75 Songs in 3 Days! Watershed Hullabaloo Recap - by Colin Gawel

Listen while you read! Spotify Playlist of the Watershed Hullabaloo. 

Watershed Hullabaloo / Spotify Playlist

As crazy as this sounds, I think the recent Watershed shows as part of the Hullabaloo were the highlight of our...ahem…“Career.” Joe and I were celebrating our 50th birthdays and our 36th year playing together with Herb and our leader, Biggie. (And Rick Kinsinger of course, but he hasn’t put in 36 years yet.) The idea was to play three very different shows on consecutive days with very little overlap. In the end we played 75 different songs in less than 40 hours. so that’s a pretty good effort. I’m confident in saying a good time was had by all.

Natalie’s Friday August 9th.

Either people confused us with the Rolling Stones or Natalie’s has a hardcore following but this date sold out so fast even my family couldn’t get a table. We had never done a “storyteller” type of show before so I was a little nervous we could deliver the goods. Luckily, we pulled an ace out of the deck with the legend Dave Masica joining us on drums for the first time in many years.

Dave’s drumming and rock n roll attitude saved Watershed, as he was the motor behind the glory years of The More It Hurts and 5th of July. If you want to hear a master at work, listen to Dave on the live record Three Chords and a Cloud of Dust 2. That record is basically a drum clinic with a band thrown in for good measure.

In fact, the whole theme of the Natalie’s show was paying tribute to the people who have kept the band going. We talked about the importance of Willie Phoenix, Slim Dunlap, Dave Masica, Pooch, Mike Landolt, Joe Peppercorn, Tim Patalan and the COTA #2 bus. I’m sure some others too but whatever. It was really fun to play some songs that had remained unplayed since Dave retired from full time drumming. 


Click here for the full set-list from Natalie’s


Ace of Cups Saturday August 10th

Speaking of people that help Watershed, Biggie is the real MVP of the Hullabaloo (with a big assist from Ricki C.). Not only was the artwork for each show of a collector’s quality, but he designed three different stage sets for all the shows. Friday was a laid-back, cheap college apartment look for the laid-back vibe at Natalie’s. The Coleman cooler strategically placed between Joe and I was all the rage. 

Since Saturday was the big rock show, Biggie had fashioned a bright red background with a 3D style Watershed sign hanging over Herb. The kicker was it didn’t reveal itself until after the first song. Ah yes, the double beginning. An arena rock classic executed in a club. Ace of Cups is pretty much the perfect venue for us. It feels big and small at the same time. Sorta like Watershed itself I suppose. I don’t know if it was the fact that it was sold out in advance or having Earwig on the bill got everyone extra stoked, but that was the best crowd we had ever played to. People were singing along to parts of songs I barely knew. Having Mark “Pooch” Borror join us on Anniversary and Can’t Be Myself didn’t hurt either. Slim Dunlop once said, “Musicians get gifts all the time, you just have to look for them.” I didn’t have to look very hard to appreciate what was happening at Ace of Cups. 99.999999% of all the bands on Earth never get to experience a night like this. Very humbling indeed. We are lucky guys. 

I FORGOT to mention that on Friday at Natalie’s I was talking about Slim and musicians getting gifts and I shared a story of playing a show in Wisconsin years ago. The crowd was kind of light and we had driven a long way so it would have been easy to feel bummed out. Towards the end of the set I noticed a guy standing down front singing along knowing every word to a song. Suddenly I heard Slim in my ear, “Here you are, 600 miles from home and a guy you have never met is singing along to a song you wrote alone on your bed years ago. That’s pretty cool.” And I thought to myself, that is pretty cool. This is a gift. 

After the show at Natalie’s a guy came up to me and said, “That story you told: that was me and the song was Sad Drive.” Damn. That was the song. He was the guy. He had driven down from Wisconsin for the Hullabaloo and we were meeting for the first time. How cool is that?  


Click here for the full set-list at Ace of Cups. / Visit the Watershed Facebook page for video. 


Sunday August 11th. Little Rock Bar 

So this show was the X-factor. The show smart bands don’t schedule. The show that takes the weekend from good to great or puts the shit in show. Biggie had a sweet backdrop of the #2 COTA bus behind our gear jammed into the corner of Quinn Fallon’s excellent Little Rock Bar. The setting was the exact opposite of the night before. No stage, no lights, no room to move. 

This gig turned out to be the most fun of all. It was billed as Watershed & friends and that is what it was. Jim Johnson, Dan Cochran, Mike Sammons and Marcy Mays crashed the “stage” as we played songs from The League Bowlers, The Lonely Bones, Why Isn’t Cheap Trick in the Rock and Roll Hall of Fame? and all sorts of Watershed deep cuts. Plus the loose setting allowed plenty of time for catching up with friends who had traveled in from near and far. SO MUCH FUN.


