Colin Answers Your Watershed Questions and the New Single is Out!

Click Here To Hear the New (And old) Watershed

 

(this story is from Oct 2016, Watershed playing Ace of Cups- Columbus, Ohio Dec23 2016.)

Colin Answers Your Watershed Questions Before Gig This Weekend

--So what’s going on in Detroit this Saturday?

C.G. – Our good pals The Fags are doing a reunion show at Small’s in Detroit and asked us to come open the show. In fact they are working on a new record. (Click here for more info on that at Pledge music) It was too good of an offer to pass up, so Joe is flying to Cbus, we are going to rehearse for a bit and then pile in the van for the short ride to Motown. We are on around 10pm. 

(Note: As of this publishing, Joe Oestreich is literally filling sandbags to protect his pad in S.C. from Hurricane Matthew. If he can't make the show, the rest of us will and it will rock. Besides, it's The Fags show anyway.)

(Note 2: Due to said hurricane 'n' stuff we got cancelled for the show in Detroit. Read more on that here )

--That sure seems like a lot of work for just an opening gig. Why? 

C.G. - Obviously, we are huge fans of the band and go way back with John and Jimmy, but without Tim Patalan producing “The More it Hurts” and “5th of July,” it’s safe to say Watershed would have disappeared long ago. He was the missing - and much more musical - member of Watershed we never had. I love all of our albums but anytime Tim works with us, something special happens. Though I’m sure we are literally in some sort of debt to Tim, we will figuratively be in his debt forever. And those Fags sure can party.

--There is a new Watershed single produced by Tim Patalan but I can’t find it anywhere. WTF? 

C.G. - Yes, in Oct. 2015 we returned to The Loft for four chilly days and long nights. It had been a long time since we had worked with Tim, not because we didn’t want to, just life and all that stuff getting in the way. Tim has a certain production style that doesn’t lend it self to tidy schedules and advance planning. Though I love his method, it’s tough to implement with jobs, kids, travel and all that. 

We brought in about 8 songs. Tim listened patiently to all and said, “I think the chorus of the last one is good, but we need to rewrite the rest of it. And you guys should just write another brand new song while you are here. Okay, get to work, I’ll be back later.” We got to work and eventually ended up with “Hey Lydia” (song #1) and “Best Worst Night.”  Shout out to Andy Harrison for jumping on board at the last minute to help in all fashions. It was some serious Brill Building shit as Andy would help engineer upstairs while the rest of us worked on the songwriting downstairs. 

But I’m off track – we offered an advance version through Kickstarter as part of the Single Series. It had the two new tracks, plus a slew of old nuggets all tied directly into the book Hitless Wonder. Biggie did an amazing job with the artwork and we hit the goal in just two days (THANK YOU!) and sent them all out this summer. Sorry, no hard copies available that I know of. I bet Ricki C. could hook you up, though. Good news is that is all goes streaming I-Tunes Friday Oct. 7th before the gig in Detroit.  

Last time Watershed played in Columbus, Herb Schupp was back on drums. What happened to Dave?

C.G. - Sorry to say, for a variety of reasons, it just wasn’t happening with Dave anymore. It was a decision we took very seriously to the point we considered just ending the band. Dave’s drumming, along with Tim Patalan’s production took us to heights we never imagined. Dave at his best is as good as any rock n roll drummer that ever played. I know it sounds crazy, but I’m telling you it’s true. Give a listen to Watershed Three Chords and a Cloud of Dust II if you want to hear for yourself. That record is basically a rock n roll drum clinic with some hacks singing over top of it. He played with finesse, musicality and personality. He played for the song. He knew where the song was going. He showed up to every practice and every gig and never sweated the small stuff. He rode in the van and never complained. He loved it all. 

But in the end, we lost the thread. It was time to move on. Many drummers were considered but it was a pretty easy choice to go back to original drummer Herb Schupp. Watershed are friends first, so that dictates many of our decisions for better or worse. I think anybody who saw the “new” line-up last summer in Columbus would agree it was the right call. It’s sorta like Tom Petty going from Ron to Howie on bass, then back to Ron. 

Does Dave play on the new single?

C.G. - Yes, that is Dave in all his glory trying to please Tim Patalan. It was the prefect way to go out. And his last gig with Watershed was opening for Cheap Trick. I feel good about that. (click here to read more about that show)

What happened to Joe Peppercorn?

C.G. - For those not from Columbus, Joe is a powerhouse in his own right. Around the time of Brick and Mortar, Joe was a little burned out leading his own projects while juggling raising young kids. He would tend bar at the Treehouse on Wednesdays and I would stop by some nights to chat. I could empathize with where he was at in his career because I had been there myself.  Drummers leaving the band, no money and young kids running around the house. 

We knew that doing the record in Columbus without Tim, we could really use a person with the musical talent of Joe Peppercorn. So we proposed that he join the band and help with the new record. For once, he wouldn’t have to shoulder the load all alone. Contribute some tunes, play some parts and drink some beer. Or put in rock n roll terms, he could be the Ron Wood of Watershed for a while. Essential to the sound, but free not worry about all of the nonsense. 

