My Days & Nights as a Pinboy for The League Bowlers - by Ricki C.

(editor’s note: For our younger readers who have no idea what a pinboy is, ask your aged grandad in the nursing home, or Netflix & Chill with that 1984 Nicholas Cage/Sean Penn flick Racing With The Moon. Good movie.) 


I guess I would have first witnessed the rock & roll assemblage that is The League Bowlers back in the 1990’s at The Library Bar just north of Lane Avenue on High Street.  Colin may have to correct my faulty memory, but it seems to me they only used to play once a year – like maybe the night before Thanksgiving – and then later it seems I remember them opening for themselves at Watershed shows.  That was back when Colin & Joe Oestreich both played guitar, Herb Schupp was on drums and Paul Beltz III on bass.  

I can’t quite recall the first time I saw the “modern incarnation” of the band – the one that recorded Some Balls – that featured Colin, Dan Cochran, Mike Parks and Jim Johnson, but it might have been at a bar at Easton that also featured video games for the kiddies.  I later became the de facto "road manager” of that band, and detailed the night they broke up onstage at the old Thirsty Ear on Third Avenue in Grandview.  (You can read all about that night – one of the Top Ten Best in my career of being a roadie, by the way – here at my old blog, Growing Old With Rock & Roll: The Friday Night Massacre: The League Bowlers Roll a Gutterball and Break Up Onstage.)

A couple of weeks after that blog first appeared back in 2012, I was handling guitars & merch sales for Joe Peppercorn’s band The Whiles at a gig at the old Kobo on High Street.  While we we were loading out gear at the end of the night Joe’s brother Matt and the other Whiles’ guitarist, Jake Remley, started asking me why I used Colin’s – and other people’s – real names in the League Bowlers blog, when it was obviously a fictional story.

“That wasn’t a fictional story, all of that happened just like I said,” I replied.  “The band ACTUALLY BROKE UP ONSTAGE?!?” Matt asked incredulously.  “Yes, I didn’t make up one word of that piece.  It may have actually been WORSE than I wrote it.”  Jake and Matt just looked at me in the dark, dumbfounded; I could tell they were trying to comprehend just HOW BAD things would have to get to have that happen to them.  Those Whiles boys are WAY too nice to each other; deep down they really aren’t rockers, they’re folk-rock guys.  (Although I did once witness a pretty good blow-up between the Peppercorn brothers just before a Comfest gig one Sunday afternoon in the 2000’s.  It was hardly an Oasis level/Gallagher brothers or Kinks/Davies brothers slugfest, but it was an impressive sibling dust-up nonetheless.)

My other favorite League Bowlers memory was during a happy hour show at the Rumba Café.  I was onstage handing Mike Parks a guitar when a discussion ensued about whether to debut the Bowler’s then brand-new cover of The Faces' “Maggie May” as the closer of the second set, or to save it for sometime in the third set.  (It should be noted at this point that "Maggie May" was probably the most, let's say, challenging tune in the Bowler's repertoire.)  That was when the future founder of Four String Brew – Mr. Dan Cochran – spoke up between swigs of the beer in his hand and said/slurred, “If we’re gonna play “Maggie May,” we better play it RIGHT NOW, because in two more songs’ time I am not gonna BE ABLE to play it.”    

I don’t think I have ever seen a more honest – or more self-aware – moment from a musician onstage.  Drink on, League Bowlers, drink on. – Ricki C. / 6/13/2016   


The League Bowlers will be reuniting onstage at Comfest, at noon on Sunday, June 26th, on the Off Ramp Stage.  I look for them to break up again right afterwards, so you might wanna catch the show, and the band, while you can.

League Bowlers Review by Stephen Slaybaugh

Before Stephen Slaybaugh moved on from Columbus to write for The Agit Reader, CMJ, The Village Voice. Paste magazine and many more, he was kind enough to write about The League Bowlers during his time at the Columbus Alive. Story below. League Bowlers reunion at Comfest, Off Ramp Stage, Sunday, June 26th, Noon.

Click here for League Bowlers story archive on Watershedcentral

Click here for League Bowlers on Facebook.