Click here for the setlist for Little Rock Bar


Watershed Hullabaloo Box Score August 9-11th

68 Original Songs Performed: (in order)


Sensational Things (new)

Laundromat

Chemotherapy (Colin Gawel)

Cracking Up

We Don’t Get Hurt (new)

Dad Can’t Help You Now (Colin Gawel)

Mercurochrome

My Lucky Day

New Life

Good Day

Romantic Noise

American Muscle

Set the World on Fire

On a Broken Radio

Manifesto

Over Too Soon

Slowly Then Suddenly

The Best is Yet to Come

---

You Need Me

Obvious

The Habit

Suckerpunch

Best Worst Night

Black Concert T Shirt

How Do You Feel

Broken

If That’s How You Want It

Hey Lydia

Blow it Up Before it Breaks (new)

Eyes of Fire (out of print)

Little Mistakes

Nightshade

Another Night in the Ruts (new)

New Depression

Laundromat (x2)

Superstressed

Anniversary (w/ Pooch)

Can’t Be Myself (w/ Pooch)

Star Vehicle

5th of July

The Best is Yet to Come (x2)

Sad Drive

Mercurochrome (x2)

I’ve Been Looking Everywhere

---

Healthy Rivalry (The League Bowlers) w/ Jim Johnson

Two Sets of Rules (TLB) w/ Jim Johnson

Kids Down South (TLB) w/ Jim Johnson & Dan Cochran

Saturday Night There’s A Party (TLB) w/ Jim Johnson & Dan Cochran

Something Wrong

Everywhere I Turn

Easy Way Out

She Picks the Songs

Waiting For the Greatest w/ Mike Sammons

AM Boy 

Superior (Colin Gawel) w/ Dan Cochran

Consolation Prize

Twister

Give a Little Bit

Wallflower Child 

Half of Me

Another Night in the Ruts (x2)

I Deserve You

The Best is Yet to Come (x3)

Black Concert T Shirt (x2)



7 Covers:

Hey Little Girl - Willie Phoenix

I Wish You Were My Girl (w/ Jim Johnson) - Willie Phoenix

Downed / If You Want My Love / High Roller (w/ Marcy Mays) - Cheap Trick

Battleship Chains (w/ Jim Johnson & Dan Cochran) - Terry Anderson & Georgia Satellites

Let it Rock (w/ Jim Johnson & Dan Cochran) - Chuck Berry

Below are the final two songs from Ace of Cups

(By the way, that’s Watershed guitar tech Ricki C. and frequent Pencil Storm contributor Scott Carr - drafted in for extra roadie duties on Saturday night - wrangling mic stands at the 9-minute mark. Scott’s in the Johnny Thunders t-shirt. At the 7:05 mark you can see Ricki telling Scott, “These guys are possibly just crazy enough to try to pull off the ‘Taking the mics out in the audience’ stage bit in a place this crowded. If they do, get out there in the middle and hand ‘em back to me.” That’s our crew.)

IMG-2314.JPG



The Worst Boxing Blog 8/24/19 - by Colin Gawel

If someone wants to cover boxing for Pencilstorm, please contact us at pencilstormstory@gmail.com. I’m a big fight fan but we haven’t had any luck filling the position so I am going to knock something out. I’m as ready as I’ll never be. Please forgive the typos I’m doing this in between customers at Colin’s Coffee.

Let me start by saying that SI Boxing with Chris Mannix is essential listening every Friday. This podcast is my go-to on trying to keep up with the different fights, different platforms and upcoming fighters. Actually I am listening to an interview with Shawn Porter  as I write this. I didn’t know he is originally from Northeast Ohio and he was Manny Pacquiao’s sparring partner in his prime. Porter takes on the great Errol Spence in a PPV in October. Guess what, now I am really excited for this fight. It goes to show that to truly enjoy boxing, you have to actively follow the sport. Also, on Twitter I follow Chris Mannix, Dan Rafeal, and Max Kellerman. 

Upcoming fights of note:

Sergey Kovalev  vs Anthony Yarde for Light Heavyweight Title. Saturday August 24th 4pm ESPN +

Kovalev literally killed a man in the ring. Then won the title. Then lost two fights to the great Andre Ward before hiring a new trainer and regaining the belt following Ward’s retirement. Experts seem to think Yarde will be a pushover but he is undefeated and looks like a handful to me. 


If Kovalev wins he could be in line for a megafight against Canelo Alverez. This would be a very interesting fight as Canelo would have to  jump two weight classes to try and get the belt in that weight class.


In fact, Canelo was hoping to have Kovalev on Mexican Independence day, September 14th, but his drunken (allegedly) manager Oscar DeLa Hoya botched the deal and now their our serious legal troubles brewing between the two parties. 


