time has gotten really tight in the last year or two.  We just built a new production facility on the West side, expanded the Grandview taproom, and opened distribution in the rest of the state.  I decided a few months ago to promote my two year old son, Oscar.  He’s basically running the show these days: running the brewery, booking gigs, and working as my bass tech.  He gets a little whiny sometimes, but I don’t have to pay him.  It’s a good deal.  The brewers get a little pissed off that they have to report to a two year old, but whatever.
 
- If I stopped by the Four String Taproom and I hear some Cheap Trick playing, what beer would go best with that?
 
Dan - Definitely a Brass Knuckle Pale Ale!
 
 - Any chance of a special edition 12 String Brew in honor of Tom Petersson making the Rock & Roll Hall of Fame?
 
Dan - I think we would have to brew (3) Four String beers for the math to work.

Dan Cochran is a founding member of the band Why Isn't Cheap Trick in the Rock and Roll Hall of Fame? and the Four String Brewing Company. He also plays bass in Colin Gawel and The Lonely Bones and toured the world and elsewhere with the band Big Back 40. Four String Brew is available everywhere so look for it on a tap or in a store.

Tom Petersson Hoisting a Four String Brew to Honor Dan.

An Interview with Colin Gawel From Why Isn't Cheap Trick in the Rock and Roll Hall of Fame? - Ricki C.

Why Isn't Cheap Trick in the Rock and Roll Hall of Fame? will be playing their final show ay Ace of Cups Friday April 8th. Teenage Fanclub Fanclub opens the show at 6pm. FREE. Click here for details.

 

Ricki: How did the whole "Why Isn't Cheap Trick in the Rock and Roll Hall of Fame?" project come about?

Colin: My son is big into basketball, so I spend an inordinate amount of time sitting in gyms during the winter months. At one point during halftime somewhere, I think maybe Olentangy Orange Middle school, I got to thinking about how it's total bullshit that Cheap Trick isn't in the Rock & Roll Hall of Fame. I used to have that thought a lot. Somehow, the idea of starting a band that was actually called "Why isn't Cheap Trick in the Rock and Roll Hall of Fame?" popped into my brain. I looked up the date of that year's induction ceremony, e-mailed the good folks at the Beachland Ballroom and pitched the idea. I had the whole thing booked by the end of the game. Of course, I had no plan or band, but I figured i could work that out later. 

Thankfully, the guys from The Lonely Bones were game with helping on the project. I'm proud to say we have come a long way since that first year. 

Ricki: Do you think you guys actually made an impact and helped Cheap Trick get into the Rock hall this year?

Colin: Obviously, Cheap Trick did all the heavy lifting by being Cheap Trick, but I think overall, the passion of their fan base pushed them over the top. I think we helped in a fun way and certainly our little band got lots of press in The Onion, Rolling Stone and Salon - among others - Andy Gray at the Youngstown Trib jumps to mind- so It was just a way to keep the idea alive and drink beer while doing so. But Cheap Trick has a huge network of dedicated fans working for this cause. Numerous fan pages and petitions were circulating. Ken Mills did a nice job on the subject in his podcast and DJ's like Lou Brutus, Howard Stern and Brian Phillips have been banging the Cheap Trick drum for years. 

It just goes to show what an impact Cheap Trick has made on so many people. As much as people champion other bands for the Rock Hall on Facebook, nobody actually does anything to make it happen. Cheap Trick fans were active and engaged in the cause and that says a lot about their relationship with their fans. So if you want the MC5 or Journey in the Rock and Roll Hall of Fame, get off your ass and organize. It can be done. Cheap Trick is living proof of that.

Ricki: Many people hate the idea of a Rock and Roll Hall of Fame and say it's better to not be inducted.

Colin: I know. That's not my opinion. There are all sorts of museums. Why not have one for rock n roll? A hall of fame is supposed to encourage conversation and debate. (see: Steroids and the Baseball Hall of Fame.) I'm all for anything that keeps rock n roll alive and the rock hall serves this purpose. Even when bands like Thomas Jefferson Slave Apartments dis the hall, if validates it all the same. I mean, they care enough to write a song about blowing it up. The worst thing that could happen would be indifference. That isn't happening. People have very strong opinions about the institution itself and who should be included. I could post something about Mott the Hoople and the rock hall right now and get 20 comments in sixty seconds. Also, I know a few of the folks at the rock hall and they are good people. Fans like you and me. I mean, who is cooler than Lisa V.? Umm, nobody. That is the rock and roll hall of fame.

And I suppose it makes me a homer but I like that it's in Cleveland. If we can't get a sports title at least I can stare at Keith Moon's drum kit when I feel like it. My son and I visit every year and we always have a great time. Once again, what's not to like? Lighten up people. It's only rock and roll. 