THE LEAGUE BOWLERS
SKULLY'S MUSIC DINER
WEDNESDAY, NOVEMBER 26

by Stephen Slaybaugh
The Columbus Alive, November 20, 2003

Following in a long Columbus tradition, the League Bowlers have concocted enough tall-tales (connections to Axl Rose, stories about hitchhiking, fake Rolling Stone articles, etc.) surrounding the band that it's hard to distinguish the bull from the shit. Be that as it may, some things are known: The band is comprised of Colin Gawel, also of Watershed, on guitar and vocals; Jim Johnson, of Willie Phoenix's band, on drums; Mike Parks, of Godz fame, on guitars; and Dan Cochran, formerly of Big Back 40 and Feversmile, among others, on bass; and will be releasing its first CD, which this show celebrates.

The album, Some Balls (B Minus), following in another Columbus tradition, relates tales of drinkin' ("Been Thinkin'"), girls ("Pretty in a Slutty Way," "The New Girl") and, well, more drinkin' ("Saturday Night There's a Party"). The Bowlers match such timeless themes with a particularly impressive deluge of Midwestern-soiled rock that's at once casual and off-the-cuff as well as well-played, and it's worthy of the bandmates' lineages.

Things start early so everyone will have plenty of time to sleep off their hangovers before heading out for the holiday the next day.

When the Movies Ebb, The Comics Flow - by Rob Braithwaite

All this movie watching has put a damper on my comics reading. So I’ve eased off the picture shows for a bit to minimize this stack of unread issues. Some highlights are below.
- rob

cover by Gary Frank and Brad Anderson

cover by Gary Frank and Brad Anderson

DC Universe Rebirth
script: Geoff Johns
art: Gary Frank, Ivan Reis, Phil Jimenez (and many, many more)

Five years ago, DC Comics rebooted their entire universe. Called "The New 52" because DC released 52 titles, the carpet-bombing-over-quality approach, it wasn't regarded well. The historical timeline was muddied. (In a five-year span, Batman burned through three Robins, sired a 10-year-old son who was now Robin #4, and joined the Justice League.) Beloved characters were different in personality and/or level of extreme, that is if they even existed in the universe at all.

I started reading single issue comics shortly after the reboot. Before that, I had only read the occasional trade, usually Batman, so it was nearly all new to me. Most of what I read was fine — Scott Snyder and Greg Capullo’s Batman had some strong stories. The final Justice League arc, The Darkseid War, was great. The Wonder Woman run from Brian Azzarello and Cliff Chiang was the prize of it all — but eventually I wasn’t reading any DC books on a regular basis. And frankly it sucked to only get a good superhero fix from Marvel.

Now, a fresh start. DC Rebirth does not dismiss the last five years. Geoff Johns deserves an award for the original and clever way he gets out of this New 52 corner, without disrespecting the work of so many people. He is also able to convey the emotional weight in a way that can be felt by someone who doesn’t know DC history.

Starting this week and over the next few months, DC’s entire line will restart with #1 after a title's respective Rebirth issue which will establish the status quo. So, if you’re looking to jump in, now the time.

Beasts of Burden: What the Cat Dragged In
script: Evan Dorkin and Sarah Dyer
art: Jill Thompson

The residents Burden Hill don’t know the horrors kept at bay by the brave cats and dogs of the neighborhood.

An issue of Beasts of Burden doesn’t come out that often. It’s always a treat when one does. The self-contained stories have a nice balance of horror, humor and emotion. Thompson’s paintings are expressive and beautiful.

Weirdworld
script: Sam Humphries
art: Mike Del Mundo
color: Mike Del Mundo with Mareo D'Alfonso

A great thing about comics is if one book gets too heavy, there’s something else to counter it. Weirdworld is full of wizards and magic and other things I’m not normally keen on, but this book has shown me that if there’s a good adventure and humor that I’ll stick around for a while. The art is some of the best I’ve come across. It’s probably the reason why I stuck with as long as I did. (“Did” because it seems to have been quietly canceled after six issues.)

cover by Jill Thompson

cover by Jill Thompson

cover by Mike Del Mundo

cover by Mike Del Mundo

cover by Mitch Gerads

cover by Mitch Gerads

cover by Nick Dragotta

cover by Nick Dragotta

The Sheriff of Babylon
script: Tom King
art: Mitch Gerads

The murder of an Iraqi police trainee under the supervision of the U.S. military in 2004 Baghdad brings together three people with varying and duplicitous agendas. Tom King worked as a CIA operative in Iraq and brings his experience to a story that becomes less about a murder investigation and more about the complicated relationships one must foster in such an environment.