You can’t talk about Canelo without GGG. DAZN has signed both fighters to big $ contracts in hopes of promoting their 3rd fight on the new streaming service. I subscribe to DAZN and I love it. The model is that for a monthly subscription of $10 a month you get numerous pay-per-view quality fights without the expense of plopping down $80 a fight


Gennady Golovkin fights Derevyanchenko (I literally cut and pasted that name in) on DAZN on Oct 5th at MSG for some sort of title belt.


The best thing that has happened to DAZN is the Mexican Homer Simpson, Andy Ruiz, knocking out the pride of Britain, Anthony Joshua for the heavyweight championship of the world. I watched this live on DAZN and was jaw agape watching Ruiz get off the mat to pummel the undefeated champ into submission. The rematch is essential viewing on Dec 7th from… Saudia Arabia? 

Who is the best P4P fighter in the world? Many would say it’s Vasyl Lomachenko and he is fighting Luke Campbell on August 31st on ESPN +. 


Ok, that’s it for now. Back to coffee customers. Thanks for reading the world’s worst boxing blog. - Colin G.







No Surrender in Luton: Blinded By The Light movie review - by Brian “Clash” Griffin

I just came home from an advanced screening of the new movie “Blinded by the Light” and I am overcome & reeling.  If you seen the trailer (you can watch it below) you know the story is about a 16-year old Pakistani Muslim named Javed Kahn whose life is changed by the music and lyrics of Bruce Springsteen. The actual movie covers that premise and so much more. It is a feat of incredible storytelling and its impact will stay with you long after you leave the theater.  

The film (directed by Gurinder Chadha and inspired by the memoir Greetings From Bury Park by journalist Sarfraz Manzoor) is set in the dead end town of Luton, England in 1987. Our protagonist, “Sad” Javed is living with his family, who immigrated to England from Pakistan years before.  He writes, chronicling his daily activities in diaries and writing poetry that no one will see. He feels trapped by his very traditional family, having to give all the money he earns at work to his father.  He doesn’t have a girlfriend. Javed seems lost and alone, but he has dreams of being a writer and wanting to do SOMETHING with his life.

Javed starts attending a new school, where he literally bumps into a person who introduces him to “The Boss of us all.”  That “Boss” is, of course, the music of Bruce Springsteen. The scene, where Javed pops his “Bruce cherry” is both revelatory and striking in vision and scope.  It perfectly captures the instant where Javed feels, for the first time in his life, that someone truly understands him and all he has endured. The image of Bruce’s lyrics surrounding and encompassing Javed as he listens to them is wondrous, depicting the power Springsteen’s music has to pull someone out of the utter depths of despair and give them hope to carry on.  I personally have relived this scene countless times throughout my life, with music ranging from Bruce Springsteen to Joe Strummer to Phil Ochs.

From that moment on, Javed becomes inspired.  He covers his room with posters of Bruce. He shares his poetry with his writing instructor, who believes he has great potential.  He now has the courage to ask a girl on a date and he finally starts to stand up against his father’s strict rules. He also makes a stand against the blatant racism that he, his family, and friends experience from the local National Front Neo-Nazis.  The undercurrent of racism is present throughout the movie’s run-time, ready to erupt at a moment’s notice, sadly mirroring the current situation we find ourselves in.

The film takes the viewer on a wild ride of emotions. Though billed as a “quirky comedy,” it does not shy away from real world issues (such as the above-mentioned Neo-Nazis, family pressures, loneliness & more), but these moments are intertwined with scenes of humor and pure joy. The scene where Javed, with his best friend and fellow Bruce fanatic Roops take over the school’s radio station, barring the door and blasting “Born to Run” is a pure act of Rock-n-Roll rebellion.  The film soars with amazing sequences where the cast breaks into song and dance, transforming into a Bollywood-like musical. It is a lot to take in.

I could go on and on, but a written review doesn’t do this movie justice.  At its pure heart, “Blinded by the Light” is a story about salvation.  Personal salvation through music. It is to be SEEN and HEARD!

And you will not find a film with a better soundtrack! 

Blinded by the Light Movie Trailer




Watershed Hullabaloo Weekend: The View From the Side of the Stage - by Ricki C.

Watershed Hullabaloo Weekend, August 9th, 10th & 11th, 2019

(editor’s note: Ricki C. had carpal tunnel surgery on both hands this summer, couldn’t type, has been out of commission for awhile, and now – unfortunately – the Pencil Storm readership is gonna pay for it. Strap in, folks, it’s gonna be a long one.)

