Juliana Hatfield and Paul Westerberg are The I Don't Cares - by Colin Gawel

Juliana Hatfield is playing Ace of Cups Columbus, OH Sunday April Sunday April 30th at 6:30 pm. 

I don't know much about Juliana Hatfield except this:

1) Every woman I have ever dated (4) cranks up the song "My Sister" at some point after too many drinks. 

2) Everybody references how she was once the lead singer in the Blake Babies and that is very cool. 

3) Nobody has seen the Blake Babies or heard any of their music. 

Yet still, for no solid reason I've always had Hatfield filed under: Cool beyond reproach. Though if you cornered me in a bar, I couldn't defend that position. I would likely just put a finger in your chest and scream "What's that one song... uh.... you know the one.. SPIN THE BOTTLE? People love that. and..uh....WHAT ABOUT THE BLAKE BABIES? What is ya, ignorant? HUH? HUH?" 

It took until the year 2016 for my head to catch up with my heart. That was the year Juliana and Paul Westerberg formed the I Don't Cares and released the amazing garage rock opus Wild Stab.  Not many things hipper than teaming up with Paul Westerberg for a super underground, double secret probation, so cool we hope nobody ever hears it slab of semi low fi rock. The promotion of this record makes Guided By Voices look like Michael Jackson History.  At least GBV keeps the same name. Wild Stab is basically a side project of the Westerberg side project grandpaboy. Yes, a side project twice removed.

Except it's not that far removed. It's basically a grandpaboy record where Paulie gives about 50% more a shit than usual and that makes it pretty damn amazing. I can only assume the presence of Juliana Hatfield helped push him over the finish line. Bottom line, two major talents joining forces for a common cause. Rock n roll.  Dig this!

Minneapolis, Feb 2016.

Now I know five things about Juliana Hatfield:

4) She is a member of The I Don't Cares and I love that band.

5) I need to quit being such a lazy bastard and spend some quality time checking out her new record Pussycat and back catalog. Maybe even the Blake Babies. 

Colin Gawel plays in the band Watershed and you can read about him in the book Hitless Wonder. He was rushing to finish this story before Juliana's show at Ace of Cups. Just pretend Guided By Voices wrote the story. The flaws and laziness make it awesome. He also needs to wrap it up and finish mopping Colin's Coffee. 

"Dale" Westerberg gives a lesson on songwriting. ------ SUBSCRIBE to Pitchfork.tv: http://bit.ly/yK2Fbp ------ FOLLOW Pitchfork.tv on Twitter: http://bit.ly/KJ2PhP ------ For more videos from Pitchfork TV: http://bit.ly/M1lvs8 Like Pitchfork on Facebook: http://www.facebook.com/pitchforkmedia Check out Pitchfork on Tumblr: http://pitchfork.tumblr.com/ The I Don't Cares - "Whole Lotta Nothin'" (Official Music Video)

NCP Draft Preview: Big $ Attacks His TV if the Browns take Deshaun Watson

Did you know that Pencilstorm's own North Coast Posse are considered a top five twitter follow by the actual Cleveland Browns? Well they are. Follow their draft coverage @northcoastposse . I recently met up with Big $ at the India Oak bar to get his thoughts on the upcoming NFL Draft. - Colin Gawel

CG) Let's address the elephant in the room. Are there any quarterbacks in this draft that can be the next Bernie Kosar and if yes, how will the Browns land him? 

 Big $: My initial thought was a definitive no, then my phone kept autocorrecting Kosar to "Kizer" and I thought it may be a sign. Then I thought about D. Kizer's questionable mechanics and Ohio ties and how they are both Kosar -esque. Then I escaped the daydream and recalled the several N.D. games I witnessed and how there is very little chance Deshone Kizer is going to succeed in the NFL. Shooting for Bernie II may be a stretch, I'll take a freaking Eric Zeier at this point.

CG) Is Garrett the next JJ Watt or the next Courtney Brown?

 Big $: The player I most align Garrett with is Jadaveon Clowney. The one thing that separates Myles from Clowney is that he put up 10 more reps of 225 at the combine than the former Gamecock. Not only is this a plus as it relates to strength, it shows that he is ahead in dedication category as well. I have a hard time believing the ultra grizzled Gregg Williams is not going to demand the Aggie phenom at #1.

CG) What players and needs would you like to see addressed?