He jumped at the opportunity and I think the record we made and live shows we played together more than justified the decision. That was some of the most fun I’ve ever had in my life. And we could not have done it without Joe Peppercorn. (And Mike Landolt.)  Alas, Joe is a bandleader par excellence himself and eventually got back to doing his own thing. His band The Whiles have a new record due out soon and every December he fronts a band that plays EVERY Beatles song in chronological order in one 13 hour show. Yup. Whatever Joe Peppercorn does, you need to take an interest. He is one of the best.

Who was the other guy on guitar at Ace of Cups?

C.G. - That would be the man behind the curtain, Rick Kinsinger. He produced The League Bowlers, Dead Schembechlers, and helps out on our studio stuff. Since we all play in the Bones together it was a no-brainer for him to join up.

What are the chords to Plan B? 

C.G. - G-E-C-D  (sometimes I capo up a step) 

A question from New Zealand: How can I get some Watershed shirts over here? 

C.G. - I will pass this on to Biggie, but hit us up with a FB message and we will find a way to hook you up. I am a fan of The Bats. Could we trade shirts?

Why Isn't Ted Nugent in the Rock n Roll Hall of Fame instead of Cheap Trick?

C.G. - Easy. Because of this..

Watch the official video for the Damn Yankees' "High Enough," a 90's rock ballad that rose to No. 3 on U.S. Hot 100 chart. The band's songs appeared on several Hollywood film soundtracks, such as Gremlins 2: The New Batch, Nothing But Trouble and The Taking of Beverly Hills.

After many years, League Bowlers have re-emerged and I'm so excited. Being totally honest, I liked the Bowlers better than Watershed. Why now and what's up?

C.G. - After seeing Dan Baird at RT33 Rhythm and Brews many folks were asking what happened to The League Bowlers. Well, damn, since Rick and Herb are now playing in Watershed, maybe it's time to call Jim and Mike to get the Bowlers rocking again. Our show at Comfest was a gas and we have been playing Sunday Noon shows at Dan's Four String Brew Taproom on occasion. We have also been recording and hope to have a "Some Balls" deluxe reissue with new tracks available in 2017. Find us on facebook here. We will be very close friends.

I was a fan of Colin Gawel and The Lonely Bones but right after Superior, the "Best of" album was released, you guys just kinda disappeared. WTF?

C.G. - A tough question but a fair one. Well, I just sort of follow my muse and I felt it was time to focus on Watershed and The League Bowlers. And I forgot about "Why Isn't Cheap Trick in the Rock N Roll Hall of Fame?" Yeah, had to do that too. I'm super thrilled with "Superior - The Best of Colin Gawel" but I was waiting for Wal to finish the video for "Dad Can't Help You Now" before pushing it. That song deserves a little time. So once that is done, I'll push the solo record. Maybe next fall I'll tour solo?

What is up with a possible new Watershed full length record?

C.G. - We spent a week last January recording new demos at the fabulous Pleztone recording studios in Conway, SC. We have since cut 10 basic tracks in Columbus with Mike Landolt behind the curtain. Our hopes are to finish up this winter and perhaps a new Watershed record summer 2017, and some tour dates too. Fingers crossed.

 

Christmas Songs That You Won't Hear At The Mall - by Scott Carr

It's that time of year again. All the stores are playing fifty different versions of "Baby, It's Cold Outside" and "Chestnuts Roasting On An Open Fire."  Out of the thousands of Christmas songs that have been recorded over the years, they always seem to play the same ones over and over again until the Christmas spirit has been sucked out completely. It becomes mind-numbing.

This is the first Christmas season in almost 16 years that I haven't worked in a big box retail environment and I must say it has brought some joy back into my Christmas music listening experience.

I thought since the Pencil Storm staffers are taking some time off for the holidays I would compile a list of some Christmas tunes that you probably won't hear in your local Wally World. Some you may be familiar with and others you probably haven't heard at all.

So, sit back and pour yourself a glass of your favorite Christmas beverage and enjoy the music......

1. Material Issue - Merry Christmas Will Do

Power Pop Christmas perfection from Chicago Illinois' Material Issue. This song was originally featured on a compilation cd called Yuletunes, It's kinda hard to find but worth searching for.

Material Issue's contribution to the 1991 Christmas CD compilation "Yuletunes", on Black Vinyl Records. "You don't have to say you love me, I know that that's not true. Merry Christmas, Merry Christmas will do."

2. The Darkness - Christmas Time (Don't Let The Bells End)

Completely over the top and exactly what you want from The Darkness and a great Christmas song.

Watch the official music video for The Darkness - Christmas Time iTunes: http://smarturl.it/TheDarknessiT Amazon: http://smarturl.it/TheDarknessAmzn More The Darkness Videos - http://smarturl.it/TheDarknessPlaylist Click Here to Subscribe: http://goo.gl/G21T8

3. Fountains Of Wayne - I Want An Alien For Christmas

Another Power Pop take on Christmas. Who wouldn't want an alien for Christmas???

This is a single: non-album song, but It is present in the double compilation album called Out-of-State Plates, as track number 10 in Disc 2.

