Columbusland, or... The Abby Singer Show!

I used to be on TV. But, after ten years, I had to leave because of the man. And by “the man,” I mean this dick I worked for.

While I was pondering leaving my high profile, perk-riddled gig, my wife asked me if I could do it.

“Do what?” I asked.

“Not be on TV,” she said.

“What, are you kidding?”

Was she implying that I was some sort of egomaniac who needed to be on TV, like I needed the attention of an audience in order to be fulfilled?

Yes. She was.

“Of course, I don’t need to be on TV. That’s preposterous.”

It wasn’t long after I started my new job at the Gateway Film Center that I began plotting ways of getting my face on the screen. Why be on TV when you can be in the movies?

Yes, it killed me, but she was right.

The first piece I shepherded into being was a promo spot for the film center’s annual summer Double Barrel Western Series.

http://www.youtube.com/watch?v=WcWwHiXb6QE

Well, seeing my mug plastered across a 50-foot wide screen was all the encouragement I needed to do more.

As part of the Cinema Classics film series, a companion to the WCBE radio show of the same name that I co-host  with my friend John DeSando, I saw another opportunity: comedy sketches that spoofed the movies we were showing.

They both feature an idiot studio exec who doesn’t quite get the geniuses who work for him.  In the first one, he (me) tussles with Stanley Kubrick; and in the second, Orson Welles.  Jimmy Mak, ShadowboxLive’s head comedy writer and an old friend, plays both directors -- brilliantly. DeSando turns up in a weird non-sequitir cameo in both.

http://www.youtube.com/watch?v=48XxD4nDBek

http://www.youtube.com/watch?v=M1w6T-Lna6Q

Fortunately, my boss, the phenomenally talented and brainy and not susceptible to in-print ass kissing, Chris Hamel, approved of these extracurricular activities. In fact, he’s so game he played the James Bond figure that my Nameless Cowboy guns down in the Western bit. What kind of a boss allows that to happen? An awesome one.

So, Chris asked me what I thought of the film center’s pre-show. For those of you not familiar with theater parlance, a pre-show is that generic package of trivia questions, ads, and animations that plays before the movie and is generally ignored.

We sat and watched the pre-show together. In its entirety. Afterwards, he asked me what I thought and I told him I thought it was crap. He agreed and asked if we could do better. Naturally.

And so, our new in-house show was conceived. After breathlessly kicking around different titles based on obscure movie jargon like The Cross Cut the good ideas began to flag. By the time we were seriously considering calling it The Abby Singer Show we were good and loopy. “But no one will know who or what an Abby Singer* is,” our co-workers cautioned. “Right!” we shouted back. “That’s the beauty part.” Eventually, having reached the nadir of our naming sessions, Chris blurted out Columbusland.

Abby Singer, for the record, is the second to last shot of the day on a movie production, named after 1950s Hollywood production manager and assistant director, Abner "Abby" Singer. When Singer's crew would ask how many shots were left to do he'd answer, "We'll do this and one more." 

Fortunately, the "Abby Singer" show idea never left Chris's office. The basic idea survived though and that was to create a loosely formatted, informal talk show in which we would interview Columbus prominents about the movies while drinking.  And the city would be our playground.

Kinopicz American, a hyper-talented production company in Grandview, agreed to take the project on and brought their insight and ideas. In order to keep the show from becoming me and Chris drinking and ego-jousting, Kino, as we affectionately call them, suggested bringing on a Girl Friday who would temper the testosterone and drastically drop the combined age of the two-man cast which if combined would approach octogenarian heights.

We immediately thought of social media maven and Columbus vlogging sensation, Amy "Schmittastic" Schmittauer. 

We thought Amy would anchor the show, keep it grounded, but she quickly proved to be as strange as we are, and so the show quickly took on a life of its own.  So far we’ve only shot 3 episodes, but it continues to evolve. We’ve worked in more scripted comedy and we’re playing around with the interview dynamics, and, quite frankly, I'm not sure where it's headed. As long as it continues to get better, which it has, we'll all be happy.

Each episode of Columbusland runs at the Gateway Film Center for 8 weeks and you can see the show 20 minutes before any movie we’re showing. Well, due to the constant cocktail drinking and frequent light cursing, you can see it before any PG-13 or R- rated movie.

The entire endeavor, it bears repeating, is the kind of project that can happen when a cool boss rolls the dice on a great idea and lets it ride.

Here’s episode two:

The complete cut of Columbusland: Episode 2 CASINO, shot at the new Hollywood Casino in Columbus, Ohio. Join in the misadventures of the Gateway Film Center characters as they traipse around Columbus, bumping into local personalities who share their takes on life, Columbus, and, of course, movies.