WATERSHED / 1992 or so

A little deep background: I met Watershed in 1990 when I was a roadie for Willie Phoenix & the True Soul Rockers and they were still called The Wire. The Wire would open for the True Soul Rockers one Saturday night a month at a Columbus, Ohio, club called Ruby Tuesday where Willie maintained a monthly residency. To make a long story short: 3 or 4 months into their opening slots – after they had changed their name to Watershed – they somehow wrote an entirely new set of KILLER power-pop originals since the previous month (including “Rise,” my earliest favorite Watershed tune), got their asses moving onstage, and soundly blew the True Soul Rockers off the stage at Ruby’s. (Ironically that Great Leap Forward was probably largely due to Willie’s tutelage as he produced their first six-song e.p.) They also got 86’d as the opening band for that impertinence, of course, but from that point on I caught them live every time I could. From 1990 to 2005 I bet I saw ‘em close to a hundred times. From 2005 when I joined their road crew to now, I’ve seen ‘em a couple hundred more. And I’ve never ONCE been disappointed.

Which brings us to this past weekend: from being on the crew I’ve seen Watershed three nights in a row any number of times, but never in three more widely-varied rock & roll circumstances as The Watershed Hullabaloo.

The Friday night show at Natalie’s Coal Fired Pizza – Columbus’ absolutely premier listening room (as opposed to rock & roll dive) – found Colin & Joe seated on secondhand living room furniture that road manager extraordinaire/all-around Watershed tech mastermind Michael “Biggie” McDermott had somehow procured in some kind of time warp from the early 1970’s. Truthfully, I’m not crazy about the idea of rock & rollers performing sitting down, but it fit the concept of “two old friends swapping stories & songs around the campfire” vibe that Watershed was going for the first night of the Hullabaloo.

Opening with “Sensational Things” – a tune I’m DEARLY hoping opens the upcoming Watershed CD – Joe & Colin strummed through maybe a dozen songs, old AND new, peppering the set with the stories behind the songs, or just yarns that filled in the history of the band, and that’s a RICH history, boys & girls. They were then joined by middle-period Watershed powerhouse Mr. Dave Masica for a standing-up set of Watershed rockers, albeit it in a bass-less, acoustic, quiet hollow-body electric kinda frame of mind. A night of “Soft Rock Watershed” as the appearance was billed. They still woulda blown Bread off the stage. (Set-list for this show and the Saturday & Sunday gigs will appear in a future Pencil Storm blog entry.)

Friday night highlights: “Sensational Things,” “Plan B,” “American Muscle,” “Manifesto,” and Joe Peppercorn’s (the only past member of Watershed unable to make an appearance during Hullabaloo Weekend) “Set The World On Fire.”

At heart Watershed has always been a Saturday night rock & roll band. When they played on a Wednesday night after a (now-defunct) Columbus Chill hockey game in the mid-1990’s, they were a Saturday night rock & roll band; when they played third on the bill on a Tuesday night at some long-forgotten rock club during one of their innumerable Southern swings in the early 2000’s, they were a Saturday night rock & roll band; when they opened for Cheap Trick at a huge downtown outdoor festival on a Friday night, they were a Saturday night rock & roll band.

So, when you put Colin, Joe, Herb & Rick Kinsinger in front of a sold-out crowd of Watershed super-fans at Marcy Mays’ Ace of Cups – Columbus’ coolest rock club – on a warm August Saturday night you’d best believe you’re gonna get a fucking KILLER set of rock & roll music. So let’s check off the boxes on the rock & roll checklist:

1) Rockers – You got your “You Need Me,” you got your “Suckerpunch,” you got your “Black Concert T-shirt.” Check.

2) You got your heartbreaker ballads/slow tunes that set Watershed apart from the one-trick pony bands who only know how to pound, but never how to charm, because Colin & Joe always keep in mind that more hearts get broken on Saturday night than any other time of the week: “Over Too Soon,” “New Depression,” and “Anniversary,” for Chrissakes, one of the great power-pop ballads of all time. Check.

3) You’ve got your brace of brand-new songs, ‘cuz Watershed is never gonna be just a nostalgia act, chums: “Blow It Up Before It Breaks” and the GREAT new “Another Night In The Ruts.” Check. (By the way, the band enlisted Pencil Storm scribe Scott Carr to help out with stage duties to free up Biggie for the killer light display witnessed Saturday night, and Scott & I were trying to figure WHO’s song that was a cover of, before I checked with Colin on Sunday and discovered it is, in fact, another choice new original.) (But Jesus H. Christ, WHY didn’t they bust out “Sensational Things” at Ace of Cups? I’d have LOVED to get a full band Watershed airing of that on Saturday night.) Check.

4) Audience participation. You want audience participation? How about “How Do You Feel” and “Can’t Be Myself”? Check.