Ricki: Watershed - when they were still a full-blown touring band entity - once did a show playing all Cheap Trick covers, kind of a precursor to Why Isn' t Cheap Trick In the Rock & Roll Hall of Fame? What was the story on that?

Colin: If you have read the book Hitless Wonder you know Watershed only exists because of Cheap Trick. We cut our teeth growing up trying to play Cheap Trick covers so at some point we just decided to string them all together and do a free show. I think we did it at Skully's the same day the record Rockford came out. Not my favorite record, by the way. Click here to check out my complete Cheap Trick song rankings.

Trying to be like Cheap Trick helped Watershed become unique because nobody can be as good as Cheap Trick. It's just not possible. So we found our own little niche. Bands that aspire to sound like REM, U2, RHCP or even The Replacements just turn into half-assed versions of those bands. It's too easy. 

Ricki: Most of the Robin Zander lead vocals on Cheap Trick tunes are pitched in your old bandmate Joe Oestreich's vocal range. How do you pull those vocals off now?  

Colin: Before I answer that, let me say that  drums, bass and guitar all have their challenges to do these songs justice. Herb needs to ride the snare, Dan has to get close to Tom's sound and Rick has to play all those quirky Rick licks. As far as vocals go, about two weeks before the first Why Isn't Cheap Trick in the Rock and Roll Hall of Fame? gig I thought I better get it together on vocals or this shit could go viral in a bad way. For the first time in my life I started doing vocal exercises and stuff like that. I can do it, but I have to be in good shape to pull it off. I think it has helped my singing overall, though.

Ricki: What was the first Cheap Trick song you learned to play all the way through? And how old were you when you learned it?

Colin: The quick answer would be "Hello There," but as for a more proper song I would guess "Downed." Both from the soundtrack to Over the Edge. Probably 6th or 7th grade?

Ricki: What's the most difficult Cheap Trick song to play? And what is the easiest?

Colin: For us, they are all challenging. I mean, in theory a song like "Surrender" shouldn't be very difficult but it's hard to do right without being Cheap Trick. Try it with your band and it won't sound good the first 20 times you play it. It may never sound good.  

Rick's writing is very quirky. Even the simple stuff suddenly drops in an A# just for the hell of it. "I Want You to Want Me" is pretty easy for me because it's basically a drum part and guitar solo with one guy singing over top. Rick and Herb have the hard work on that one. Vocally "Tonight It's You" is very challenging. And for songs like "Speak Now" and "Gonna Raise Hell" Dan has to have his bass sound locked in or it just sounds like over cooked pasta.

Ricki: Were there any Cheap Trick tunes you started to rehearse and then realized, "Damn, we're not good enough to do justice to this."?

We were doing "It's Only Love" from The Doctor for a while but it's a pain in the ass and nobody really liked it anyway, so we dropped it.

Ricki: These have always been free shows. It's obviously a lot of work to promote and perform. Why no cover charge?

It just wouldn't be a good fit for this project. We aren't trying to profit from the cause or from Cheap Trick's music. We have sold a decent amount of Why Isn't Cheap Trick in the Rock and Roll hall of Fame? t-shirts but we plow the money back into advertising for the cause. We usually pass the hat at the end of shows and that helps us cover gas, beer and babysitters. Click here to read 'Your Shirt Sucks' a Cheap Trick recap. 

Ricki: You guys promised to disband when Cheap Trick got the nod, what are you guys going to do now?

For me, I need to spend the rest of the year getting a new Watershed record together. And I'm shooting a video for my solo track "Dad Can't Help You Now" in the near future. With Pencilstorm, the coffee shop and coaching little league, my plate is pretty full. I'm sure we will show up sometime under a new name. I mean, it's just too much fun playing these songs: maybe, I Love You Honey But I Hate Your Friends - A Tribute to Cheap Trick. Yeah, something like that may work.

Pencilstorm Hall of Fame Nominee: Reds Opening Day at The Library Bar - by Colin G.

The latest class of the Pencilstorm Hall of Fame will announced Thursday April 14th at the CD1025 Big Room Bar. Doors at 6pm Willie Phoenix and The Soul Underground play a set of rock n roll at 8 pm. FREE!! Click here for full list of nominations.

 

I'm a pretty big fan of Major League Baseball in general and the Cincinnati Reds in particular. But you know something, I've never gone to a Reds opening day. I probably would have, except for me, if I can get the time free, the best place to spend opening day is at The Library Bar.

Cricket, the owner and a serious Reds fan himself, is behind the bar pouring drinks and encouraging everybody to grab a free hot dog off the grill. Some years the weather is nice and the front door is open. Other times flurries fall from the gray skies. Sometimes the Reds win, sometimes they lose, and once in a while the home plate umpire drops dead right before the first pitch and the game is cancelled. Oh well, bottoms up.

