Bava Choco - by Ricki C.

This is a blog about Bava Choco that Ricki C. wrote back in October, 2016 that the Pencilstorm editorial board decided we couldn't improve upon, so we're re-running it today.

Bava Choco's release party for their maiden CD - Death Ride - will take place at Ace of Cups this Friday night, January 6th.  Doors at 8 pm, opening set by The League Bowlers at 9 pm, followed by Bava Choco.  Admission is FREE.  Details at Aceofcupsbar.com.

The first thing you’ve gotta know about Bava Choco is that they’re HIGH CONCEPT.  By that I mean that lead singer Patrick Baracus has made sure that ALL ASPECTS of the band have been thought through and considered: the way the band dresses, the way the songs cohere, the stage presentation, etc.  And In these 21st century days of bands having TOTALLY ZERO ideas, creativity or – God forbid – originality of thought or word, Bava Choco really stands out.  (By this I mean, if I see ONE MORE BAND on Seth Myers – my choice of late-night viewing – with ABSOLUTELY NOT ONE REASON TO EXIST, done up in some mish-mash of thrift-store clothes, mismatched haircuts & not one iota of a notion of presentation I'm gonna put a bullet through my head, or more likely through my TV.)  (Just like Elvis.)

Plus, Bava Choco is named after one of the “brands” of dope that Eric Stoltz is peddling to John Travolta in Pulp Fiction.  And if naming your band after a heroin blend in a 22 year old Tarantino flick isn’t HIGH CONCEPT, I don’t know what is.

But really, screw all my HIGH CONCEPT guff: if THE MUSIC doesn’t deliver, why am I bothering to write about the band, and it’s THE MUSIC where Bava Choco really fries my synapses.  I’ve seen Baracus in his previous bands – the mighty MC5-influenced squall of B.A. Baracus, some intermediate band whose name I can’t remember that opened for Colin’s Lonely Bones at the Rumba or Woodlands one Christmas show – and I have to say that Bava Choco is Patrick’s best venture yet.   

Patrick told me one time when the band was still in rehearsals that he was just gonna say, “Fuck it, and unleash all of his Deep Purple and Black Sabbath fantasies” in his new band and – I’ve gotta say – I wasn’t particularly heartened by that pronouncement.  I lived through heavy metal when it was first invented and my rocker brethren KNOW it’s not one of my Top Three rock & roll genres.  But Bava Choco bring such a passion and fresh approach to quasi-metal it really took me back to those days of 1968 & 1969 when bands like Deep Purple were still really INVENTIVE and Tony Iommi actually incorporated some pretty jazzy chord voicings into the melee that was early Black Sabbath.  It really wasn’t until the 1970’s that those bands collapsed into the terminal, plodding, drug-ridden/ravaged sludge-pit morass of metal that rock history is riddled with.  (Are you listening Uriah Heep?)       

Anyway, this is sliding out of hand, I’m about to start mumbling about the ‘60’s & ‘70’s when Bava Choco is a thoroughly MODERN rock & roll band: guitarist Eric French’s riffs & guitar stylings are a joy to watch & listen to and drummer Corey Gillen is a MONSTER of invention.  So just go see ‘em this Saturday night: drink a few beers (then Uber home so you don’t kill anybody), support CD-102.5 and their Big Room Bar and dig The Kyle Sowashes and Earwig while you’re at it.  It’s a Saturday night of rock & roll, what could you POSSIBLY have better to do with your time than that?  - Ricki C. / October 13th, 2016.


ps. Since I’m supposed to be such a hotshot rock critic, two (easily correctable) criticisms of Bava Choco: 1) The first time I saw the band, Mike Lovins – who, by the way, happens to be a KILLER bass player – wore shorts onstage.  Admittedly, it WAS high summer then (I stopped to watch a coupla softball games at Berliner on my way to the gig at CD 102.5), but NO self-respecting rocker should EVER WEAR SHORTS ONSTAGE.  2) Patrick was drinking beer during that set when this is obviously a band that should be swigging cognac straight from the bottle while lurching around onstage.  Beer drinking is for league bowlers, Bava Choco is HIGH CONCEPT.  If Baracus has to go so far as pouring beer INTO a cognac bottle before going onstage, he should take that step and project/protect the illusion.      

For a little preview of the tunes, check out Bava Choco on Bandcamp 

English Pub-Rock and The League Bowlers - by Ricki C.

The League Bowlers will open for Bava Choco at Ace of Cups this Friday evening, January 6th.  Doors at 8 pm, League Bowlers at 9 pm, Bava Choco at 10:30 pm.  Admission is FREE, info at Aceofcupsbar.com.    


Pub-rock in England was an early to mid-1970’s phenomenon/trend that never really translated to America.  Spearheaded by bands like Brinsley Schwarz (which featured a pre-Stiff Records Nick Lowe as co-lead vocalist & songwriter) and Ducks Deluxe, pub-rock was a reaction to the prog-rock and glam-rock trends that dominated English music from 1972 on.  Playing tiny bar venues with small Fender amps and a decidedly low-key but ROCKING return-to-three-minute-songs attitude, pub-rock offered an up-close & personal style of rock & roll for music fans sick to death of 17-minute Yes orchestral suites or the glam-rock stylings of David Bowie, Sweet and Slade.*  Lipstick 'n' lace just didn’t cut it with your workaday rocker soccer fan.  

(* All of whom I loved, by the way, but that's an entirely different blog for a whole 'nother day.)

Pub-rock was the immediate precursor to punk-rock in England and, very likely, punk-rock would never have happened without its musical cousin.  One of the nascent Sex Pistols’ first gigs was an opening slot for Joe Strummer’s pub-rock outfit The 101-ers at stalwart pub-rock venue the Nashville Club (see vintage 1976 review below).  That was the night Strummer glimpsed the musical future spread out before him, leading to his defection to The Clash, and likely sounding the death knell for pub-rock as a music movement.  (Pub-rock also spawned Ian Dury – from Kilburn & the High Roads – and Elvis Costello, who used to open shows and occasionally haul amps for Brinsley Schwarz, fostering his later artist/producer relationship with Nick Lowe.)  