4. Ramones - Merry Christmas (I Don't Want To Fight Tonight)

Punk rock Christmas classic!

Get The VHS of lifestyles of the Ramones http://adf.ly/1dhO0P Vocals: Joey Ramone Guitar: Johnny Ramone Bass: Studio Version:Dee Dee Ramone/Video:CJ Ramone Drums:Marky Ramone Merry Christmas, I don't want to fight tonight with Merry Christmas, I don't want to fight tonight Merry Christmas, I don't want to fight tonight Merry Christmas, I don't want to fight tonight with you Where is Santa?

5. Enuff Z Nuff - Happy Holiday

Cool tune from Blue Island Illinois Glam Power Poppers Enuff Z Nuff. The song was originally record for the soundtrack of Home Alone 2 but wasn't used. It found it's way onto the bands Peach Fuzz cd and has become a holiday favorite.

HAPPY HOLIDAY!!!!!! From the album Peach Fuzz available on itunes http://itunes.apple.com/us/album/peach-fuzz/id81804555 Disclaimer: I do not own the audio which is entitled Happy Holiday this belongs to Enuff Z'Nuff Lyrics:- In Wonderland the snow is on the ground. The happiness, you hear it all around. Santa Claus and mistletoe And old Jack Frost, yeah don't you know?

6. Hanoi Rocks - Dead By Xmas  (What more could I add to that?)

A-side of the single "Dead By X-Mas/Nothing New" (1981) on Johanna Kustannus Oy (Ltd).

7. Lillian Axe - Here Is Christmas

Great take on a song written by Ann Wilson of Heart.

from the "Here is Christmas" EP Grand Slam Records 1992

8. Shoes - This Christmas

Another one from the Yuletunes Christmas compilation.

"This Christmas" by Shoes. Hard to find song.

9. Eels - Christmas Is Going To The Dogs

This song comes from the soundtrack for the remake of How The Grinch Stole Christmas. The soundtrack turned out much better than the film.

Good song

10. The Kinks - Father Christmas

Best Christmas song ever!

Took the old video with the bad audio quality and put the MP3 version of the song I had on there. It syncs up pretty well but it gets a little off near the end. Pretty good though overall.

11. Billy Squier - Christmas Is The Time To Say I Love You

A personal favorite of mine and I wrote all about it last year. Check it out here.

Back in the heyday of MTV, Billy directed this video of his Christmas single, "Christmas Is The Time To Say I Love You."

12. The Three Wise Men (XTC) - Thanks For Christmas

XTC in disguise

13. Cheap Trick - Come On Christmas/I Want You For Christmas

Hey, it's Cheap Trick, of course they get two entries.....

Cheap Trick with their holiday altered version of "Come On, Come On". This is "Come On Christmas." Come on Christmas Come on Christmas Come on Christmas Come on Christmas Come on Christmas Ooh I'm feelin' good Ooh tonight's the night Been so long, but I don't why Ooh somebody, treat me right I'm really in the mood tonight Come on Christmas and come on time Come on, come on Come on now Christmas!

Music video by Cheap Trick performing I Want You For Christmas.

14. Tom Waits - Christmas Card From A Hooker In Minneapolis 

Kind of a depressing Christmas tune, but sometimes Christmas is a little depressing...

All credit goes to the artist.

15. Colin Gawel - Still Love Christmas

It's no easy task to write an original Christmas tune but I think Colin Gawel nailed it.

The title song to Colin Gawel and the Lonely Bones' December 2010 release. We shot the video at the "Still Love Christmas" release party at Rumba Cafe in Columbus, OH. COLINGAWEL.com

16. The Tories - Wonderful Life

Technically not a Christmas song but it's lyrics are based on one of the most popular Christmas movies of all time It's A Wonderful Life. It's a crime that more people don't know this song and this band.

Title track from The Tories cd "Wonderful Life"

Scott Carr is a guitarist who plays in the Columbus, OH  bands Radio Tramps and Returning April.  Scott is also an avid collector of vinyl records and works at Lost Weekend Records. So...if you are looking for Scott....you'll either find him in a dimly lit bar playing his guitar or in a record store digging for the holy grail.

 

Deadly Serious Fun - Five Scenes From "The Kids Are Alright" You Will See In No Other Rock Documentary, Ever - by Ricki C.

For ten years, from 2000 to 2010, I served first as a roadie and then as road manager for Hamell On Trial: a solo acoustic force-of-nature whom I described – and at times introduced onstage – as “A four-man punk band rolled into one bald, sweaty guy.”  The very first rock & roll conversation Ed Hamell and I ever had when I opened for him at Little Bothers in 1998 was about how we saw The Who three weeks apart back in 1969 as high school boys – me a senior in Columbus, Ohio; him a  sophomore in Syracuse, New York.  We both agreed unequivocally that it was the greatest rock & roll show we had ever seen.  We both agreed unequivocally that The Who in 1969 was rock & roll’s most perfect organism EVER, and that all of our musical standards of professionalism were based on that band, and those four men: Roger Daltrey, Pete Townshend, John Entwistle & Keith Moon.