Tom King is quickly becoming a name to trust. His Vision comic for Marvel is something special. I’ve heard great things about his Omega Men series. And now he’s the writer for Batman.

East of West
script: Jonathan Hickman
art: Nick Dragotta
colors: Frank Martin

“This is the world. It’s not the one we were supposed to have, but it’s the one we made. We did this. We did it with open eyes and willing hands. We broke it, and there is no putting it back together.” — from the cover of every East of West issue.

This is the story of the apocalypse. Every issue is a treat. Jonathan Hickman is an amazing writer. Machinations of politicians and religious zealots are put to the test and surprises abound. Nick Dragotta’s drawings are full of imagination, and Frank Martin’s colors are what make this book one of the most visually striking comics being published now. Love, love, love this book.

Southern Bastards
script: Jason Aaron
art: Jason Latour

Earl Tubb returns to his childhood home in Craw Country, Alabama after forty years. He isn't looking for trouble, but it finds him nonetheless.

Southern Bastards is one of the finest character yarns going today. Every issue enriches this world of football tradition, crime and bar-b-que. Every issue is thick with heat and tension. It's the only book I've read that makes you hate a character in one story arc then find sympathy with him in the next.

cover by Jason Latour

cover by Jason Latour

So, any of these sound good to you? I’m willing to gift a digital comic to anybody* who might want to try one. You’ll need a Comixology account (You can sign in with your Amazon account, because we’re all going to be one corporation someday.) Send an email to bobbybathwater [at] yahoo [dot] com with COMICS in the subject line, and tell me which one you’d like to try.

Or, if you are one for physical things and can pay for your own comics, drop by your local comic shop. They can help. If you live in Columbus, I recommend The Laughing Ogre (4258 N. High Street).

*I’m not sure what the cutoff will be, but this will be a limited offer since my lottery numbers have not yet hit.

Buggy Eyes and a Big Butt, part nine: Movies 121-131

Pencilstorm contributor Rob Braithwaite is watching 366 movies this year, so you don't have to, here is part nine of his continuing 2016 rundown......

Q&A Intro, 1-17, 18-36, 37-51, 52-66, 67-74, 75-87, 88-103, 104-120, 121-131, 132-152, 153-173, 174-187, 188-221, 222-255, 256-287, 288-314, 315-341, 342-366, Index

Ratings key:
★ ★ ★ ★ ★ = I can’t see giving anything that I’ve seen once five stars
★ ★ ★ ★ = get to the theater / move it up in your queue
★ ★ ★ = “three stars is a recommendation” - The Empire [magazine] Podcast
★ ★ = if the remote is too far away, you could do worse
★ = if the remote is too far away, get someone to move it closer then throw it at the TV

121
Dressed to Kill (1980) ★ ★ ★
stars: Michael Caine, Angie Dickinson, Nancy Allen
writer/director: Brian De Palma

This is De Palma’s Psycho. Salacious and voyeuristic as De Palma can be, the silent flirtation and chase in the museum in expertly executed.

double feature pairing: The Voices

122
Big Eyes (2014) ★ ★
stars: Amy Adams, Christoph Waltz
director: Tim Burton

Margaret Keane painted pictures of children with oversized eyes. The world loved them. Her husband took the credit.

If you’ve seen the trailer, you could say you’ve seen the movie. There’s not much of note between the cuts.

watch the trailer for Big Eyes instead

123
Triple 9 (2016) ★ ★ ★.5
stars: Anthony Mackie, Casey Affleck, Chiwetel Ejiofor
director: John Hillcoat

This heist movie, packed to the gills with character actors, has some thrilling scenes but feels as if it was originally denser, like it was thirty minutes longer and the studio said to get it under two hours.

double feature pairing: The Bank Job

124
The Nice Guys (2016) ★ ★ ★ ★
stars: Russell Crowe, Ryan Gosling, Angourie Rice
co-writer/director: Shane Black

A muscle for hire teams up with an opportunist private eye to solve a case.