Anyway, I often think of The League Bowlers as a 21st-century incarnation of an English pub-rock band: a repertoire consisting of a handful of catchy, feel-good originals (Kids Down South, Half Of Me, Pretty In A Slutty Way) interspersed with a rockin’ dose of their favorite cover tunes (from The Mavericks to Dwight Yoakam to The Georgia Satellites to Elvis Presley, just to name a few).  Formed from the remnants/ashes of several previous bands bearing the name, the current Bowler line-up is comprised of Colin Gawel (on leave from Watershed and The Lonely Bones) and Mike Parks (who traces his rock & roll lineage all the way back to West Side garage bands of the 1960’s, I first saw him play at a Lazarus teen fashion show, through The Godz and The True Soul Rockers) on lead & rhythm guitars;  Dan Cochran – late of Big Back 40 and Feversmile – now the owner of the Four String Brewery on bass; and drummer-extraordinaire Jim Johnson, a mainstay of Willie Phoenix’s` bands for decades.  

It's an old Italian proverb that what you do the first week in January is what you'll do all the rest of the year.  So why not come out on this First Friday Night in January, catch some quality rock & roll from The League Bowlers and Bava Choco and improve your chances for a fun 2017?  See ya at Ace of Cups, 9 pm sharp.  - Ricki C. / January 3rd, 2017 

                                                 Nick Lowe wrote it in 1974, Elvis Costello made it a hit in 1978.......

Ducks Deluxe - in time-honored rock & roll fashion - cop the riff to The Velvet Underground's "Sweet Jane" to power their own truck-drivin' rocker.  It's a long way from the Mean Streets of New York City to the Nashville in Kensington.......

The League Bowlers, 2008.......

from the Ricki C. archives: New Musical Express, April 17th, 1976, live review section (I used to make the trek every week from the West Side to the Little Professor Bookstore in the Lane Avenue shopping center, from 1975 to sometime in early '79, when I lost interest in English post-punk.  Does anybody else miss Little Professor Bookstore as much as I do?) 

101'ersSexPistols 4-17-76.jpg

The Buggy Eyes and a Big Butt Index

Here is a list of the movies I watched in 2016. I will never do that again on a leap year.
- Rob Braithwaite

10 Cloverfield Lane (2016) ★ ★ ★ (#065)
13 Sins (2014) ★ ★ (#006)
The 33 (2015) ★ ★.5 (#090, Women in Film)

The Accountant (2016) ★ ★ ★.5 (#246)
The Accursed (1957) ★ ★ (#035)
The Adventure of Sherlock Holmes' Smarter Brother (1975) ★ ★ (#267)
The African Queen (1951) ★ ★ .5 (#316)
After the Wedding (2006) ★ ★ ★ ★ (#311, WIF)
Airport (1970) ★ ★ ★ .5 (#363)
All Things Must Pass: The Rise and Fall of Tower Records (2015) ★ ★ ★ (#135)
Allied (2016) ★ ★ (#313)
Always Shine (2016) ★ ★ ★ ★ (#329, WIF)
The American Friend (1977) ★ ★ ★.5 (#300)
The Americanization of Emily (1964) ★ ★ ★ (#008)
Anomalisa (2015) ★ ★ ★.5 (#028)
Approaching the Unknown (2016) ★ (#132)
Army of One (2016) ★ ★ ★ ★ (#282)
Arrival (2016) ★ ★ ★ ★ (#287)
The Ascent (1977) ★ ★ ★.5 (#105, WIF)
The Autopsy of Jane Doe (2016) ★ ★ ★ (#357)

Bad Moms (2016) ★ (#224)
A Band Called Death (2012) ★ ★ ★ ★ (#279)
The Bandit (2016) ★ ★ ★.5 (#205)
Batman v Superman: Dawn of Justice (2016) ★ ★.5 (#075)
The Beatles: Eight Days a Week - The Touring Years (2016) ★ ★ ★.5 (#229)
The Best Offer (2013) ★ ★ ★.5 (#328)
The Bicycle Thieves (1948) ★ ★ ★ ★ (#230)
Big Eyes (2014) ★ ★ (#122)
The Big Red One (1980) ★ ★ ★ (#103)
The Big Short (2015) ★ ★ ★ ★ (#018)
Bigger Than Life (1956) ★ ★ ★.5 (#194)
A Bigger Splash (2015) ★ ★.5 (#273)
The Birth of a Nation (2016) ★ ★ ★ (#243)
Black Christmas (1972) ★ ★ ★ ★ (#358)
Black Mass (2015) ★ ★ (#089)
Black Rock (2012) ★ ★ ★ (#062, WIF)
Black Sunday (1977) ★ ★ ★.5 (#097)
The Blob (1988) ★ ★ ★ (#289)
Blood Father (2016) ★ ★ ★.5 (#211)
Blue Jay (2016) ★ ★ ★ (#333)
Body Double (1984) ★.5 (#174)
The Boy (2016) ★ ★ (#128)
Breathless (1960) ★ ★ ★ (#107)
Bridge of Spies (2015) ★ ★ ★ ★ (#074)
The Bronze (2015) ★ ★ ★ (#212)
The Brothers Grimsby (2016) ★.5 (#066)
The Browning Version (1951) ★ ★ ★ (#109)
Burnt (2015) ★ ★ ★ (#136)
Busting (1974) ★ ★ ★ ★ (#022)

Calvary (2014) ★ ★ ★ ★ (#159)
Capricorn One (1978) ★ ★ ★ ★ (#005)
Captain America: Civil War (2016) ★ ★ ★ ★ (#110)
Captain Fantastic (2016) ★ ★.5 (#188)
Carnage Park (2016) ★ ★.5 (#269)
Cat Ballou (1965) ★.5 (#081)
Central Intelligence (2016) ★ ★ ★ (#310)
Certain Women (2016) ★ ★ ★.5 (#250, WIF)
Charley Varrick (1973) ★ ★ ★.5 (#045)
The Children’s Hour (1961) ★ ★ ★ ★ (#167)
Child’s Play (1973) ★ ★ ★.5 (#010)
Child's Play (1988) ★ ★ ★ (#257)
The China Syndrome (1979) ★ ★ ★ ★ (#148)
Christine (2016) ★ ★ ★ ★ (#337)
The City of Lost Children (1995) ★ ★ ★.5 (#362)
Cleo from 5 to 7 (1962) ★ ★ ★ ★ (#108, WIF)
Clifford (1994) ★ ★ (#301)
The Club (2015) ★ ★ ★ ★ (#203)
The Cocoanuts (1929) ★ ★ ★ (#352)
Compulsion (1959) ★ ★ ★.5 (#349)
The Conjuring 2 (2016) ★ ★ ★ (#231)
The Counterfeiters (2007) ★ ★ ★ ★ (#304)
Criminal (2016) ★ ★ ★ (#125)
Cronos (1993) ★ ★ ★ (#240)