I stand by that assertion to this day.  The Who – from sometime in 1968 when Pete Townshend started to write Tommy, to sometime in 1973 before Quadrophenia came out – were, quite simply, the greatest rock & roll band of all time.  I say this with apologies to my dear friend Jim Johnson – The Rolling Stones have been a great band for a good many decades – and my good friend Chris Clinton – Bruce Springsteen & the E Street Band have been the world’s greatest rock & roll band from 1978 until sometime last week – but neither of them of are as good as The Who were at their 1972 peak, when they wrote & recorded Who’s Next.

And this movie – The Kids Are Alright – is a true testament to that band.

Five scenes from The Kids Are Alright that you will see in no other rock documentary EVER:

1)    A little perspective: The opening segment in The Kids Are Alright, The Who’s appearance on the Smothers Brothers Comedy Hour on September 15th, 1967, came three months after the June 1st release of The Beatles’ “Sgt. Pepper’s Lonely Hearts Club Band” ruined the concept of FUN in rock & roll and made everything DEADLY SERIOUS.  The Smothers Brothers really had their hearts in the right place – attempting to bring a little bit of the counter-culture to white-bread Sunday night television – and this night, bringing The Who in all their anarchic, gear-smashing glory to National Commercial television when there were still only three channels, they succeeded.  Deadly serious fun.  Keith overloads his blast-powder in the bass drum and in the ensuing explosion Pete’s hair gets singed, he loses some of his hearing, you can hear the audience GASP, Bette Davis faints backstage, and Keith gets knocked cold.  I was literally stunned, staring open-mouthed at the TV as this performance transpired.  I had always kinda liked The Who, now it was Luv, L-U-V.
 
2)    The short segment of Keith throwing his “Pictures Of Lily” drum kit into the audience (and, by the way, the audience THROWING THEM BACK) took place not at the “My Generation” smashing-the-gear-at-the-end-of-the-show finale of the August 6th, 1968, appearance at the Boston Music Hall, it took place THREE SONGS INTO THE SET, when an obviously, let’s say “over-exuberant” Keith Moon lost track of where The Who were in the show and started to forcefully dismantle his kit.  The show had to be stopped, the roadies had to regain all of the gear and reassemble the drum kit so the show could resume.  Deadly serious fun.

3)    The grainy black & white footage from some British teen program in 1966 when Pete Townshend opines – apropos of the musical quality of The Beatles – “When you hear the backing tracks of The Beatles without their voices, they’re flippin’ lousy.”  Again, a little historical perspective for the rock & roll youngsters: If you were a rock musician in 1966, you didn’t go on English television and badmouth The Beatles.  Deadly serious fun.        

4)    The compendium of gear-smashing sequences that flows from the Monterey Pop Festival appearance by the boys in 1967.  This is not play-acting.  This is not Kiss smashing a plywood guitar at the end of “The Act” after they were raking in millions from The Rubes In The Cheap Seats in the 70’s.  This is at least three seriously pissed-off young men taking out their aggressions on their instruments, and doing a damn fine job of entertaining the audience while they’re at it.  This is the only time Art ever successfully mixed with Rock & Roll.  This was Deadly Serious Fun.

5)    My favorite scene in the entire movie and, sadly, the one that I think tells the entire Story Of The Who in one glorious 30-second segment: right after “A Quick One Whiles He’s Away” Pete Townshend is pontificating – as he so often has, indeed to this day in 2014 – about how “The Who can’t just remain a circus act, doing what the audience knows we can do, until we become a cabaret act.”  It’s pretentious as hell, as Townshend so often was/is, and in the midst of it Keith Moon – feigning agreement in the Lofty Pronouncements being Uttered – proceeds to do a circus-act headstand on his conference-room chair, forcing Pete out of his Painfully Serious Overly Intelligent Rock Star Stance into trying to balance a brandy on Keith’s boot-heel and totally derailing Pete’s pomposity.  

Keith Moon died September 7th, 1978, just over four months after the May 25th performance that yielded takes of “Baba O’Riley” and “Won’t Get Fooled Again” for this film.  The Kids Are Alright was released in May, 1979, and I think I knew even then that The Who without Keith Moon was never going to be the same again, that without Keith’s genius comic tempering of Pete’s pretentiousness, that everything was going to devolve to the Deadly Serious, and The Who would never be Fun again.  I was right.

In some ways this entire movie serves as a tribute to Keith Moon, and as a tribute to a simpler time in rock & roll: when guitars & drums, extreme volume, cool clothes, great songs and a cute blonde lead singer were enough for anybody.  In many ways, I have no problem with that.

If you think you’ve ever loved rock & roll music for even a single moment, you’ve gotta see this movie.  – Ricki C. / May 17th, 2014.

 

(So, Ricki C. has been on quite the Who bender this week, but if any rock & roll gluttons for punishment out there among you have a stomach for 2500 more words on the subject, check out Ricki's 2012 blog Shows I Saw In The 60's, part two - including his full account of the November 1st, 1969 Who appearance at Veteran's Memorial.  But first, a video.......) 