Cricket recently celebrated his 30th anniversary of owning The Library. Think about that. With all the changes that have hit campus, ONE MAN, has owned and worked at ONE BAR for THIRTY YEARS!! How about that for a small business success story.

Back in my younger years, The Library was my main hangout. I mean, don't get me wrong, I hit lots of bars, but The Library was home. When bands would come to Columbus, Watershed would always invite them to come and hang out at the Library Bar. It wasn't stuffy and it wasn't cheesy. It wasn't trying to be something it's not. It was just a bar in the Midwest with the owner behind the bar. That vibe resonated with my circle of friends.

It is still the stuff of legend the night all four members of Cheap Trick showed up and closed down the place. And just slightly less impressive, The League Bowlers played their first show there, too. Many of the old haunts are extinct. Bernie's is gone. AC/DC Cult Night is no more. And poor Larry's had it worst of all, it became The Sloppy Donkey and poetry night was never the same. I hear even Rocket From the Crypt stopped hanging out there. Ouch.

Long Live MLB Opening Day and The Library Bar. I will be there at 4 pm Monday April 4th. Please join me. I urge my committee members to approve of it's nomination to the Pencilstorm Hall of Fame. Go Reds (gulp). - Colin G.

 

 

 

Johnny DiLoretto Talks About "The Not So Late Show" @ The Shadowbox Bistro

 

 

-- First things first, where and when is the show this week and how can people get tickets?

Good question, Colin! The show is tomorrow -Thursday, March 31st - at Shadowbox Live's Backstage Bistro and you can get tickets by clicking here. And the beauty part is tickets are only $5. 


-- So tell us a little about the show and what people should expect?

First and foremost, people should expect to be entertained and I promise a lot of entertainment for five bucks. But, honestly, what people should expect is classic talk show fun: live music, comedy, interviews with local celebrities and live performances from the city's deep pool of talent.

-- In practical terms, how similar is it to a proper talk show? Do you have writers ? Do you do a rehearsal before the actual show? Will a sidekick warm up the audience?

Very similar. The only difference is for right now the only way you can see this show is LIVE on stage at the Backstage Bistro. As we work out the kinks and polish the production, maybe someday it'll find a home online or on local television. But, I'm not interested in that right now. I just want to do a live show for a live audience. And I want to be able to drink... 

Uh, yes, I have writer. And that's not a typo. One writer -- local stand-up comic, Sommer Sterud. She's also the sidekick-slash-producer who will roam the audience and take questions from the crowd. So, that's another difference -- there aren't any rules. Somebody in the audience has a fun or tough question to ask a guest? They can have at it.  All bets are off.

-- Landing MoJo Flow as the house band is a big score. How did that come about?

MojoFlo and I have worked alongside of each other a few times over the years, notably at the past couple Highball Halloween events, and we have a great rapport. As you know, they are incredibly talented and just full of energy and life, so I'm honored they agreed to do this. Basically, when I brought it up to Amber and Walter, they were completely thrilled about the concept -- because they'd actually been thinking the same thing I was thinking: that the city needs its own talk show and they wanted to be the house band... It was perfect timing because I want to be the city's talk show host.  

-- Gary Shandling recently passed away and he was a man who not only hosted the real Tonight Show filling in for Johnny Carson, but created his own brilliant parody in Larry Sanders. I mean, come on, that's just crazy talent. Were you a fan of his work?

Absolutely. Garry Shandling was a genius. Of course, he had more than one writer... 

-- Who are other talk show hosts you look to for inspiration?

In my opinion the two best interviewers in the business are NPR's Terry Gross and, my own personal hero, Howard Stern. Expect a blend of those two styles... A high brow, low brow mash up.

-- What hosts and talk shows do you hope to avoid comparisons?

You know, I really haven't kept up with all the new talk shows. I've only seen bits and clips of Jimmy Fallon and Stephen Colbert's shows. And, of course, those guys are giants. I don't expect to be able to compare to either of those extraordinary hosts and those productions. I just want to create a small, fun, live show that celebrates the people of Columbus. The only show I hope to avoid being compared to is the really awful one Chevy Chase hosted. 

-- Sounds like a blast. Where to get tickets again and should people show up early to get liquored up or is this a serious affair?

I hope it's a blast. The first show is tomorrow at 8 p.m. at the Backstage Bistro. Two more shows are planned for Thursday, April 28 and Thursday, May 26. And, conveniently, here's that link again: http://www.shadowboxlive.org/shows/the-not-so-late-show

Hopefully, we'll get a good running start at keeping this thing going. And, you know, what would be awesome? If you agreed to be a guest in May... You don't even have to perform. You can be like one of those legendary talk show guests who come on first and just get to take a seat...

--Thanks, I'd love to do it and I'll bring my guitar just in case.