Big$: Real talk, there is not one position I think is a legit strength on the Browns at this time. They need to ensure that they get solid contributors across the board in at least the first 4 rounds

CG) What pick would make you throw something at the TV, hold your head in your hands and scream, "Oh my God, Nooooo"

Big $: I will literally attack my t.v, if I hear that the name  "Deshaun Watson" is coming to Cleveland. The dude has a historically low exit velocity. With the tight Windows and super heroes playing defense in the NFL coupled with the lack of anticipation needed to run the Clemson spread, he is a disaster waiting to happen.

CG) Vegas has started betting on the NFL draft. Seems like a blatant attempt to bring Browns fans to Vegas once a year since they don't make the Super Bowl junket. Does betting on the draft hold any interest for the North Coast Posse? 

 I would love, love, love to hunker down at a Vegas sportsbook and bet on picks all weekend. Who will have more first picks, Big10 or Pac12? Christian Mcaffrey pick over/under (8.5) etc etc etc. I'm salivating just thinking about how awesome this would be.

CG) If not in Vegas, where are you guys watching the draft and what will you be drinking?

Big $: Im waiting on an invite to the Trubisky party, but as a native west sider, I expect I'll get the cold shoulder from the Mentor crew. Thus, I'll probably crack some 4 string brews and kick back in my living room.

Big$ and K-Dubs the Soldier are the North Coast Posse. Browns beat writers for Pencilstorm.

THIS MONTH IN 1987: ACE FREHLEY RELEASES HIS FIRST POST-KISS SOLO ALBUM - BY SCOTT CARR

In September, 1978 the four original members of Kiss simultaneously released solo albums during the height of Kissteria. General consensus over the years has put Ace's record at the front of the pack with Paul's following close behind, while Peter and Gene's records aren't really a part of the conversation. If you are one who judges success by the charts, Ace comes out the winner there as well. Ace's record was the only one of the four to generate a bonafide hit single, with his cover of the Russ Ballard song "New York Groove." which  was originally record by the 70's glam rock band Hello. (Click here for Colin story about why Paul's album is the best)

Fast-forward almost a decade and we find Ace releasing his first post-Kiss solo album, Frehley's Comet and once again Ace proved that he could still deliver the goods. 

The general public got their first glimpse of Ace without his makeup in these magazine ads.

Ace not endorsed by Gibson.....what gives?

Ace officially left Kiss in late 1982 and it took him almost five years to get his first post-Kiss solo record released. Ace put together the first incarnation of Frehley's Comet in 1984 and the band made their live debut on November 30th, 1984 at S.I.R Studios in New York City, performing Kiss classics and new material that the band had been demoing. The band eventually signed with Megaforce Records and released Frehley's Comet on April 27th, 1987.

Alongside Ace on Frehley's Comet were drummer Anton Fig, who had performed on Ace's 1978 solo album as well as Dynasty and Unmasked from Kiss, bassist John Regan and Tod Howarth on guitar and lead vocals. Ace also brought in producer Eddie Kramer to co-produce the album. Kramer had worked with Ace in the past producing his 1978 solo album and some Kiss records. (Click here for 12 Best Kiss stories you will ever read)

Frehley's Comet is classic Ace from start to finish. Ace has always had a great sense of who he is and what his fans want from him. Even though he had dropped his iconic Kiss face paint, Ace was still the Spaceman. The album opens with the autobiographical "Rock Soldiers," which tells the story of a near-fatal car crash that Ace was involved in and his struggles with drugs and alcohol. "Rock Soldiers" was the second single/video from the album and was a minor hit for Frehley, but it instantly became a fan favorite and also received steady airplay on MTV. "Rock Soldiers" is followed by "Breakout" which is a reworking of a song Ace had written with Kiss drummer Eric Carr during the sessions for (Music From) The Elder. Tod Howarth takes lead vocals on "Breakout" as well as "Something Moved" and "Calling to You," the latter being a rewrite of a song originally called "Megaforce" from Tod's former band 707. The Russ Ballard penned "Into the Night" was released as the album's first single & video and was a moderate hit. Other highlights include "Love Me Right," "Stranger In A Strange Land" and the quirky "Dolls." Ace closes the album with the instrumental "Fractured Too," a sequel to "Fractured Mirror," which was the final track on his 1978 Kiss solo album. Ace has recorded two more instrumentals in the "Fractured" series: "Fractured III" on 1989's Trouble Walkin' album and "Fractured Quantum" on 2009's Anomaly.