Video of So-So Cheap Trick Songs Is Easier to Find Than Dramatic World Series Home Runs

I grew up in Columbus, Ohio, with the Reds and Indians each being approximately 120 miles driving time from my home. In a stroke of genius, I will now use YouTube to sum up the two franchises' fortunes since 1980 in two single at-bats. This is going to be great! Searching YouTube. They have everything on here. Here... we... go! Um, hold on, let me try Marlins win. Um, no. OK, Eric the Red Bombs. Oh, it's Fernandez with a "z" not with an "s." WTF?  No clips??

Ugh. I had planned on showing a concise clip of Eric Davis's Riverfront-rattling bomb off Dave Stewart and the favored A's in Game One of the 1990 World Series and the Tribe's Tony Fernandez heartbreaking 10th-inning error, costing Cleveland the 1997 title to the upstart Marlins as my two defining moments.

Yet, you baseball geeks have let me down. What are you good for anyway? I can search and find a live version of Cheap Trick performing "It's Only Love" from Harpo's in Detroit on The Doctor tour in less than 30 seconds, yet not one clip of the two most definitive plays in Reds and Indians' recent histories are posted. I mean, nobody has bothered to upload that stuff to YouTube? You nerds disgust me. For the love of all that is holy, please take a five-minute break managing one of your seven fantasy teams and upload these clips before all of Ohio is jinxed. In the meantime, the rest of you can enjoy these still photos from the 11 o'clock news. Not too shabby...

Seriously nerds, do it.​ Remember, it's up to you.  

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From The Doctor tour. LIVE 11/14/86 Harpos Detroit, MI

Dwight Yoakam at the Bluestone Preview

In the early '90s, when I was even dumber than I am now, I spent most of my time driving around the country in a van named Rocco and playing dive bars with the band Watershed. (You can read all about it in the acclaimed book Hitless Wonder.) Growing up in the suburbs of Columbus, Ohio, the only thing I knew about country music was that it sucked, whereas KISS, well, they rocked.  

Thing is, the country music coming out of Nashville around that time did, in fact, suck. This is the era of "Achy Breaky Heart," "Boot Scootin' Boogie" and a whole shitload of Garth Brooks and Shania Twain. Or put another way, my idea of country was plugging in a cassette of Hank Williams Jr. and wondering what was this "Family Tradition" he was always singing about. To summarize: country sucked and I was stupid. 

Still, from all of our travels, generous souls occasionally took pity on our poor barren brains and would share nuggets of musical enlightenment over beers before last call. The name Dwight Yoakam would come up repeatedly.  Country doesn't suck, you dipshits just don't know where to find it, check out Dwight Yoakam and Steve Earle.

Yeah, yeah, we should check out Dwight Yoakam. Whatever, old-timer. Country sucks.  

So cruising late one night, Rocco was eating up I-71 while we listened to the Truckin' Bozo on WLW 700-AM and a mystery song came on. All our ears perked up. Damn, this sorta sounds like country except it doesn't suck. Now, the Truckin' Bozo was an overnight DJ who would take calls from big rigs all over the USA and occasionally play a tune so he never bothered to mention the title of the song or anything like that. But still, we all remembered that song and wondered who it was by.

Fast forward about six months and Mike "Biggie" McDermott pops in a CD (modern technology!) and says, "Might as well see what this Dwight guy is all about." We were all sort half paying attention when suddenly that song came on. "That's the song!!" we all yelled in unison. "That song" was "It Only Hurts When I Cry" and the album was If There Was a Way. We were smitten. Dwight vaulted into heavy van rotation and never left. If fact, we were so taken with Dwight, that we tried to slip a cover of "Turn Me Up, Turn Me Loose" on to a Watershed record. When the wise label suits at Epic got wind of our scheme they sent a memo that said in so many words, "What, are you guys crazy? No fuckin' way." It eventually showed up as a bonus track on a Star Vehicle re-issue when nobody cared what we did.

Yoakam and his master producer/guitarist Pete Anderson followed up If There Was A Way (1990) with  This Time (1993) and Gone (1995). Each one better than the last. How was this possible? If there has been a more impressive three-record run in any genre, let alone country, I'd like to hear it. All three albums are stone-cold classics, a music production clinic and a tour de force of great songwriting. And to top it all off, Dwight can deliver the goods live and has one of the great voices in all of country music.

Dwight's latest album, 3 Pears, is his first new release in seven years and his best since Tomorrow's Sounds Today, but that is hardly a knock on his other records. Mainstream country is still best to be ignored, but everything Dwight Yoakam puts his name on is worth your attention (movies included).

Dwight Yoakam will be performing at the Bluestone in Columbus, Ohio Tuesday April 9th. 