5) Flat-out great songs that should have been hits: “Obvious,” “Small Doses,” “Little Mistakes,” “5th Of July,” “The Best Is Yet To Come,” really too many too mention. Check & check.

Prime extra-musical moments of the Saturday night set: Joe throwing a tantrum AND his bass when his tuner kept screwing up; Mark “Pooch” Borror bringing the energy level up several notches in his guest slot on “Can’t Be Myself and “Anniversary.” Rick is a solid player and a stabilizing force in the band, but Pooch brings out some special sense of abandon and flat-out JOY when he’s up there with Watershed; Colin calling the show over seven songs into the set after “Black Concert T-Shirt,” and the band playing another 17 songs or so as an encore, before the “second encore” of “Sad Drive” and “Mercurochrome.” Genius performance move.

Okay, I’m already over my allotted 1000 words and haven’t dealt with Day Three of the Hullabaloo Weekend yet. Sunday was billed as “Watershed & Friends” and those friends included Jim Johnson (Willie Phoenix/League Bowlers), Dan Cochran (League Bowlers/Hilltop Lager), Marcy May (Scrawl/Ace of Cups) and Mike Sammons (Twin Cam.) Innumerable Watershed/League Bowlers/Lonely Bones/Colin solo songs and cover tunes from Willie Phoenix, Georgia Satellites, Cheap Trick & Chuck Berry all got played, the beer flowed freely, and – from my view at the side of the stage – the assembled multitudes had a rockin’ good time. (Again, set-list from Sunday to follow in a later Colin blog about Hullabaloo Weekend.)

Musical highlights of the Sunday show: “Battleship Chains,” “Twister,” “High Roller.”

I’ve said it before, I’ll say it again: I’ve got the best job in the world. – Ricki C. / August 13th, 2019

WATERSHED / 2019

(random closing thought: I was talking to Nick Jezierny - auteur of The Watershed Complete Rankings - after the show on Sunday, and he was saying if he did the list today, a ton of the rankings would be different, and that he should do the whole thing over again. I ABSOLUTELY agreed with him, and told him he should do it, but on the other hand his wife seems like a REALLY nice person and I don’t want to do that to her. Also - to my knowledge - Nick came all the way from Idaho for the Hullabaloo Weekend, so he should get some kind of prize or grant money just for THAT.)

(further random closing thought: for Pencil Storm readers with WAY too much time on their hands, here are some links to Watershed stories I did on my 2012-2013 blog, Growing Old With Rock & Roll…….)

Growing Old With Rock & Roll / Colin & the Stairwell

Growing Old With Rock & Roll / Watershed & Kamakaze’s

Growing Old With Rock & Roll / Watershed & The Somnabulistic Stickman Streaker

GOWR&R / The View from the Side of the Stage, part one

GOWR&R / The View From the Side of the Stage, part two

GOWR&R / My Ten Most Memorable Moments as a Watershed Roadie, part one

GOWR&R / My Ten Most Memorable Moments as a Watershed Roadie, part two

GOWR&R / My Ten Most Memorable Moments as a Watershed Roadie, part three

GOWR&R / “Suckerpunch” Live @ the Columbus Arts Fest, 2013

Watershed Rankings Day 6 (Songs 11-1) by Nick Jezierny

 

Originally published in 2015 - Watershed plays Columbus August 9-10-11 in the year 2019. Click here for details.

Find and play these songs on Spotify! 

Day 6 (Songs 11-1)

Click here to read Watershed rankings day 5

 

Manifesto (What I Like To Do) (11): Talk about a breath of fresh air. This little gem just kills it. “If Jerry was alive today, I’d kick him in the balls” is wonderful. The “I ain’t hurting nobody except my body” definitely is something that I really want to tell my doctor at my next checkup.

Colin G. - We knew going into Brick & Mortar we had to change up our entire approach to recording. With Joe O. living 600 miles away, we simply didn't have the luxury to rehearse and woodshed every idea the way we had the previous four records. More so, our actual time to record the record would be much tighter than the previous two, where we basically worked for as long as it took to make a record we were happy with. So we decided to embrace a more "Bob Dylan" approach to the project. We locked ourselves inside Curry House with Mike Landolt and just went from one song to the next very quickly: arrangements on the fly and very little second guessing. Once we had the song down, boom, Mike hit record and we went until we had a great take. Joe Peppercorn was critical to this approach as he provided a "Patalan-esque" musicianship that would be missing since we were tracking in Columbus away from The Loft.

Anyway….. after one long day in the studio I ended up at the Treebar. I then ended up back on the sofa at Curry House. I had this lick lying around and feeling buzzed & exhausted, I just scribbled down the words on a notebook and passed out. The next morning the guys showed up and I showed them the idea. Before I even brushed my teeth we made the necessary additions and subtractions and tracked "Manifesto."  