Frehley's Comet has a lot of the same elements that made Ace's 1978 solo album such a success and although it did not sell as well, it brought Ace back in a big way and has stood the test of time better than any of his other post-Kiss releases and definitely better than any post-1978 solo releases from the other three original members of Kiss. 

Ace is currently putting the finishing touches on a new album of cover songs that will be released later this year. He is also out on tour and will be making a stop in Ohio on September 19th at Hard Rock Live in Northfield, OH.

While I'm at it I thought I would rank all the post-1978 solo albums from the original members of Kiss best to worst.....

1.  Frehley's Comet (1987) - Ace Frehley 

2. Trouble Walkin' (1989) - Ace Frehley

Ace reunited with original Frehley's Comet partner guitarist Ritchie Scarlet for this 1989 album. It was a bit of a return to form for the Spaceman and featured a great cover of ELO's "Do Ya." Peter Criss sings background vocals on the record.

3. Live To Win (2006) - Paul Stanley

Paul's only solo effort since the 1978 Kiss solo albums and it's not nearly as good. "Live To Win" suffers from being overproduced and Paul trying to hard to get a hit. With that said there are a few bright moments, with tracks like "Where Eagles Dare," "It's All About You," "Bulletproof" and the title track. Maybe one day Paul will make a proper follow up to his 1978 classic.

4. Out of Control (1980) - Peter Criss

Peter Criss was the first of the original members to release a solo album outside the confines of the band and he delivered pretty much what you would expect from the Catman: ballads and watered-down rock songs. Out of Control is slightly better than Pete's 1978 Kiss solo record, but still pretty much a snoozefest. I give the number four spot on this ranking because this is actually Peter at his best solo-wise and I give him credit for making the kind of album that he wanted to make and giving it his all.

5. Anomaly (2009) - Ace Frehley

Anomaly was Ace's first solo album after a six year reunion with Kiss and is a strong return for the Spaceman. "Outer Space" was released as a single and has all the signature Ace licks in it. This album also includes a cover of Sweet's "Fox On The Run."

6.  Asshole (2004) - Gene Simmons

The best thing about this album is its title. Like Gene's 1978 Kiss solo album, Asshole explores many different musical styles but unfortunately for the most part falls flat. Gene's 1978 Kiss solo record was a varied affair as well but managed to remain cohesive. Asshole is just kind of a mess. As with his 1978 album the mellower songs seem to come off a bit more sincere, including "Waiting For The Morning Light," which was co-written with Bob Dylan.  (editor's note: "WHHHHAAAAT?!?")

7. Second Sighting (1988) - Frehley's Comet

Ace's second post-Kiss solo record, but the first to be credited solely to Frehley's Comet. This record does not hold up as well as Frehley's Comet, and for me the main reason is that there is not enough Ace on the disc. Guitarist/singer Tod Howarth took on a larger role on the album and sings half the songs, which makes it feel less like an Ace record. Tod's songs are great, I just wish Ace would have contributed more to this one. It would definitely get a higher ranking if it had a few more Ace songs.

8. Space Invader  (2014) - Ace Frehley

Kind of in the same vein as Anomaly but the songs are not as memorable. Space Invader became the highest-charting solo album from any past or present Kiss member, debuting at No. 9 on the Billboard charts.

10. Let Me Rock You (1982) - Peter Criss

Let Me Rock You will NOT rock you at all. This album was an import-only release and did not receive an official U.S. release until 1998.

11. Ace Frehley - Origins Vol. 1

A made up of cover songs from the Space Ace. Pretty solid, just not a fan of cover records. The highlight would be Ace's reunion with Paul Stanley on the Free classic Fire and Water. Now if Paul had sang on the entire record, I'm sure it would be a lot higher in the rankings.

12. Live + 1 (1988) - Frehley's Comet

Pretty much what it sounds like: a live E.P. plus one studio track.

13. Cat #1 (1994) - Criss

Criss was Peter's failed attempt at making his way back into the world of rock music. The CD was independently released and went mostly unnoticed unless you were a die-hard Kiss fan. 