Daddy's Home (2015) ★.5 (#178)
Dance, Girl, Dance (1940) ★ ★ ★.5 4 (#054, WIF)
Dark Passage (1947) ★ ★ (#129)
De Palma (2015) ★ ★ ★ ★ (#225)
Deadpoool (2016) ★ ★ ★ ★ (#034)
Dealin’ with Idiots (2013) ★ ★ (#111)
Dear Zachery: A Letter to a Son About His Father (2008) ★ ★ ★
Death Hunt (1981) ★ ★ ★ (#171)
The Death of “Superman Lives”: What Happened? (2015) ★ ★ ★ (#001)
Desperately Seeking Susan (1985) ★ ★ ★ (#366, WIF)
The Diary of a Teenage Girl (2015) ★ ★ ★.5 (#027, WIF)
Doctor Strange (2016) ★ ★ ★ ★ (#274)
Dog Eat Dog (2016) ★ ★.5 (#281)
Dogfight (1991) ★ ★ ★ ★ 5 (#067, WIF)
Dogtooth (2009) ★ ★ ★ ★ (#343)
Don't Breathe (2016) ★ ★ ★ ★ (#216)
Don’t Look Now (1973) ★ ★ ★.5 (#051)
Don't Think Twice (2016) ★ ★ ★ (#220)
Doomed: The Untold Story of Roger Corman's The Fantastic Four (2015) ★ ★ ★.5 (#270)
Dressed to Kill (1941) ★ ★ (131)
Dressed to Kill (1980) ★ ★ ★ (#121)
Drillbit Taylor (2008) ★ ★ ★ (#299)
The Driver (1978) ★ ★ ★ ★ (#094)

Eat That Question: Frank Zappa in His Own Words (2016) ★ ★ ★ ★ (#200)
Eddie the Eagle (2016) ★ ★ ★.5 (#153)
The Edge of Seventeen (2016) ★ ★ ★ ★ (#314, WIF)
Elvis & Nixon (2016) ★ ★ ★.5 (#215, WIF)
The Enemy Below (1957) ★ ★ ★.5 (#023)
Everest (2015) ★ ★ ★ ★ (#127)
Everybody Wants Some!! (2016) ★ ★ ★.5 (#087)
Evolution (2015) ★ ★ ★ ★ (#309, WIF)
Eye in the Sky (2015) ★ ★ ★ ★ (#170)
The Eyes of My Mother (2016) ★ ★ ★ ★ (#335)

The Family Fang (2015) ★ ★ ★ ★ (#113)
The Fan (1981) ★ ★.5 (#312)
Fantastic Beasts and Where to Find Them (2016) ★ ★ ★ (#302)
Faults (2014) ★ ★ ★.5 (#150)
Fences (2016) ★ ★ ★ ★ (#361)
A Field in England (2013) ★ ★ ★.5 (#347)
Figures in a Landscape (1970) ★ ★ (#079)
Finding Dory (2016) ★ ★ (#272)
The Finest Hours (2016) ★ ★ ★.5 (#227)
Fish Tank (2009) ★ ★ ★ (#321, WIF)
The Fits (2015) ★ ★ ★ ★ (#165, WIF)
For the Love of Spock (2016) ★ ★ ★ (#339)
Fort Tilden (2014) ★ ★ ★ (#261, WIF)
Frank & Lola (2016) ★ ★.5 (#336)
Freebie and the Bean (1974) ★ ★ (#166)
Frida (2002) ★ ★ ★.5 (#324, WIF)
The Frontier (2016) ★ ★.5 (#308)
The Future (2011) ★ ★.5 (#364, WIF)
Futureworld (1976) ★.5 (#043)

Gangster No. 1 (2000) ★ ★.5 (#350)
The Getaway (1972) ★ ★ (#085)
Ghostbusters (2016) ★ ★ ★ ★ (#182)
Gilda (1946) ★ ★ (#104)
Gimme Danger (2016) ★ ★.5 (#275)
The Girl on the Train (2016) ★ ★ ★.5 (#265)
A Girl Walks Home Alone at Night (2014) ★ ★ ★.5 (#359)
Girlfight (2000) ★ ★ ★ (#179, WIF)
The Good Neighbor (2016) ★ ★ ★.5 (#341)
Greased Lightning (1977) ★ ★ ★.5(#047)
The Great Alone (2015) ★ ★ ★ (#208)
Green Room (2015) ★ ★ ★ ★ (#100)

Hacksaw Ridge (2016) ★ ★ ★.5 (#285)
Hail, Caesar! (2016) ★ ★ ★ (#036)
The Handmaiden (2016) ★ ★.5 (#286)
Harold and Maude (1971) ★ ★ ★ ★ (#073)
The Hateful Eight (2015) ★ ★ ★ ★ (#002)
Hateship Loveship (2013) ★ ★ ★ (#288, WIF)
The Headless Woman (2008) ★ ★.5 (#162, WIF)
Hell in the Pacific (1968) ★ ★ ★ ★ (#118)
Hell or High Water (2016) ★ ★ ★.5 (#206)
Here Comes Mr. Jordan (1941) ★ ★ ★ (#195)
High-Rise (2015) ★ ★ ★ (#102)
The Hill (1965) ★ ★ ★ (#251)
The Hitch-Hiker (1953) ★ ★ ★ (#046, WIF)
Horse Feathers (1932) ★ ★ ★ (#353)
Hot Pursuit (2015) ★ ★ (#024, WIF)
Hotel Transylvania (2012) ★ ★.5 (#099)
The House Bunny (2008) ★.5 (#180)
The House of the Devil (2009) ★.5 (#254)
The House on Telegraph Hill (1951) ★ ★ ★ (#207)
Hunt for the Wilderpeople (2016) ★ ★ ★ ★ (#185)
Hush (2016) ★ ★ (#155)