  

Thirty-Five Years Ago Today Rock's Savior Died: Remembering Lennon

reprinted from December 8th, 2015

by Pencilstorm Contributor: Wal Ozello

Several years ago, I found myself at the Rock N Roll Hall of Fame on a weekday. It was practically empty except for a few co-workers and me so we were able to soak in all the exhibits.  The upper floors were reserved for special rotating exhibits and we were lucky enough to catch one that featured John Lennon… just John… and told the story of his whole life, from birth to death, to the immortalization of his music and persona. Yoko Ono had collaborated with the museum so it was very detailed with hundreds of artifacts and rock memorabilia.

There were two parts of the exhibit that moved me the most.  Yoko had included John’s glasses, preserved intact from the evening of his death, December 8, 1980.  They were his iconic round eye spectacles but these were stained with blood.  While most would consider this morbid, I felt the humanity of it. This made that moment real. For a split-second, I didn’t see the murder of world’s greatest songwriter, I saw the death of fellow human being, pulled away from a loving wife and two sons.

The second was an art installation that Yoko included.  It was a telephone with a simple sign that said, “Call Cleveland for Peace.” An odd inclusion to the exhibit and I asked the security guard what it was about.  He explained that several time a week Yoko would randomly call the phone and talk to whoever answered it. At the end of the conversation, she’d wish them peace. 

I was hoping Yoko would have called at that moment.  I would have explained to her how much the exhibit moved me that day and that I admired John not just an artist, but as a father and a husband. I believe in many of the words John sang. I, too, have hope that one day all the people will be able to share the world and live as one.

No funeral was ever held for John.  Instead, Yoko had asked for ten minutes of silence several days after - on December 14 - to remember him.  It happened all over the world. In fact, all the radio stations in New York City were silent for those ten minutes.  Years after, they dedicated a special section of Central Park as a memorial called Strawberry Fields. It’s steps away from where he was murdered. If you’re ever in New York City, I highly recommend visiting it.  In the middle of the all the hustle and bustle of the city, it’s the most serene place I’ve ever been to.

Take a minute to remember John today and imagine what it would be like if we’d try and practice his words.  He would have been seventy-five this year.

Wal Ozello is a science fiction techno-thriller novelist and the author of Assignment 1989 ,  Revolution 1990, and Sacrifice 2086. He's a resident of Upper Arlington, Ohio and a frequent customer at Colin's Coffee.

Bonus video.. And don't forget the Beatles Marathon is Dec 26th at the Bluestone. Read more here.

The Beatles 1 Video Collection is Out Now. Get your copy here: http://thebeatles1.lnk.to/DeluxeBluRay "When you talk about destruction, don't you know that you can count me out" "I did the slow version and I wanted it out as a single: as a statement of The Beatles' position on Vietnam and The Beatles' position on revolution.

Witnessing Rock & Roll History at the 9:30 Club: 13 Amazing Shows - by JCE

(editor's note: Much of the staff here at Pencilstorm has worked day jobs and played in rock & roll bands nights & weekends for most of their lives.  (There were/are no trust fund babies in the likes of Watershed, The Twilight Kids, Bava Choco and Armada.)  Many of those jobs were in retail and in service industries.  Nowadays - here in the comfort of Pencilstorm - we don't work nearly as hard, and essentially take a lot of December off work to concentrate on gigs.  So, we're gonna take this opportunity to: 1) Burn off some blogs that we never managed to fit in anywhere earlier in the year, beginning with today, JCE's excellent memoir of Washington D.C.'s 9:30 Club.....  2) Maybe rerun some of our favorite Christmas-related blogs of earlier years.....and  3) Relentlessly promote the December gigs of our friends & Pencilstorm associates.  Read on, and stay warm.)            

WITNESSING ROCK & ROLL HISTORY FROM A WINDOWSILL - JCE    

I grew up in Alexandria, Virginia.  As soon as I was old enough to drive, I would go to Georgetown to haunt record stores and to visit a punk boutique called Commander Salamander.  Commander’s as we called it was like our version of London’s Sex shop where the Sex Pistols were born.  More importantly, I would go to clubs like the Bayou, Desperado’s, Madam’s Organ, The Gentry, Columbia Station and the Psychedeli to see live rock n roll.  And oh yeah, there was a little club called the 9:30 Club.  Maybe you’ve heard of it…

The Nightclub 9:30 opened on May 8, 1980 at 930 F Street, NW in Washington, D.C.  The club has since relocated and remains a world-renowned establishment, but nothing will ever compare to the old 9:30.  It’s famous for its smell, it’s poorly placed column right in front of the stage, its horrible bathrooms and its long entrance hallway.  But it’s mostly famous for the bands that played there, and I saw quite a few of them.

You could go toward the back bar and find a place to sit, but for a view of the stage you had to stand.  But there was this huge window to the left of the stage.  If you got there early you could get the windowsill.  I like to stand at shows, not sit.  But the thing is, if you got the windowsill, you could sit and have a beer, and when the band came on, you could stand on the sill and see over everyone.  It was 20 feet from the stage, it was a perfect view.  I used to love to get that spot at the club.  Here are a baker’s dozen of shows I saw from the windowsill that have some great rock n roll history, at least in my opinion.  