14. One For All (2004) - Peter Criss

I really don't need to hear Peter Criss sing "Send In The Clowns."  (editor's note: In the larger sense, does ANYONE  on the planet need to hear Peter Criss sing "Send In The Clowns?")  

Scott Carr is a guitarist who plays in the Columbus, OH  bands Radio Tramps and Returning April. Scott is also an avid collector of vinyl records and works at Lost Weekend Records. So...if you are looking for Scott....you'll either find him in a dimly lit bar playing his guitar or in a record store digging for the holy grail.

Album: Frehley's Comet Year: 1987 Label: Megaforce Records Vocals & Guitars: Ace Frehley Vocals, Guitars, & Keyboards: Tod Howarth Bass: John Regan Drums: Anton Fig Copyright 1987 Megaforce Records. I do not claim ownership to this video or song.

Album: Frehley's Comet Year: 1987 Label: Megaforce Records Vocals & Guitars: Ace Frehley Guitars, Keyboards, & Vocals: Tod Howarth Bass: John Regan Drums: Anton Fig Copyright 1987 Megaforce Records. I do not claim ownership to this video or song. Lyrics: Two A.M.

Ace Frehley & band perform "Breakout" at a studio

Ace Frehley Frehley's Comet Dolls 1986

Live @ S.I.R. Studios, New York City, NY 1984-11-30. Ace's first gig after leaving Kiss.

Your Abbreviated C-Bus Record Store Day Preview

Record Store Day 2017 is upon us. Make plans now to throw some cash at some tasty new platters and support your local record store. Click here for the complete list of all Record Store Day releases.   Below are some choice picks from a handful vinyl junkies. 

Jim Johnson - Sales & Mktg. rep for AllianceEntertainment. Drummer.
Drive By Truckers-Electric Lady Sessions
Doors-Live at the Matrix '67
Ramones-76-79 Singles Box set
U2 picture disc of Red Hill Mining Town
NRBQ 50 year retrospective
Cars-Live at the Agora(Cleveland)
Dennis Wilson- double LP
Springsteen-Live Hammersmith '75 (4 LP set)

Brett Ruland (Spoonful Records)
Atomic Bomb Band (Performing The Music of William Onyeabor)
Shocking Blue - At Home
The Meters - A Message From The Meters
David Bowie - BOWPROMO
Luna - Penthouse Deluxe

Click here for Spoonful Records RSD event page.

Kyle Siegrist (Lost Weekend Records)
Fleetwood Mac - Alternate Mirage
Son House - Oberlin 1964
Grateful Dead - Vancouver 1966
The Cure - Acoustic Greatest Hits
Columbus Blood 4 Compilation

Scott Carr (Lost Weekend Records)
Cheap Trick - The Epic Archive Vol. 1
David Bowie - Cracker Actor (Love In Los Angeles 1974)
The Cars - Live At The Agora 1978
Big Star - Complete Third Vo. 3 - Final Masters
Ramones - '75 - '79 Singles Box

Lost Weekend has all kinds of cool RSD events going on including portable screen printing and live performances including Lydia Loveless. Click here for the Facebook event page. 

And don't forget to visit Used Kids Records. Click here for their list of events. 

Pat Dull - this year I am looking forward to the Cheap Trick 2x lp of *somewhat* rarities (many already on CD bonuses), and anything on Parlophone! In the future, the Steve Abini re-recording of In Color would be the perfect RSD release!  Also the legendary 2x lp version of Combat Rock (my least favorite Clash LP tho) called "Rat Patrol From Fort Bragg."

Ballroom Breakout! Magic Dick (of the J. Geils Band), Barrence Whitfield, Terry Davidson & the Gears and Erica Blinn @ Valley Dale Ballroom

First the sad news: Founder/guitarist J. Geils of the J. Geils Band - and bandmate of this week’s Ballroom Breakout! headliner Magic Dick for many, many years - passed away last week at the age of 71.  Pencilstorm wishes to pass along our condolences to Geils’ friends, family & fans.  We also wanna say, "Nice going, Rock & Roll Hall of Fame for passing over the J. Geils Band FOR THE FOURTH TIME while inducting the likes of Journey.  You couldn't have given a genuine rocker like J. Geils some little recognition while he was still alive?”