I Am Not a Serial Killer (2016) ★ ★ ★ ★ (#221)
I Ought to Be in Pictures (1982) ★ ★ ★ (#141)
Imperium (2016) ★ ★ ★ (#214)
In a Lonely Place (1950) ★ ★ ★.5 (#115)
In a Valley of Violence (2016) ★ ★ ★.5 (#252)
In Order of Disappearance (2014) ★ ★ (#217)
Independence Day: Resurgence (2016) ★ (#163)
The Infiltrator (2016) ★ ★.5 (#345)
Infinitely Polar Bear (2015) ★ ★.5 (#030, WIF)
Insidious: Chapter 3 (2015) ★ ★ ★ (#291)
The Intern (2015) ★ ★ (#146, WIF)
The Intervention (2016) ★ ★ ★.5 (#271, WIF)
Into the Forest (2015) ★.5 (#189, WIF)
Intruders (2015) ★ ★ (#056)
The Invitation (2015) ★ ★ ★ ★ (#083, WIF)
Iris (2014) ★ ★ ★ (#365)
It Happened One Night (1934) ★ ★ ★ (#190)

Jack Reacher: Never Go Back (2016) ★ (#255)
Jack’s Back (1988) ★ ★ ★ (#161)
Jane Got a Gun (2016) ★ ★ (#213)
Jason Bourne (2016) ★ ★ (#191)
Juggernaut (1974) ★ ★ ★ ★ (#082)
The Jungle Book (2016) ★ ★ ★ ★ (#323)
Just Desserts: The Making of Creepshow (2007) ★.5 (#223)

Keanu (2016) ★ ★ ★ (#218)
The Keeper of Lost Causes (2013) ★ ★ ★.5 (#354)
Kicks (2016) ★ ★ ★ (#235)
The Killers (1946) ★ ★ ★ (#183)
The Killers (1964) ★ ★ ★ (#184)
The Killing (1956) ★ ★ (#098)
Kilo Two Bravo (2014) ★ ★ ★ (#092)
Klute (1971) ★.5 (#033)
Knuckleball! (2012) ★ ★ ★ (#140, WIF)
Kubo and the Two Strings (2016) ★ ★ ★.5 (#226)

The Lady Vanishes (1938) ★ ★ ★ ★ (#186)
Lambert & Stamp (2014) ★ ★ ★.5 (#139)
The Last Picture Show (1971) ★ ★ ★ ★ (#228)
The Late Show (1977) ★ .5 (#031)
The Last Days of Disco (1998) ★ ★ ★ 4 (#059)
The Laughing Policeman (1973) ★ ★ (#253)
Laura (1944) ★ ★ ★ ★ (#021)
Lawrence of Arabia (1962) ★ ★ ★ ★ (#015)
The League of Gentlemen (1960) ★ ★ ★ (#114)
Lebanon (2009) ★ ★ (#137)
Legend (2015) ★ ★ (#055)
Leviathan (2014) ★ ★ ★ (#142)
Lights Out (2016) ★ ★ ★ (#327)
Little Sister (2016) ★ ★ ★.5 (#356)
The Lobster (2016) ★ ★ ★ ★ (#134)
London Has Fallen (2016) ★ (#058)
The Long Goodbye (1973) ★ ★ ★ (#197)
Love & Friendship (2016) ★ ★ ★ (#060)

Macbeth (2015) ★ ★ ★.5 (#077)
Maggie's Plan (2015) ★ ★.5 (#210, WIF)
The Magnificent Seven (2016) ★ ★ (#238)
Man vs Snake: The Long and Twisted Tale of Nibbler (2015) ★ ★ ★ (#258)
Manchester by the Sea (2016) ★ ★ ★ ★ (#360)
Marauders (2016) ★ (#169)
Mascots (2016) ★ ★ (#242)
Masterminds (2016) ★ ★ ★.5 (#248)
Mean Streets (1973) ★ ★ (#012)
The Meddler (2015) ★ ★ ★ (#296, WIF)
Meek's Cutoff (2010) ★ ★ ★.5 (#222, WIF)
Men & Chicken (2015) ★ ★ ★.5 (#202)
Meru (2015) ★ ★ ★.5 (#041, WIF)
Metropolis (1927) ★ ★ ★ ★ (#237)
Midnight Special ★ ★ ★.5 (#096)
Mike and Dave Need Wedding Dates (2016) ★.5 (#334)
The Million Dollar Duck (2016) ★ ★ (#209)
Miss Stevens (2016) ★ ★ ★ (#325, WIF)
Mississippi Grind (2015) ★ ★ ★.5 (#025, WIF)
Mistress America (2015) ★ ★ ★ (#326)
Money Monster (2016) ★ ★ ★ (#249, WIF)
Monster (2003) ★ ★ ★ ★ (#303, WIF)
Monte Walsh (1970) ★ ★ ★ ★ (#009)
Moonlight (2016) ★ ★ ★ ★ (#284)
Morgan (2016) ★ ★ ★ (#219)
Morris from America (2016) ★ ★ ★ ★ (#276)
Mr. Right (2015) ★ ★ (#084)
Murder By Degree (1979) ★.5 (#101)
Murder on the Orient Express (1974) ★ ★ (#116)
My Blind Brother (2016) ★ ★ ★ (#234, WIF)
My Man Godfrey (1936) ★ ★ (#158)

The Naked Face (1984) ★ 5 (#072)
Neighbors 2: Sorority Rising (2016) ★ ★ ★.5 (#126)
Nerve (2016) ★ ★ ★.5 (#283)
A New Leaf (1971) ★ ★ ★.5 (#029, WIF)
The Nice Guys (2016) ★ ★ ★ ★ (#124)
Night and the City (1950) ★ ★ ★ ★ (#120)
The Night Before (2015) ★ ★ ★ (#061)
Night Moves (2013) ★ ★ ★.5 (#156, WIF)
Night Owls (2015) ★ ★.5 (#292)
Night Train to Munich (1940) ★ ★ ★ (#236)
Nocturnal Animals (2016) ★ ★ ★ ★ (#338)
Norman Lear: Just Another You (2016) ★ ★ ★ (#268, WIF)
Notorious (1946) ★ ★ (#106)
Now You See Me 2 (2016) ★.5 (#151)