1.     Tommy Keene with R.E.M.  Yep, that would be R.E.M. from Athens, GA opening for local power pop hero Tommy Keene (who I still like better than R.E.M.).  When I saw this show, I didn’t even know who R.E.M. was.  They had just recently cemented their name, claiming the rights to it from a local D.C. band who was also known as R.E.M.  According to the 9:30 Club book that is now out, the two bands agreed to each play a set and the best band would keep the name.  The D.C. version heard the boys from Athens play and they knew they were going to need a new name.  They became Egoslavia (ughh, they definitely lost big time on that one).  Anyway, I saw a great show by R.E.M. early in their career, and Tommy Keene was always spectacular.

2.    The Go Go's. You can laugh if you’re not a fan, but the Go Go’s started out punk, and even though ‘Beauty and the Beat’ had just been released when I saw this show, they were still pretty edgy and I really liked them.  Jane Wiedlin played a mean guitar, and she and Charlotte and Belinda were all looking great based on my view from the windowsill.


3.    The Professionals. This is one of my favorite bands all-time.  Steve Jones and Paul Cook were doing their best work with this post-Sex Pistols band.  These guys were heroes to me, so I’m just glad I saw them.  I do have to admit though, the show was so loud my ears were crackling and the music didn’t seem too crisp or clear.  Without a doubt, it was the loudest show I ever saw, period.

4.    Tru Fax & the Insaniacs with Jason & the Nashville Scorchers.  Tru Fax was a popular D.C. band that I loved.  I’m sure I saw them close to 30 times.  On this particular evening, the opening band was Jason & the Nashville Scorchers, before they later dropped the ‘Nashville’ and just went with Jason & the Scorchers.  They are one of my favorite bands now, but I had never heard of them at the time.  Their version of “Take Me Home, Country Roads” was so amazing that night, I can’t even describe it.  Warner Hodges on guitar was something special. 

5.    Johnny Thunders with Black Market Baby.  Black Market Baby were stalwarts of the D.C. punk scene and they made a perfect opening act- hard rockin’ and sloppy.  Johnny came out and played a great set of mostly Heartbreakers tunes, like “Born to Lose,” “Chinese Rocks,” and “One Track Mind.”  I’ve read so much about Johnny and his inability to hold it together when he was all strung out all the time, but on this night, Johnny Thunders was just fine in my eyes.


6.    Black Flag with S.O.A.  For those not versed in harD.C.ore, S.O.A. was State of Alert which was fronted by Henry Garfield.  Henry put on a show that was pretty impressive, at least as far as hardcore punk.  Black Flag came over from California and brought the West Coast punk penchant for violence with them.  Boots and chains were flying everywhere and blood was definitely spilled in the pit.  Legend had it that Black Flag was so impressed with Henry that they put him on the bus, he changed his name to Henry Rollins and became the lead vocalist for Black Flag that night.  That’s not actually true. He did go out to California to join Black Flag shortly after this show however and he did change his name.


7.    Mother Love Bone.  I forget who opened this show.  If you’re not familiar, Mother Love Bone was one of the rising bands from the Seattle grunge scene.  Their singer, Andrew Wood, was spectacular.  Unfortunately, he took his own life shortly after this show and was later replaced with Eddie Vedder.  The band became Pearl Jam and the rest, as they say, is history.  If you never listened to Mother Love Bone, check them out.  I so much prefer Andrew Wood.  I have never understood the love fest for Pearl Jam or Eddie Vedder.

8.    Simple Minds.  Early in their career, Simple Minds had a record called ‘Life in a Day.’  It was an excellent record.  Forget all the more pop styled hits you’ve heard, ‘Life in a Day’ was really good.  I don’t know what year it was, but on my birthday, my sister asked me what she could take me to do to celebrate.  So of course I said, “let’s go see Simple Minds.”  I’m really glad I did.  They were great, and it’s a memory I cherish, as I lost my sister way too early.  She had no idea who Simple Minds even were, but she was always game to try new things.


9.    Dead Boys with Obsessed.  You may or may not have ever heard of the Obsessed.  They later became a 3-piece doom metal band that absolutely sucked, but at this time they were fronted by Vance Bockis, who was one of my favorite punk/metal vocalists of all time prior to his death a couple of years ago.  With Vance in the band, they were astounding to watch, clearly taking influences from Iggy and from Stiv Bator.  I wonder if Stiv watched the openers on this night.  Anyway, it was Stiv and the Dead Boys.  That’s history being made as far as I’m concerned.

10.    X.  This was early X.  The Los Angeles record had just come out on Slash Records.  I couldn’t wait to see the band, because they seemed scary, dark and dangerous back then.  It was a great set. Exene got kicked and they had to quit playing for a minute while order was restored.  It was punk rock!


11.    Mother May I with Adam West and someone I don’t remember.  The 9:30 Club had a lot of nights where it was 3 bands for 3 bucks.  On this night, I discovered Mother May I, a band I love.  They got the major label deal, they made a record, they got dropped, they plugged on for awhile…  you know the story.  If you don’t know these guys, you should check them out.  Very comparable to Watershed, but they gave up way too soon.