Now onto the rockin' news: I saw the J. Geils Band live four or five times in their 1971-1976 heyday – the last time at St. John’s Arena – and those were some TRULY fearsome live shows, boys & girls.  Nobody (but me) ever seems to mention this, but I firmly believe that Bruce Springsteen & the E Street Band were MIGHTILY influenced by the original Geils Band.  Yeah, Bruce certainly channeled Bob Dylan and Van Morrison to a large extent lyrically, but that arms-around-shoulders-brothers-against-the-world camaraderie that the E Street Band evoked (and still, to a large extent evokes today) I believe largely derived from Peter Wolf, Seth Justman & da guys.  And anybody who thinks Bruce and “Big Man” Clarence Clemons’ onstage interplay didn’t derive somewhat from that of lead singer Wolf and “Magic Dick” Salwitz never witnessed The J. Geils Band in their prime.

Now TEAM Productions welcomes Magic Dick to the fine, fine, superfine environs of the Valley Dale Ballroom this coming Friday, April 21st.  But wait a minute, JUST Magic Dick?  NO, my rocker sons & daughters, this week’s Ballroom Breakout! ALSO features screamer extraordinaire and all-around-debonair-man-about-town Boston rocker Barrence Whitfield (sadly without his Savages on this occasion), both of whom will be backed by Columbus rockers Terry Davidson & the Gears, purveyors of many a night of soul-smashing rock & roll in their OWN right.

And the icing on the cake of the whole rockin’ Friday night?  None other than C-town’s own rockin’ little sister, Erica Blinn with her take-no-prisoners band OPENING the whole shebang.  Jesus, Erica is the OPENING ACT?  There’s your price of admission right THERE, cats & kittens, then you still you STILL get Terry, Barrence and Magic Dick.  That’s a rock show, ladies & gentlemen, that’s a rock show.     

And that’s also a rock show that DEFINES the ongoing continuum of GENUINE barroom rock & roll music.  Ask Erica about her early influences and this is what you’ll hear: “I still remember when I was about fourteen years old and my dad (editor’s note: “Dad” in this case is Jerry Blinn, bass player of Black Leather Touch, a band of West Side rockers who never garnered anywhere NEAR the acclaim they should have in the 1970's) put on J. Geils’ Live Full House and said, ‘Listen to that harmonica, don't you think it would be cool to do that?’ To which I replied, "Yeah, that's awesome!”

He then took me to see Delyn Christian play and encouraged me to inquire about harmonica lessons. Delyn said "Do you wanna play like Bob Dylan or Magic Dick?" And I said, "Magic Dick!" 

"Good answer," Delyn said. 
 
Tickets for the April 21st show are $17.50 in advance and $20.00 at the door. Doors open at 7PM. For tickets, information about the show, and to read more about the musical talent, visit www.theballroombreakout.com.   

Ricki C. / April, 2017
    

Dual Review: Cheap Trick / Exene & John Doe - by Jeremy Porter

Dual-Concert Review
Cheap Trick - Windsor, Ontario March 24, 2017
Exene Cervenka & John Doe - Detroit, Michigan March 25, 2017

I’ve seen Cheap Trick so many times. I’m not positive, but the count is.....well, it’s a lot. I have a spreadsheet. Many of those were simply opportunity - an easy chance to see a great band that’s constantly on tour - but yeah, I’m what you’d call a big fan. I’ve seen them in arenas, sheds, festivals, race tracks, theatres, clubs, bars, private parties.....and casinos. On March 24th we descended beneath the Renaissance Center and under the Detroit River to Ontario, Canada to see them at The Colosseum in Caesar’s Windsor Casino. That’s my 3rd Trick show in Windsor and 2nd at Ceasar’s, if you’re keeping score. It’s a clean, sterile setting with movie-theater seating, nice carpet, and expensive-drink lines for miles. This ain’t Irving Plaza or Harpo’s. Despite the lecture hall atmosphere, good tickets are relatively easy to come by and it’s comfortable to a fault.    

 After seeing a band that many times the surprises are few and far between, but Cheap Trick usually throws something interesting in between the predictable fan-faves. What are they gonna pull out from the first record? What are the deep cuts gonna be? I’ve seen and heard them all, but I still get excited to hear something I wouldn’t expect, something most people there don’t know. This time the deep cuts were Lookout (a great, upbeat, live-only track originally from Budokan), Baby Loves to Rock, and She’s Tight - a couple songs that are very similar from One on One and All Shook Up respectively. It’s always cool to hear Big Eyes, and Never Had a Lot To Lose (from 1988’s comeback album Lap of Luxury) was a bit unexpected. The set included 5 covers - Velvet Underground, Beatles, The Move, Big Star, and Dobie Gray. That’s about 25% of the show, and they didn’t even do a couple of their staple remakes (Ain’t That A Shame and Don’t Be Cruel). And of course, there are the hits - the ones everyone knows and were there to hear. 