 Colin Gawel writes for Pencilstorm, plays in Watershed and apologizes for the subpar grammar in this story. See, he wrote it while working at Colin's Coffee and rushed it to have ready for the Dwight Yoakam show the same night in Columbus, Ohio. We will polish it up for the archives.  What do you think this is? Grantland? More at colingawel.com

 

Get 3 Pears on iTunes - http://smarturl.it/3pears Watch Dwight Yoakam perform in The Live Room - http://smarturl.it/dyliveroom www.dwightyoakam.com © 2012 WMG

Dwight Yoakam performs his song "3 Pears" in an exclusive recording session live in the legendary Studio One at EASTWEST STUDIOS in Hollywood, CA for The Live Room on The Warner Sound.

The 4 R's: Readin', 'Ritin' and Rock & Roll by Ricki C.

"I've been inside of more libraries 

Than I have dope houses"

- from song, "A Life Of Rock & Roll," Ricki C. (c) 2009

 

From the ages of zero to twelve years old all I cared about was reading and World War II.  When I was 12 The Beatles (and, more importantly, The Dave Clark 5) appeared on The Ed Sullivan Show and my little seventh-grade Catholic boy head exploded.  As such, from the age of 12 to earlier this morning all I have cared about is reading and rock & roll.  (And maybe movies and sex, but not until much later on.)

Nowadays that means that I read way too many books about rock & roll that I get out of the library.  It also means that, problematically, I would now often prefer to read about rock & roll than to LISTEN to rock & roll.  (Have you HEARD & SEEN what's masquerading as rock & roll and/or music lately on your radio and T.V.?  Mumford & Sons?  The Voice?  American Idol?  Seriously?)    

Anyway, here's my two latest rock & roll book recommendations:

1) I Slept With Joey Ramone by Mitch Leigh.  This book was published in 2009 but somehow I never got around to reading it until now, and it's pretty great, I sincerely regret not picking it up sooner.  Written by Joey Ramone's younger brother - Mitch Leigh (who also served as guitarist & co-songwriter in rock critic Lester Bangs' band Birdland)  - it documents, in a really poignant and personal way, how Jeffry Hyman of Forest Hills Queens, New York, reinvented himself, pretty much by sheer force of will, to become Joey Ramone.     

The Ramones' story has been pretty well documented over the years.  Just in my collection I've got books by Everett True and Monte Melnick (The Ramones road manager for pretty much all of their existence) and I know there's a book by Johnny Ramone floating around out there.  (But Johnny was kind of a dick, so I never bought that one, though I'm pretty sure I read it out of the library.)  (At the same time I find myself calling Johnny Ramone a dick - largely for stealing away Joey's steady girl and then marrying her, maybe just to prove that he could and for running The Ramones like a military operation rather than like a BAND for all of their career - I find myself admitting that if Johnny hadn't run the organization that way, The Ramones most likely would never have played 2,263 gigs over a 22 year span, without ever having anything approaching a hit record.)  (On the other hand, as Colin and I have oft-conjectured on Watershed tours; maybe if The Ramones HADN'T been run that way -  traveling the world crammed together in a van, hating one another and literally not speaking  for years at a time  - two members of the band wouldn't have destroyed their immune systems with collected stress and died of cancer and a third wouldn't have OD'd.  We have no conclusive medical or psychological proof of this hypothesis, we're just sayin'.)     

But I digress.  You really oughta read this book.  It's simultaneously funny and heartbreaking in all the right ways as we watch Joey Ramone - who, due to various physical & mental problems, more than a couple of doctors declared "would never be able to function in normal society" - transition from existing as a marginalized basket case to being a rock & roll star.  Or are those really just two sides of the same coin?  Either way, it's still a truly inspirational human story, told with love, grace & humor by Joey's little brother.  (Most telling incident in the book: In 1977, when Mitch Leigh quit as The Ramones' first roadie, after getting a raise in pay from $60 to $70 A WEEK, Johnny replaced Mitch with TWO new guys, each making $250 a week.  In rock & roll, brothers so often get screwed.)     

2) A Light That Never Goes Out: The Enduring Saga of The Smiths by Tony Fletcher.  My lovely wife Debbie and I don't get out much in the winter.  In fact, if we could work it right and ensure that a steady supply of snack cakes, milk, Lay's potato chips and Mountain Dew would get delivered, we might not ever leave the house at all in December, January & February .  As such, I'll occasionally find myself just trolling the library website for something interesting to read.  That's where I ran across this book.    

Now let's get some parameters straight: I could give less of a shit about The Smiths.  They were the very first band, back in the 1980's, that all of my tastemaker friends LOVED (are you reading this, Curt Schieber?) that I finally wound up thinking, "Okay, the hell with it, I have tried and tried and TRIED to like this band and they just suck.  I should not have to work this hard to enjoy music."  (I later repeated that pattern with Guns & Roses, Nirvana, grunge and most recently with Arcade Fire and Mumford & Sons.)  But something about the library's description of the book hooked me, so I reserved it.       