12.    Dead Kennedys.  On tour supporting one of the greatest punk records ever, “Fresh Fruit for Rotting Vegetables.”  Jello Biafra…  That’s all I need to say.


13.    The Dickies with Lou Miami & the Kozmetix.  There’s a long story behind this one, but I’ve gone on too long already.  The Dickies are just fantastic.  They played the theme song from the Banana Splits, which was my favorite TV show when I was little.  If you’re in my age bracket, you probably remember.

JCE

 

 

It's Been a Tough Month for this Tribe Fan - by Scott Goldberg

It’s been a tough month.  The World Series didn’t end the way I hoped.  Neither did the presidential election.  If I could choose to change the outcome of one, the Indians would be World Champs.  Call me irrational, a fanatic, or even unpatriotic, but I wanted this more.

As an Indians fan I go pretty far back.  Back to cavernous Municipal Stadium.  The only constant to today’s team is John Adams whacking his drum at the top of the centerfield bleachers.  Back then he was louder; perhaps it was because the sound reverberated off more hard surfaces as most of the time 68,000 or so seats were empty.

I go back to Charlie Spikes, No-Neck Williams, Frank Duffy, Buddy Bell, Super Joe Charbaneau, Rick Manning, Len Barker and Gaylord Perry.  Not a lot of Hall of Famers in that group.  I think Gaylord and his spitter might have snuck in?  I remember the Spring of 1987 getting the Sports Illustrated baseball preview issue with Cory Snyder and Joe Carter on the cover.  SI jinx at its finest.  Carter went on to be a World Series hero—for the Toronto Blue Jays and Cory faded away like so many promising players and teams before and after him.

And then we had the 90’s a baseball renaissance in Cleveland.  Beautiful new ballpark and so many great players fitting of the cathedral they now played in.  Thome, Ramirez, Belle, Baerga, Lofton and Omar.  And just enough strong starting pitching.  The only time I have witnessed a World Series game in person was Game 5 in Cleveland against the Braves.  Albert Belle of the corked bat and probably corked biceps took Greg Maddux deep in the first.  Eddie Murray stepped into the batter’s box next.  Maddux with his pinpoint control threw high and tight.  Murray didn’t like it and glared out at Maddux and Maddux glared right back.  Murray took a step toward the mound, both benches rose to the top step of the dugout.  Nothing more happened, but the moment was as electric as I have ever witnessed as a sports fan.  

Nothing provides more sustained tension than playoff baseball.  It is simply the best, unless your team is involved and then it is just a form of Chinese water torture—if that actually exists, if not it is just plain torture.  Like the 2016 Cubs, the 1995 Indians were down 3-1 and won Game 5 at home.  No one left Jacobs (now Progressive) Field at the end of the game.  We cheered and danced and then took the feeling and party to the streets.  The Indians headed back to Atlanta for the final two games.  But unlike the Cubs , we never got to a Game 7 as Atlanta closed out the series in Game 6.  Glavine pitched eight innings of one-hit baseball and the Tribe lost 1-0.

It wouldn’t take these Indians long to get back to the promised land.  I won’t spend a lot of time revisiting the 1997 World Series other than to say the Indians broke our hearts.  A strike and out away from being World Champs, Jose Mesa couldn’t close it out and the Indians fell in extra innings.  Omar publicly blames Mesa for losing that World Series.  I loved Omar—best fielding shortstop I ever saw.  But he threw a teammate (not a great guy, but a teammate nonetheless) under the bus.  Both Mesa and Omar eventually left the Indians.  And to Mesa’s credit every time he faced Omar after that he threw at him.  I didn’t blame him one bit.

A generation later, the Indians found themselves back in the World Series.  This time with fewer stars except for its manager against a team with an even more pathetic World Series history and drought.  America’s darlings and loveable losers, the Chicago Cubs.  After splitting the first two games in Cleveland, the Indians won the next two in Chicago.  Those fans waited generations to witness a World Series at Wrigley.  Tickets were being sold for the price of a pretty nice mid-sized sedan.  I guess there was some pent up demand in Chi-Town.  And to see their sullen faces as the Tribe took Games 3 and 4 and a commanding 3-1 lead in the Series, was pure joy.  I had no sympathy for them.  This was our time—my time—to finally celebrate a World Series.

Yeah, yeah, I know the Cavs just won.  I love what LeBron has done for Cleveland, but this is different.  This is bigger.  This is Baseball.  It would be great to win the Series in Cleveland in front of its long-suffering fans in our own beautiful park.  But you win a World Series where and when you can.  In all sports and all elections for that matter, you let up at your own peril.  It is better to step on your opponents neck, give them no chance or thought that the outcome can be any different, because if you give them a glimmer of hope---shit happens.