The band was a little looser than usual. Long-time fans might have caught the stumble during Top of the World, and I took some satisfaction in seeing a band that plays 200 shows a year still mess up the way my own little group does from time to time. Drummer Daxx Nielsen was getting over a bout of stomach flu, but you couldn’t tell it from the smile on his face and the youthful kick in the ass he gives the three front-line men, 30+ years his senior. Robin Zander continues to amaze. He might not be quite as consistent as he was a decade ago, but he’s still able to sing circles around most other rock vocalists, turning songs like Voices and The Flame into vocal clinics for anyone who’s ever stood in front of a microphone.  

These days a lot of the novelty has worn off, and I even look back myself and ask “why” sometimes, but they still bring the goods to the stage and the songs are timeless. Even staples like Surrender and Dream Police are delivered with the same tenacity and spirit as the deep cuts and newer songs. Your entertainment dollar goes a long way with Cheap Trick, and I have a feeling I’ll be seeing them again someday.   

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What is the polar-opposite of seeing a classic-rock concert in a 5000-seat theater attached to a Vegas-style casino in Detroit’s Canadian sister-city? How about a special acoustic set by a couple of legends from the Los Angeles punk scene at an old warehouse-converted-event-space down a dark side-street in Detroit’s New Center area? John Doe and Exene Cervenka - the voices of X and The Knitters - flew into town specially for the event which was a fundraiser for Public Pool, an art co-op in Hamtramck.  

I often find myself wishing I lived in Southern California where stuff like this seems to happen constantly - legendary bands like X playing little shows - special events that are usually limited to the proximity of where they live. They don’t happen in Detroit often, so I just couldn’t pass it up. We parked around the corner, stuffed anything of value from the car into our pockets to deter would-be thieves, and headed into the warehouse. 

This ain't no casino. The concrete floors, exposed oil-stained wood walls, and high ceilings feel SO Detroit. There was a small bar with a couple choices for liquor (at less than ½ the price of Ceasar’s) and a card table where they were handing out PBR's that were gratis with your donation to get in.  We stocked up and headed into the dark back room where John and Exene were just about to start.  

The setting was casual and loose, with some funny banter between songs about death, loss, longing, and want. “You’re harshing my mellow,” Exene said quietly (and jokingly) after John joked about the dark subject matter. There were a couple old country tunes played, including an incredible version of Something to Brag About, originally recorded by Charlie Louvin and Melba Montgomery, later by George Jones and Tammy Wynette.  They did some great Knitters songs (Skin-Deep Town, Poor Little Critter on the Road) and a few X tunes that were the best received - I Must Not Think Bad Thoughts, The New World, Burning House Of Love to name a couple.  

I’ve seen both X and The Knitters a few times but I’ve never seen or heard John and Exene really come together like this. It’s no secret that they have an amazing chemistry and those unique harmonies are a part of the lexicon of American punk rock, but the stripped-down setting really drove that home. They were both in very fine voice and John’s lack of prowess on his Guild acoustic (blaming his “bass-player fingers”) were overcome by the spirit and vibe of the set. It was a really special thing to see, and I don’t think anyone would have complained if they’d played twice as long. The 45-ish minute set went by fast and people lingered well after, drinking and talking, waiting for more bands and the 50/50 raffle (that my wife won!). I was so glad I got out and saw this show - there’s a decent chance I won’t have the opportunity again, and it was everything I’d hoped.  

Jeremy Porter lives near Detroit and fronts the rock and roll band Jeremy Porter And The Tucos. Follow them on Facebook to read his road-blog chronicling their adventures and see his photo series documenting the disgusting bathrooms in the dives they play. He's a whiskey snob, an unapologetic fan of "good" metal, and couldn't really care less about the UofM - OSU rivalry since he once saw The Stones at the Horseshoe. Still, go blue.     
www.thetucos.com
www.facebook.com/jeremyportermusic  
@jeremyportermi
www.rockandrollrestrooms.com