Shane Black is an incredibly funny and subversive writer. Ryan Gosling is unexpectedly hilarious and make a great team with Russell Crowe.

double feature pairing: Airport ‘77

125
Criminal (2016) ★ ★ ★
stars: Kevin Costner, Gary Oldman, Gal Gadot
director: Ariel Vromen

Green Lantern is killed before he can return to an asset he placed in hiding. To get that information, Jim Gordon transfers Green Lantern’s memories into Jonathan Kent, a death row inmate. Kent escapes as the foreign memories begin take hold and finds himself at Wonder Woman’s door. Will he find the asset before it’s too late?

A completely enjoyable and ridiculous movie. The cast certainly helps to elevate it.

double feature pairing: self/less

126
Neighbors 2: Sorority Rising (2016) ★ ★ ★.5
stars: Seth Rogen, Rose Byrne, Chloë Grace Moretz
director: Nicholas Stoller

A group of girls start their own sorority house when they learn that only fraternities are allowed to host parties.

The first one was funny. This one is funnier.

double feature pairing: Girls Just Want to Have Fun

127
Everest (2015) ★ ★ ★ ★
stars: Jason Clarke, Josh Brolin, Emily Watson
director: Baltasar Kormákur

I wasn’t interested in this when it came to the theater, because it seemed to be leaning on the 3D/IMAX element to get butts in seats. I recently read Into Thin Air, a source for the movie, and decided to watch the movie.

Everest isn’t nearly as sensationalized as the trailer made me think. It’s a very straightforward telling of the disastrous climbing expedition in 1996. I’m not sure how well certain aspects were relayed in the movie. I think I understood more because of the book’s detail. Either way, it’s very good.

double feature pairing: 127 Hours

128
The Boy (2016) ★ ★
stars: Lauren Cohan, Rupert Evans, a doll
director:  William Brent Bell

Greta is the new nanny for the Heelshire’s boy. Oh boy, it’s a doll.

Better than I thought it would be, it creates an eerie atmosphere without being too cheap with jump scares. Too bad it completely unravels for the finale, becoming the shit show I expected it to be in the first place.

Lauren Cohan deserves an award for Best Second Take.  

watch Magic instead

129
Dark Passage (1947) ★ ★
stars: Humphrey Bogart, Lauren Bacall, Agnes Moorehead
director: Delmer Daves

A man breaks out of prison to solve the murder he didn’t commit.

At least that’s what the synopsis says. Mostly it’s the guy wandering around, getting plastic surgery, recuperating then trying to get out of town. He eventually figures out who set him up, but he more or less stumbles into it.

Bogart’s face isn’t shown until an hour into the movie, when the surgical bandages are taken off. The first forty minutes is almost entirely shot in first person perspective, which bothered me a lot. It made me appreciate Seconds much more. In that movie, another actor played the part of pre-surgical Rock Hudson.

watch The Fugitive instead

130
X-Men: Apocalypse (2016) ★ ★.5
stars: Jennifer Lawrence, Sophie Turner, Rose Byrne
director: Bryan Singer

A mutant, believed to be the first ever, awakens from hibernation to unleash a CGI cleansing of the world. Other mutants try to stop him while having the same conversations they’ve been having since the first X-Men movie.

There were some good moments, but it largely feels like rehashed mayhem and dialogue. Quicksilver was an unexpected joy in X-Men: Days of Future Past. He isn’t any more developed here, although he is allowed to stick around after his callback scene of doing funny things as he runs so fast time slows to a near stop. Xavier and Erik have a conversation that is a literal lift from another X-Men movie. The injection of new characters doesn’t help this spinning wheel.

watch X-Men: First Class instead

131
Dressed to Kill (1941) ★ ★
stars: Lloyd Nolan, Mary Beth Hughes, William Demarest
director: Eugene Forde

People were crazy about private investigator Michael Shayne. There were novels, radio plays, movies and a TV show.

In this outing, Shayne is about to be married when he come across a double murder. Wise cracks, hustling, sexism and racism ensue.

watch The Thin Man instead

Counters:
131/366 movies (21 movies off pace)
17/52 movies directed by women

THE TOP THREE