The point of this long-winded story is that if we had had the time to think about this song for two weeks or practice it 100 times, I can almost guarantee we would have talked ourselves out of it or ruined the fun with over-thinking. I'm sure somebody would have said, "Guys, you can't sing about kicking the deceased Jerry Garcia in the balls. That will kill sales in San Francisco." Instead we caught lightning in a bottle and Jerry got kicked in the balls. Win - Win.

Ricki C. - Nick Lowe's production credo for Elvis Costello & the Attractions' 1978 masterpiece album This Year's Model was "Bash it down and we'll tart it up later."  From all accounts - confirmed by Colin's explanation above - that pretty much sums up the Brick & Mortar prod-style.  In my rankings of Watershed albums I have Brick & Mortar second after The More It Hurts.  (Yeah, yeah, yeah, I know The Fifth Of July is great, but I think the songwriting on Brick just beats it out.)  (And on the Ricki C. rock & roll planet, songwriting ALWAYS wins out over production.  I'm a pretty firm believer in the proverb, "They shoulda released the demos.")

But I digress.......I love everything about "Manifesto."  (I heartily believe Joe Peppercorn would disagree with me on this point.)  I love the lyrics, I love the riff, I love that the song is serious AND fun, simultaneously.  ("Serious fun" is pretty much my definition of rock & roll.)  I love the line, "Underground Garage won't play this song because our name is lame / What else do you expect when you start in seventh grade?" because it's right on the money; if Watershed was called The Riptides or The Parachutes, Little Steven & Company would be all over 'em.

Most of I love that the chorus progresses from "This is what I like to do" to "This is what I wanna do" to, crucially, "This is what I HAVE to do."  Watershed aren't fly-by-night/listen-to-what-we-wrote-on-our laptops/in-ear-monitor/johnny-come-lately assholes, they are True Believers in the rock & roll, and I'm proud to haul their amps.   

Joe O. - "All the politicians together couldn't form one band, but if they did, I'd have to guess they'd sound a lot like Styx" is such a good line it makes me want to break stuff. In Minneapolis last weekend, Colin and I decided that if all the Wall Street investment bankers decided to form a band, it would sound like Bon Jovi. Also: When Colin pronounces the word "poli-tish-ee-ans," he's borrowing that from Ray Davies in the Kinks' song "Apeman." 

Did you know the extremely  talented Milan Karcic made a video made a video for "Manifesto"? 

 

   

The Fifth of July (10): Another gem from what may be the band’s best studio release.

Ricki C. - I would concur with Mr. Jezierny that this tune is a gem, and possibly Tim Patalan's production high-water mark with Watershed, but - as stated above - I still think The More It Hurts is their best studio release.  (Taking it one step further, I think The More It Hurts is the best album release ever out of Columbus, Ohio.  Second would The Whiles Colors Of The Year in 2004.  Third would be The Godz first album, back in the 1970's.)  (Yeah, I said that, and I put it in writing.)  (The best record ever out of Columbus SHOULD have been a Romantic Noise album - Willie Phoenix's all-time best band, back in 1978 - but that particular slice of wax never got recorded.)   

Joe O. - This song was made infinitely better by Tim Patalan, when he suggested that the verses needed twice as many words. Then he told me to phrase them like Van Morrison (actually he said Thin Lizzy, which is pretty much the same thing). You can hear this clearly in the lines "Feeling alright but not looking too cool, caught me peeking through the fence of your best friend's swimming pool. Radio playing my favorite song..." and so on.

Colin G. - Tim would leave us alone for long periods of time at The Loft and the only entertainment besides playing was watching a VCR. Around this time the ONLY video for ten miles was The Rolling Stones' Rock n Roll Circus. So we watched it. A bunch. Obviously, The Who performing "A Quick One While He is Away" is the highlight of the video and maybe western culture. So...... after 20 beers one night Dave started doing his spot-on Keith Moon impression while we were practicing "5th of July." "Dude, play it like that when we record it." "But I'm just messing around." "Play it like that." And so it was.....

Our best video was shot in 8 hours and cost $750; $200,000 less than the Train video being shot at the same time. (Or so we heard.) Which video is a better value? You be the judge.

Watershed for $750

Train "Give Myself to You" for $200,000

 

Broken (9): This probably is the song that wouldn’t make most people’s top 10 Watershed songs. (Of course, I’m assuming people other than myself actually think about stuff like this.) I just think it’s a ridiculously good song.

Joe O. - I agree, Nick. Definitely one of my favorites from Brick & Mortar. I always hear this song as being inspired by Springsteen. Colin hears it (especially the main guitar lick) as being inspired by Bob Mould. I'm right, of course, but either way, the song is great.