Oasis: Supersonic (2016) ★ ★ ★ (#320)
Odd Thomas (2013) ★ ★ ★ (#315)
Office Christmas Party (2016) ★ ★.5 (#340)
Onionhead (1958) ★.5 (#266)
Only Angels Have Wings (1939) ★ ★ ★.5 (#193)
Ordinary World (2016) ★ ★ ★ (#277)
The Other (1972) ★ ★.5 (#259)
Our Brand Is Crisis (2015) ★ ★.5 (#088)
Our Kind of Traitor (2016) ★ ★.5 (#280, WIF)

Palio (2015) ★ ★ ★ ★ (#198, WIF)
Paper Moon (1973) ★ ★ ★ ★ (#093)
The Pawnbroker (1964) ★ ★ ★ ★ (#038)
Pay the Ghost (2015) ★ ★ (#026)
Pixels (2015) ★ (#064)
The Place Beyond the Pines (2012) ★ ★ ★.5 (#330)
Poltergeist (2015) ★ (#119)
Pontypool (2008) ★ ★ ★.5 (#262)
Popstar: Never Stop Never Stopping (2016) ★ ★ ★ ★ (#133)
The Program (2015) ★ ★ (#233)

Race (2016) ★ ★ (#037)
Raiders!: The Story of the Greatest Fan Film Ever Made (2015) ★ ★ ★.5 (#172)
Ratcatcher (1999) ★ ★ ★.5 (#306, WIF)
Re-Animator (1985) ★ ★ ★.5 (#264)
Remember (2015) ★ ★ ★ ★ (#112)
The Revenant (2015) ★ ★ ★ (#004)
Ride Along 2 (2016) ★ ★ (#014)
Ricki and the Flash (2015) ★ ★.5 (#068)
Rififi (1955) ★ ★ ★ ★ (#063)
Rio Bravo (2959) ★ ★ ★.5 (#298)
Rock the Kasbah (2015) ★ (#147)
Rogue One (2016) ★ ★ ★ ★ (#348)
Room (2015) ★ ★ ★ ★ (#053)
Rough Cut (1980) ★ ★ (#168)

The Salvation (2014) ★ ★ ★ (#039)
Sam Whiskey (1969) ★ ★ ★ (#157)
The Satan Bug (1965) ★ ★ ★.5 (#080)
Sausage Party (2016) ★ ★ ★.5 (#201)
The Secret in Their Eyes (2009) ★ ★ ★ ★ (#143)
Secret in Their Eyes (2015) ★ ★ (#152)
Session 9 (2001) ★ ★ (#245)
Seven Days in May (1964) ★ ★ ★ ★ (#049)
Seven Samurai (1954) ★ ★ ★ ★ 5 (#070)
The Shallows (2016) ★ ★ ★ (#164)
Shin Godzilla (2016) ★ ★ ★.5 (244)
Shout at the Devil (1976) ★ ★ ★.5 (#154)
The Silence (2010) ★ ★ ★ (#346)
The Silent Partner (1978) ★ ★ ★ (#173)
Silent Running (1972) ★ ★ (#040)
Sing Street (2016) ★ ★ ★ ★ (#192)
Sisters (1972) ★ ★ ★ (#232)
Sisters (2015) ★ ★ ★ (#017)
Slash (2016) ★ ★.5 (#344)
Slums of Beverly Hills (1998) ★ ★ ★ .5 (#290, WIF)
Snowden (2016) ★ ★ ★ (#239)
Solace (2015) ★ ★ (#355)
Sour Grapes (2016) ★ ★.5 (#307)
Southpaw (2015) ★ ★ (#052)
Spotlight (2015) ★ ★ ★.5 (#013)
The Spy in Black (1939) ★ ★.5 (#199)
Stagecoach (1939) ★ ★ ★ ★ 5 (#069)
Star Trek Beyond (2016) ★ ★ ★ (#187)
The Station Agent (2003) ★ ★ ★ ★ (#011)
Steve Jobs (2015) ★ ★ ★.5 (#050)
Stories We Tell (2012) ★ ★ ★.5 (#331, WIF)
Submarine (2010) ★ ★ ★.5 (#293)
Sugar (2008) ★ ★ ★.5 (#318, WIF)
Suicide Squad (2016) ★ ★ (#196)
The Sunshine Boys (1975) ★ ★.5 (#076)
Supermensch: The Legend of Shep Gordon (2013) ★ ★ ★.5 (#144, WIF)
Sweet Smell of Success (1957) ★ ★ ★.5 (#204)
Swiss Army Man (2016) ★ ★ ★ ★ (#181)

The Take (2016) ★ ★.5 (#295)
Tell No One (2006) ★ ★ ★.5 (#044)
Terror Train (1988) ★.5 (#260)
They Only Kill Their Masters (1972) ★ ★ ★ (#351)
The Third Man (1949) ★ ★ ★ ★ (#032)
The To Do List (2013) ★ ★ (#019, WIF)
Too Late (2015) ★ ★ ★.5 (#091)
Triple 9 (2016) ★ ★ ★.5 (#123)
The Trouble with Spies (1987) ★ (#145)
Trumbo (2015) ★ ★ ★.5 (#297)
The Trust (2016) ★ ★ ★.5 (#117)
Tumbledown (2015) ★ ★ (#149)

Uncle Nick (2015) ★ ★ ★ (#332)
Under the Shadow (2016) ★ ★ ★.5 (#241)
Urban Cowboy (1980) ★ (#016)
USS Indianapolis: Men of Courage (2016) ★.5 (#247)

Vanishing Point (1971) ★ ★ ★ (#048)
Village of the Damned (1995) ★ ★ ★ (#175)