When the reserve came in, Debbie and I were on one of our rare outings together to obtain food & literary supplies, so she ran into the library to grab the book for me while I kept the warm car running in the cold.  She came out lugging a book about 1/3rd of her diminutive five foot height and I thought, "What the hell is this?"  It turns out the Fletcher book is 698 PAGES LONG!  ABOUT THE FUCKING SMITHS!  HOW IS THAT EVEN POSSIBLE! 

Pencilstorm readers, I was looking for maybe 237 pages about The Smiths, tops, not 698 pages.  If I had gone into the library myself rather than sending Debbie I'd have handed that book right back to the librarian for them to pass on to the next reservee - to some pale, wan, winsome Morrissey & Marr fan who might actually appreciate 700 pages about their heroes. 

Since it was already checked out and since it was too cold to ask Debbie to walk it back into the library I decided to give it a shot, and damn if it isn't actually pretty good.  Admittedly, I didn't start the book until page 210, chapter thirteen, as it takes Fletcher THAT LONG to get to Morrissey and Marr even meeting for the first time.  (I'm fairly certain Tony was being paid by the word for this tome, BIG MISTAKE for the publisher.)  But from there on the story moves right along.  The book chronicles the birth and growth of a young band in month to month - if not week to week - detail and I'm genuinely enjoying it, way more than I ever would have thought I would.  It's truly well written.  (By the way, I'm 200 pages beyond where I started and they haven't made their second album yet.) 

One of the true advantages of reading rock & roll books in the internet age is that virtually any television appearance mentioned in the text can be punched up on YouTube.  (By the way, if Debbie hears the phrase, "Just punch it up on YouTube" from me ONE MORE TIME this long winter/spring, there's gonna be trouble.)  I've found myself doing that more and more while reading this book, and you know what I've discovered?  I've discovered I STILL don't like The Smiths music.  Somehow I like the IDEA of The Smiths more than I actually like The Smiths.  I'm enormously heartened by the idea that Morrissey refused to go on Jimmy Kimmel's show alongside those cracker assholes from Duck Dynasty, solely because of his vegetarian beliefs.  Try to imagine almost any other celebrity or rocker turning down a paycheck or a T.V. appearance these days just because of their principles.  Or, indeed, try to imagine any other celebrity or rocker these days WITH a belief or a principle.  (Let's face facts, people, any one of the Kardashian sisters would fuck a llama in a closet if it meant they could get another reality show out of the deal.)

Come to think of, Morrissey probably wouldn't go on that show either.  Thanks, Steven. 

 

(ps. Best pop-culture Morrissey reference of the week: The Colbert Report, last Wednesday night, when an interview-guest pig farmer claimed their pork is made "naturally," Colbert asked, "At what point do the little piggies decide to naturally meander into the slaughterhouse?  Do you read them Nietzsche, play them a little Morrissey?") 

 

Ricki C. missed  The Ramones the first time they played Columbus, Ohio, in March of  1978 at a dive called The Sugar Shack, because he didn't believe The Ramones would  actually PLAY at the dive that was The Sugar Shack.   He did see them  the second time they played Columbus in July 1978 at a supermarket-converted-into-a-rock-club - Cafe Rock & Roll, by name - and damn, is he glad he did.  

  He never saw The Smiths live anywhere, anytime, and is equally glad of that.


 

Pencilstorm MLB Opening Day Party at the Treebar - Monday, April 1, 4 p.m.

Greetings. Hope you enjoy reading Pencilstorm as much as we enjoy putting it together. We have been running live now for close to a month and are truly humbled at how many people have been checking in on our little endeavor. In addition to providing you with another option to kill time at work or in the car, we also hope to step out of the basement every once and a while and do actual real-life, flesh-and-blood, human-type stuff by hosting events. Or put another way, as much fun as it is to bash Jeff Hassler reviews on Facebook, wouldn't it be so much cooler to tell him in person that Bon Jovi isn't better than the Stones?

​With that thought in mind, between our one-month anniversary and MLB Opening Day, we thought it was time for a celebration. So please join us Monday, April 1, at the legendary Treebar to watch the Cincinnati Reds versus the L.A. Angels. First pitch at 4 p.m. and specials on PBR and Four String Brew the entire game. CD1025 jock/Pencilstorm baseball writer Brain Phillips and myself will be there to judge your fantasy roster. If we approve, we will buy you a beer or at least pass you the peanut bowl.

Haven't you spent enough time staring at a lifeless computer? Why not spend some time staring at cable TV? It's time to step out and talk to actual earthlings. You can do this! Don't be a pussy (talking to you Hassler; It's Opening Day and I'm pretty sure you aren't going to have an Easter hangover), stop by and enjoy some suds with the Pencilstorm crew and watch the Reds win the first of 94 victories on their way to an appearance in the N.L. Championship series. — Colin

​Treebar info here