As I replay the Series in my mind, one at bat stands out.  Game 5, eighth inning Indians down 3-2.  Chapman is on the mound with one out and Jason Kipnis at the plate.  Chapman had already gotten the last two outs in the seventh.  Rajai Davis—we wouldn’t know how clutch Rajai was until Game 7-- had singled ahead of Kipnis in the eighth.  Chapman’s first two pitches were close, but both called balls.  Rajai advanced to second with a steal on one of those pitches.  Tying run on second, one out, 2-0 count.  Chapman’s next two pitches were wildly outside, but inexplicably Kipnis swung at both.  Instead of walking, tightening the screws against Chapman with Lindor and Napoli to follow, the count is 2-2.  Kipnis continues to battle.  The count eventually goes full.  Kipnis fouls out.  Chapman settles back in and gets the next four outs with little more drama and gets an eight out, 2 2/3 inning save.  Chapman saved not just the game, but the Cubs season.
        

Back to Cleveland for Games 6 and 7.  If asked after Game 2 any Cleveland fan would have gladly taken coming back to Cleveland up 3-2.  But we are Cleveland fans and there was an uneasiness, even though we had home field advantage.  Except it wasn’t an advantage.  Using the DH was a distinct advantage for the Cubs.  But complaining about the DH or even that home field was decided by an exhibition game in July (coincidently the winning pitcher of which happened to be the Indians starting pitcher in Games 1, 4 and 7 of this World Series), is like complaining about the electoral college after your candidate loses.  Dem’s da rules.

Even worse was the fact that Progressive Field was not filled with just rabid Indians fans.  But somehow a good third of the crowd happened to rooting loudly for the Cubbies.  By Games 6 and 7 you could no longer trade in your well-appointed Toyota Camry for a pair of good seats.   Cubs fans had raised the ante, now you were looking at a year’s tuition at a pretty fine academic institution in order to get a pair of tix.  Cubs fans threw around cash and bought up the best seats acting like a greedy New York real estate developer.

The Cubs started hitting when they got back to Cleveland.  Zobrist may have been MVP of the Series, but it was Bryant and Rizzo who the Indians feared.  And rightfully so.  Rizzo—something about him reminds me of Phil Mickelson.  They both have just a hint of dimples that might be more pronounced if their faces were a little thinner.  Both have this smirk that seems to say-- even when things are going bad—I am so much better off than you it really doesn’t matter.

The Tribe moved most of its team to the right side of second base when Rizzo batted.  Yet, when he wasn’t sending laser foul balls that made fans scatter, the fair balls improbably reached the outfield wall slicing between all those well-placed defenders, the way a pinball slides between your flippers before disappearing down that hole.  To my eye, Kris Bryant was the Cubs MVP.  His stats may not bear that out, but to me his hits and home runs either set the tone for the game or slammed the door shut on any hope the Indians had for a comeback.  He did make some errors, but as the last ball of the Series rolled his way, you could see in his face that the Cubs were World Champs.  The bastard was smiling even before the ball met his glove.  As I watched my hopes fade, I knew this was not a guy about to choke.  And he didn’t.      

Other than that Game 5 at bat, I don’t look back at the Series with regret.  We didn’t get out-managed, or out-played, or out-pitched.  Almost everyone did their job.  Some exceeded expectations—Rajai Davis’ game tying homer sent me sprinting around the house in which all other inhabitants had gone peacefully to sleep.  “He tied the game, he tied it up,” I screamed in utter disbelief.

Some disappointed. Mike Napoli didn’t hit, but that happens.  I know Tyler Naquin is only a rookie, but he is also a big league (bigly?) outfielder.  Go get the ball and take charge. That is your job in centerfield.  Game 7 was too big for him.  I hope he will have a chance to redeem himself, but he was the Game 7 goat and I mean that in the old-school sense.  Just a few thoughts on Francisco Lindor.  Omar Vizquel is certainly the best Indians shortstop of my lifetime and perhaps a Hall of Famer soon.  But if I could have the 2016 Lindor or Omar in his prime, I choose Lindor.  He’s no Omar in the field, but he is a Gold Glover.  And the kid can hit.  Solid at bat after solid at bat all Series.  But all that pales in relation to his temperament.  I know we have all heard more than we care to about temperament.  But Francisco plays with such joy, his smile is so infectious, he just pulls you in.  He keeps his teammates loose; he is a reminder that this is just a game and it’s supposed to be fun.  He gets thrown out trying to steal second and he smiles as if to say—“you got me, but I’ll be back.”  He jokes with the Cubs at second base like it’s a spring training game.  And even though I have been waiting a lifetime to win this thing, the kid puts things in perspective.  He enjoyed every minute of it---I love and envy him for it.

In four years we will have another election.  I hope by then I will view those with opposing perspectives from my own with the same good will that Francisco Lindor brings to the ballpark every day.  I hope by then, the Indians will have won a World Series, but I am a Cleveland sports fan and am prepared for disappointment.  In the meantime, I’ll root for our Country and President Trump (that is hard to type) to do well.  But the truth is he is not a likeable guy.  Trump is a thin-skinned jerk—in short, he is a nasty man.  I hope he proves me wrong and does great things for our Country.  He is everything our current President is not.  And for those who voted for him that may be the point.  

It’s been a tough month.  I am ready to move on.  The Browns have me thinking about spring training and the start of next season.  Now if Brantley is healthy and they get another bat and the pitching holds up… this could be the year.