The Wailing (2016) ★ ★ ★.5 (#256)
The Walk (2015) ★ ★ (#078)
War Dogs (2016) ★ ★ ★.5 (#305)
Warcraft (2016) ★ ★.5 (#319)
The Wave (2015) ★ ★ ★ (#071)
Wendy and Lucy (2008) ★ ★ ★ ★ (#086, WIF)
Weiner (2016) ★ ★ ★ ★ (#160, WIF)
What's Up, Doc? (1972) ★ ★ ★.5 (#317)
Wild Bill (1995) ★ ★ ★ (#294)
Wild Card (2015) ★ ★ ★ (#020)
Wild Oats (2016) ★ ★ ★ (#278)
Wild Tales (2014) ★ ★ ★ ★ (#342)
When a Stranger Calls (1979) ★ ★ ★ (#176)
When a Stranger Calls (2006) ★ ★ (#177)
When Worlds Collide (1951) ★ ★ ★ (#095)
Whiskey Tango Foxtrot (2016) ★ ★ ★.5 (#057)
The Whole Truth (2016) ★ ★ (#263, WIF) 
The Winding Stream (2014) ★ ★ ★ (#003, WIF)
The Witch (2016) ★ ★ ★ ★ (#042)

X-Men: Apocalypse (2016) ★ ★.5 (#130)

Yoga Hosers (2016) ★ .5 (#322)

Zootopia (2016) ★ ★ ★ ★ (#138)

Q&A Intro, 1-17, 18-36, 37-51, 52-66, 67-74, 75-87, 88-103, 104-120, 121-131, 132-152, 153-173, 174-187, 188-221, 222-255, 256-287, 288-314, 315-341, 342-366,

Buggy Eyes and a Big Butt, the final chapter: Movies 342-366

Pencilstorm contributor Rob Braithwaite is watching 366 movies this year, so you don't have to, here is part se7enteen of his continuing 2016 rundown......

Q&A Intro, 1-17, 18-36, 37-51, 52-66, 67-74, 75-87, 88-103, 104-120, 121-131, 132-152, 153-173, 174-187, 188-221, 222-255, 256-287, 288-314, 315-341, 342-366, Index

Ratings key:
★ ★ ★ ★ ★ = I can’t see giving anything that I’ve seen once five stars
★ ★ ★ ★ = get to the theater / move it up in your queue
★ ★ ★ = “three stars is a recommendation” - The Empire [magazine] Podcast
★ ★ = if the remote is too far away, you could do worse
★ = if the remote is too far away, get someone to move it closer then throw it at the TV

342
Wild Tales (2014) ★ ★ ★ ★
stars: María Marull, Julieta Zylberberg, Ricardo Darín
writer/director: Damián Szifrón

Six short stories. Six vengeful hearts.  

Every segment surprises in some way.

double feature pairing: V/H/S

343
Dogtooth (2009) ★ ★ ★ ★
stars: Christos Stergioglou, Angeliki, Papoulia, Hristos Passalis
director: Yorgos Lanthimos

Every parent wants to protect their child. These parents take it to an extreme that no one has ever seen.

Much like Lanthimos’ The Lobster earlier this year, Dogtooth teaches you its world logic by letting you live in it, to fill in the spaces and put the pieces together yourself. What a strange place it is.

double feature pairing: Upstream Color

344
Slash (2016) ★ ★.5
stars: Michael Johnston, Hannah Marks, Michael Ian Black
writer/director: Clay Liford

Neil is a teenager unsure where he fits in social circles or on the Kinsey scale. His slash-fiction catches the attention of a fellow student and the administrator of a fan fiction convention.

The story paints itself into some messy corners and doesn’t take an easy way out. I appreciate it for that reason. Overall, it’s fine.

watch The Perks of Being a Wallflower instead

345
The Infiltrator (2016) ★ ★.5
stars: Bryan Cranston, John Leguizamo, Diane Kruger
director: Brad Furman

Based on the true story of customs agent Robert Mazur’s exposure of a Columbian money laundering operation.

A familiar movie subject that isn’t presented in a particularly interesting way.

watch Donnie Brasco instead

346
The Silence (2010) ★ ★ ★
stars: Ulrich Thomsen, Wotan Wilke Möhring, Sebatian Blomberg
director: Baran bo Odar

The bike of a missing girl is found in the exact spot where a girl was murdered twenty-three years earlier.

Grim, to say the least. It’s an exploration of obsession that ends on an odd note of humanity.

double feature pairing: Little Children

347
A Field in England (2013) ★ ★ ★.5
stars: Julian Barratt, Peter Ferdinando, Michael Smiley
director: Ben Wheatley

A 17th-century alchemist enlists the help of war deserters to search for a treasure he believes buried in a field. …in England.

Like Dogtooth, there isn’t much spelled out for you at the jump. And when things go sideways, you might say to yourself, “Buh?” But when all is said and done, it’s a fantastic story.

“Warning: This film contains flashing images and stroboscopic sequences.” Luckily for one woman, Mary Hart’s voice is nowhere to be heard.

double feature pairing: Event Horizon

348
Rogue One (2016) ★ ★ ★ ★
stars: Felicity Jones, Diego Luna, Ben Mendelsohn
director: Gareth Edwards

From one throwaway line in Star Wars, a movie is born. Now we get to see how those rebels got their space mitts on the Death Star blueprints, paving the way to the Alliance’s first major strike against the galactic Empire.

There’s some really good stuff here. Some badass Vader action. Some questionable devices in the third act. And the final few moments visually present one narrative while logic says otherwise. I’ve worked it out in a way that I’m fine with. It could be a little neater.

At the end of the space day, it’s still a Star Wars movie with the Death Star in it. There aren’t as many winks to the franchise as The Force Awakens had, but we are still playing on familiar ground. I’m waiting for Episode VIII to tell me if we are ever going to move on into uncharted territory.

double feature pairing: Star Wars

349
Compulsion (1959) ★ ★ ★.5
stars: Dean Stockwell, Bradford Dillman, Orson Welles
director: Richard Fleischer

Rope is one of my favorite Alfred Hitchcock movies. It was based on a play that was inspired by the murder trial of Nathan Leopold Jr. and Richard Loeb. Rope took a philosophical angle at the material, focusing on the men’s reasoning for murder. Compulsion took the more traditional thriller route: murder > investigation > trial.

While Rope changed nearly everything about events, Compulsion kept to most every detail, except for the names. Those were changed out of fear of lawsuit from the surviving killer. I was surprised to learn that the defense attorney was Clarence Darrow. His impassioned closing argument saved the killers from a death sentence.

double feature pairing: Inherit the Wind

350
Gangster No. 1 (2000) ★ ★.5
stars: Malcolm McDowell, Paul Bettany, David Thewlis
director: Paul McGuigan

The rise and fall of a gangster is told in flashback so Malcolm McDowell could be cast for the present timeline and to provide narration. Everyone else plays their older and younger selves.