Colin G. -  Brick & Mortar was pretty close to being finished when one day, while driving back from Pittsburgh, I was listening to "Who's Next" and it was just crushing our record. As soon as I got home I told Mike Landolt to stop mixing and let me add another big 100- watt guitar to a couple of tracks. I promised one pass only. That extra guitar saved "Broken." You can hear it at the top. It's the one with balls. FYI - I think this was the only song we didn't play in Raleigh for the Watershed Weekend or whatever when we played like 75 songs. No reason. Just sort of forgot.

No footage of this one so enjoy Watershed covering the Scrawl classic "Charles" at Comfest in 1823. We have always had much in common with our sister band Scrawl. We both love Cheap Trick. We are both resented by real musicians for only using 3 or 4 chords. We both use two vocalists who play guitar & bass and who could possibly be dating each other. 

 

 

Black Concert T-Shirt (8): This is the song where Watershed announced what it was all about. I loved it when I heard the remake that kicks off “The More It Hurts, The More It Works.” Definitely on any workout mix on my iPod. I love the Black Sabbath-y riff in the middle of the song.

Joe O. - Both versions of the song are cool, but this one better captures the feeling of going to a live show, which is what the song is all about. Interestingly, Andyman Davis from CD101 (now 102.5) in Columbus always liked the other version better, because it has words in the bridge. Speaking of words, when we recorded the original version of this song for Star Vehicle, the producer, Frank Aversa, tried to talk us into changing "baby you don't give two shits" to "don't give two fish sticks." I love you, Frank, buddy, but that's wack. Even Mrs. Paul would agree.

Colin G. - The "Black Sabbath-Y lick" is actually "Paranoid." Tim talked us into doing this very late one night. We resisted for a million obvious reasons, but he captured a whole different version of the song. When the solo came I just played a Sabbath riff and I have no idea why. Tim - "flawless." So there you go.

 

Obvious (7): “Do shots first, ask questions later on” is as fine of an opening lyric as there is. Another energetic ball of fury to kick off a record.

Joe O. - Because of the "smelling the latest issue of Seventeen" line, lots of people seem to think that this song is about me going home with an underage girl, and given what I wrote in Hitless Wonder about how I met my wife, I guess I can't blame them. But come on. You don't have to be 17 (or less) to read Seventeen. You do, however, have to be 17 (or less) to read Maxim Magazine.

Colin G. - My memory of this song is we were rehearsing for recording the 5th of July in downtown Columbus on Gay St where Due Amici is now located. Our pal Jeff Mathis was rehabbing the building and being a rock n roll sort of guy, he let us use the space for pre-production for 5th of July. We had finally wised up and while getting ready to record we took six months off from live shows and just rehearsed new material four nights a week until we got what we needed. I remember one night, we worked on the bridge for "Obvious" from 8 pm until 1 am. That is ALL we worked on. Mind you, the bridge is like 15 seconds long. When we wrapped up for the night Dave just got up from the drums, looked at Joe and I and said, "One fucking bridge for five hours? You guys are crazy."


Suckerpunch (6): This is the live version. From the intro to the lyrics and the power in the recording, it’s a masterpiece. The song really hit home for me a few years ago and it became my personal mantra after getting screwed over at work. I really did get suckerpunched, and this version was helpful to me during that time. I have a friend here in Boise who just loves the solo on the outro (is that even a word?) of the song and he says he will rewind and keep playing it over and over. If I made this list two years ago, this would have been No. 1. It remains a favorite. “Now I’m passing out on a couch that can tell me some stories” is a wonderful visual. What a great tune.

Joe O. - I agree that the live version is the definitive version. The ending may be a tad overblown, but, man, whenever we play it, I'm like, "Damn, this band is rocking. Oh, wait. That band is us."



Everywhere I Turn (5): Just an extremely catchy song that I can’t believe isn’t a part of the band’s regular set. I would have made this the single from “Twister.”

Ricki C. - I must admit, I had not one memory of this song and was forced to pull out my Twister CD to see what was up with the Number 5 ranking.  Nick, I gotta respectfully disagree and put this tune somewhere down in the 40's.  And if Colin or Joe remember it right offhand, I'm gonna say they're lying. 

Joe O. - This one is pretty catchy. But Number 5? Seriously? This song is hard for me to listen to because the mix is so thin and trebly. Seems like all that money we dumped into the Power Station should have bought us a bass knob on the mixing board.

Colin G. - I remember Joe and I riding the subway out to Danny Lawson's house in the pre- gentrified Brooklyn to work on the vocal arrangements. We got some good work done, but waiting to return back to the city on an empty subway platform surrounded by the Turnbull AC's in the middle of the night, I wondered if it had been worth it. Even though we escaped bodily harm at the hands of a Warrior-style NYC street gang, I don't think it was worth it. Seriously? #5? Huh?