There a familiarity to this kind of kinetic energy now, but there are also some really interesting moments, too.

watch Layer Cake instead

351
They Only Kill Their Masters (1972) ★ ★ ★
stars: James Garner, Katherine Ross, Hal Holbrook
director: James Goldstone

A woman is found dead. Her dog is accused of the murder. Open and shut. Nothing to see here.

I think what I like most about this movie is that James Garner’s character is kinda put off being sheriff of a small town. He shows aptitude for the job at times, but he thinks he’s above everyone.

There are some odd elements that make it more interesting than it should be. The 30-second PSA about how gasoline is used to make household disinfectants. The actor playing the killer must have been more famous at the time, as the face was awkwardly obscured until the final reveal. They were really going for that Robert Loggia moment. And there’s a running gag about the sheriff taking his vacation in Los Angeles because he wanted to get laid.

double feature pairing: Snatch

352
The Cocoanuts (1929) ★ ★ ★
stars: The Marx Brothers
director: Robert Florey, Joseph Santley

353
Horse Feathers (1932) ★ ★ ★
stars: The Marx Brothers
director: Norman McLeod

I’d never seen a Marx Brothers movie. I’ve now seen two. I think I’ve got it.

This is if-it-ain’t-broke-don’t-fix-it variety show moviemaking. There’s a very loose narrative on which to hang some jokes. There’s singing. Harpo plays a harp (who knew every song sounds the same when played on a harp?). Chico plays the piano.

They are worthy of appreciation. A good number of the jokes are still funny. There’s some great physical humor. They could have varied the song selection. Like, maybe not perform the same song multiple times.

You should see at least one of their movies if you haven’t already. Do you like dance numbers? Watch The Cocoanuts. Would you like to be spared the dancing and fifteen minutes? Horse Feathers is for you.

double feature pairing: The Three Stooges

354
The Keeper of Lost Causes (2013) ★ ★ ★.5
stars: Nikolaj Lie Kaas, Fares Fares, Sonja Richter
director: Mikkel Nørgaard

A problem child detective is put in charge of the cold case department. He and his new partner look to make a difference.

Based on a series of novels, this Danish serial skips TV in favor of the big screen (not here, mind you). It’s a boilerplate thriller with an ordinary third act. The points of interest, however, are the two main characters. They play off each other well. The problem child detective’s reason for looking into the first case makes me laugh: he thinks the officer who closed the case is a terrible cop, so surely he missed something.

double feature pairing: Se7en

355
Solace (2015) ★ ★
stars: Anthony Hopkins, Abbie Cornish, Colin Farrell
director: Afonso Poyart

While we’re in template world, here’s a story about a psychic working with the FBI to track a serial killer.

There’s something good in the last half and the ultimate resolution, and there’s something bad on the road getting there.

watch Next instead

356
Little Sister (2016) ★ ★ ★.5
stars: Addison Timlin, Ally Sheedy, Keith Poulson
director: Zach Clark

Former goth and current nun-to-be, Colleen has been avoiding contact with her family. When she learns her brother has come home from the hospital, she decides to do the same. …not the hospital part, just the going home part. You got that, right?

It’s a nice story of a dysfunctional family on the mend.

double feature pairing: Killing Them Softly

357
The Autopsy of Jane Doe (2016) ★ ★ ★
stars: Emile Hirsch, Brian Cox, Ophelia Lovibond
director: André Øvredal

Two coroners try to understand why a corpse, clearly dead and internally traumatized, shows no signs of external physical damage.

Apart from the few times when the dialogue perfectly nails down an explanation of the weird happenings, this is a really good episode of The Twilight Zone or Tales from the Crypt.

double feature pairing: Night Shift

358
Black Christmas (1974) ★ ★ ★ ★
stars: Olivia Hussey, Margot Kidder, John Saxon
director: Bob Clark

There’s a killer Christmas stalking the women of a sorority.

Predating Halloween and When a Stranger Calls by four and five years respectively, Black Christmas is the forgotten pioneer of horror. Maybe it didn’t get its due because none of the kills are shown, just the bodies. This makes one of the deaths particularly chilling.

There are plenty of tense and (intentionally) funny moments. Margot Kidder is great.

double feature pairing: Rare Exports

359
A Girl Walks Home Alone at Night (2014) ★ ★ ★.5
stars: Sheila Vand, Arash Marandi, Marshall Menes
writer/director: Ana Lily Amirpour

Sometimes vampires are lonely.

It’s an new take on the vampire story.

double feature pairing: What We Do in the Shadows

360
Manchester by the Sea (2016) ★ ★ ★ ★
stars: Casey Affleck, Lucas Hedges, Michelle Williams
writer/director: Kenneth Lonergan

When a sad man returns home to bury his brother, he learns he is the only one left to provide for his nephew.

The less said about the plot particulars the better. Flashbacks play like triggered memories. Michelle Williams isn’t in it much, but there is a scene… well, it’s the reason you hire Michelle Williams.

double feature pairing: Next of Kin

361
Fences (2016) ★ ★ ★ ★
stars: Denzel Washington, Viola Davis, Stephen Henderson
director: Denzel Washington

A black man in the 1950s raises a family as he fights ghosts, struggles with the tipped scale of equality and righteously casts upon others.

Originally a play, it still sounds like a play. There doesn’t seem to have been much effort to change the rhythm or content of the dialogue. There’s an adjustment period to sync the two mediums. I’m figure the content was more important to the filmmakers than altering the powerful story to a more cinematic look.

It’s dense. It’s intense. It’s exhausting. In a good way.

double feature pairing: American Buffalo

362
The City of Lost Children (1995) ★ ★ ★.5
stars: Ron Perlman, Daniel Emilfork, Judith Vittet
directors: Marc Caro, Jean-Pierre Jeunet

In a world askew from our own, a man steals the drams of children to slow his aging.

Incredibly visual. It was a marvel to watch.

double feature pairing: The Adventures of Baron Munchausen

363
Airport (1970) ★ ★ ★.5
stars: Burt Lancaster, Dean Martin, Jean Seberg
director: George Seaton

It’s takes a special kind of person to manage an airport. This is just one day.