Let's just forget about "Everywhere I Turn" and check out this super rare video of "Anniversary" from Jack Cain's home, the Poorhouse in Raleigh, NC.


Star Vehicle (4): This is the song that turned me on to Watershed. Heard it on CD 101, and then I moved to El Paso, Texas, shortly after it came out. It’s amazing that I lived in Columbus for seven years when Watershed was on the rise and I never saw them live. I heard of them, but did not really know them. I was more of a Z-Rock listener and caught more shows at the Alrosa Villa or focused on national bands. I don’t think Columbus radio really backed the band enough in the early years. I began my love affair with the band from afar and preached about them ever since. Nothing beats coming down a great mountain bike trail in our Idaho mountains with this song coming through the headphones. Great track! This also should have been on “Three Chords II."

Joe O. - I can't believe that CD101 played this song. Q-FM? Sure, that would have made sense. The Blitz? Maybe. But CD freaking 101? That station has been way too kind to us (and I hope they don't stop).

Ricki C. - So you know how somewhere back in the rankings I said how much I enjoyed when Watershed would insert an entire song into the middle of "Mercurochrome?"  One night at some long-forgotten show when I was still just a fan/spectator before I was a roadie, the band inserted AN ENTIRE SET into the pause at the 3:07 mark.  Colin & the boys stopped DEAD at that point, went into another song and then just continued the show all the way to the end when they paused again AND THEN WENT BACK INTO the "Going for a ride" sing-a-long to end the set.  Fucking brilliant.

Colin G. - After getting dropped from Epic and all that, we had the title for the next album, but needed the title track. Probably our best attempt at Kinks meets Cheap Trick via kids from Ohio.

 

If That’s How You Want It (3): The Star Vehicle version is really immeasurably better than the original. It’s as if the band says “Screw it. We’re going to record this how we originally wanted” and then just gave the performance of a lifetime in the studio. The build up to the “na na na” part is tantalizingly awesome. I can honestly say whenever that part of the song comes on, the hair on the my arms kind of stands up. It’s really a tremendous tune. And even though it’s pushing 5 minutes, it doesn’t drag at all. It builds up and delivers. Was No. 1 until about 3 minutes ago when I rock, paper and scissored the final three.

Joe O. - The power of the "na-na-na," man. Journey knew it. Sha-Na-Na knew it. Whoever put the "ram" in the "rama-lama-ding-dong" knew it.

Colin G. - I kind of blew my wad on this one talking about the Twister version. Ranked like #256 or something.

 

Can’t Be Myself (2): Still don’t know how this song wasn’t a national hit. I included this song on my “I’m A Man, I’m 40! Life Soundtrack” that I put together back in 2007. While it borrows from The Replacements’ “Answering Machine,” it is not a ripoff in any way. This is simply what a hit song sounds like. How record labels passed on this amazes me. That it’s not No. 1 on the list also bother me.

Joe O. - I guess you could say this was a local hit. Hearing it in Ohio Stadium during game day was about the coolest thing ever. Other than AC/DC, Queen, and, strangely, Neil Diamond, not many bands have their songs blasted over stadium speakers. 

Colin G. - I like this song, but if I was going to have to pick one Watershed song that everybody would just go bat-shit crazy about I probably wouldn't have picked this one. But what do i know? I'm the guy on record saying, "Hootie and the Blowfish are a good bar band, but they will never sell any records." I'm glad people enjoy it and hearing it on the radio or over loudspeakers is always a treat. 

The Best Is Yet To Come (1): The live version of this song just kills it. The song has a killer bridge and the live performance on “Three Chords II” is epic. When the “yeah yeah” vocals speed up and trade off into the final push of the song, there is just nothing better. “Don’t forget they didn’t knock you out / you’re just sitting in the corner bleeding from your mouth” … well, just about everyone in the world has felt like that at some point. This inspirational song still gets played when my mood isn’t where it needs to be. Honestly, the studio version doesn’t crack my top 25, which goes to show just how incredibly good the live version of this song is. When I saw it performed at the Bluestone as the opening song last December, it was equally as cool. Deserves to be No. 1.

Colin G. - Lots going on in this little ditty. Do you know this was the official State of Ohio tourism song in 2011-12? It got chosen over a Rascal Flatts song. Not because it was cheaper. No way. Because it was better. As an interesting aside, I cannot name one Rascal Flatts album or song though I think one member may be named Gary. 

Joe O. - This is pretty much the Watershed philosophy. If we didn't believe it, we'd quit.

Please enjoy this super cool video shot from through the eyes of Dave Masica as Watershed takes the stage in 2013.

Alright suckers, there you go. Thanks for reading. Now please, go get a life why don't you?