I expected my extensive knowledge of Airplane! would distract me from paying attention to this. Far from it. Thirty minutes into it, I had no idea where the story was going. A plane taxied into a snow bank, so a special guy had to be called. There was a protest about the use of Runway 22 that disturbed a local neighborhood. An elderly stowaway was caught and interrogated about her methods of sneaking into a plane. There’s a guy making a bomb. And the personal relationships of the flight crew and airport management. The movie was less thriller and more like a late night TV soap, like Hotel or Dallas. For a movie rated G, there was a lot of talk about abortion.

Anyway, I liked it, even though the protesters’ story line disappeared. Maybe that’s something the sequels address.

double feature pairing: Die Hard 2

364
The Future (2011) ★ ★.5
stars: Miranda July, Hamish Linklater, David Warshofsky
writer/director: Miranda July

The adoption of a cat leads Jason and Sophie to reassess their lives together.

It’s not often someone finds a unique way of presenting a break-up movie. I didn’t find it too entertaining as I watched, but I did think about it for a couple days.

watch The One I Love instead

365
Iris (2014) ★ ★ ★
stars: Iris Apfel
director: Albert Maysles

The personality of Iris Apfel is on full display. Her fashion is a bit much for my taste. However, her importance in the design world, even in her 90s, is immeasurable.

double feature pairing: The September Issue

366
Desperately Seeking Susan (1985) ★ ★ ★
stars: Rosanna Arquette, Madonna, Aidan Quinn
director: Susan Seidelman

A housewife finds herself in a crazy case of mistaken identity and amnesia.

It’s a fun blast from the past I was on board with until she bumps her head and forgets who she is. Then, when she bumps her head again, she remember who she is as well as everything she’d done since the first bump. Whatever. It’s enjoyable.

double feature pairing: Forgetting Sarah Marshall

Counters:
366/366 movies
54/52 movies directed by women

TOP THREE

Baver's Bowl Bets, Starting with the Playoff Semi's

A look at the Playoff Semi-Finals from a betting standpoint, and the two best plays on Monday…

Semi-Final 1, The Peach Bowl - The Play: Washington +14. Taking the points against Saban has not been wise this year, as Bama is 9-3 against the spread. And it might surprise you that, while Washington has had their best season in decades, they are only 7-6 ATS this year. Still, I think the two-touchdown spread is a bit high. I liked Washington a lot more when they were getting 16, but I think they will be hungrier than Bama in this one, and will still cover the 14. And Chris Peterson is 6-3 ATS in bowl games as a head coach. My guess is that Washington hangs around long enough to give Bama a scare. Prediction: Alabama 31 Washington 23.

Semi-Final 2, The Fiesta Bowl - The Play: Clemson +2½. Both Urban and Dabo are very tough to beat in bowl games. I give the slightest edge to Urban in winning the game, while the slightest edge goes to Dabo if you are going to spot him 2½ points. As mentioned in the Pencil Storm game preview, Dabo is 5-0 in his last 5 Bowl/Playoff games. On the flip side, Urban’s record against the spread in games when he has had more than a week to prepare for his opponent is insane. Probably better to lay off this one as a bettor, and just sit back and enjoy. Prediction: Ohio State 30 Clemson 28

The Cotton Bowl - The Play: Wisconsin -8.5. The big fear is: “Does Wisconsin want to be here?” It’s their first major bowl game since 2012 and I think Paul Chryst will have team motivated. I think Wisconsin’s front seven will be too much for the ‘Row the Boat’ crew at WMU. And Chryst always has a nice offensive game plan when he has extra time to prepare. The flip side? Heading into New Year’s Eve, Bowl dogs are 24-8 against the spread. Still, I like Bucky here. Prediction: Wisconsin 34-21

The Rose Bowl - The Play: Southern Cal -7. When you have been as hot as Penn State has been, the last thing you want is a long lay-off. I think that’s huge here. Something has to give as, between the two of them, these teams have covered 14 games in a row. The Nits finish games better than any team in the country, but they also find themselves in early holes far too often. I see Penn State again getting themselves in hole, but this time not being able to dig themselves out. USC is the most talented team Penn State has played since Ohio State in mid-October. In the end, the talent difference is too much for the Nits.  Prediction: USC 35 Penn State 24.

Baver Gives His Prediction on OSU vs Clemson

Colin: Ok, before jumping into the Clemson game, where does that loss to OSU rank among the most painful Michigan losses of all time? Are we finally even for the Cooper years? 

Baver: As bad as any. Their players, fans, and head coach will be talking about the first down spot 25 years from now, still needing tissues when they bring up the matter. Have we offset the Cooper years? Not sure, but life is certainly good right now.

Colin: As crazy as this sounds, is there a chance Clemson may over look Ohio State anticipating a rematch with Alabama? They seem sorta cocky. 

Baver: I don’t think so. I think the Clemson coaches will get their players in the right mindset, and convince them that they will not beat Ohio State if they play like they did in several games during the regular season. It will be the same kind of motivation Urban will use to push his guys.  

Colin: What about this match up favors Ohio State? 

Baver: An opportunist Buckeye defense facing a QB that has thrown 15 picks this season. Clemson WR’s are about as good as it gets, but this is the best pass D Deshaun Watson, Mike Williams, and company will face this year. I think OSU will force Watson to have to do more with his legs than he is used to.  

Staying on that side of the ball, Clemson’s conventional running game with Wayne Gallman is going to struggle against a very stout Buckeye run defense. 

Colin: What should Buckeye fans be concerned about? 

Baver: The fact that Clemson is, at a minimum, on the same level as Ohio State. Most Buckeye fans, or all CFB fans for that matter, underestimate Dabo Swinney. Clemson has been a dog in each of their last 5 playoff/bowl games. Their record in those games? 4-1, with the only loss being to Alabama, in last year’s title game, in a game where Clemson had 31 first downs to Bama’s 18. 

From a matchup standpoint, Buckeye fans should be concerned about Deshaun Watson’s ability to make things happen with his legs. The fact that Watson may have to rely more on his legs may not be a good thing for Ohio State.   

And they certainly need to fear Clemson’s three 300-lb+, mobile D-linemen (Lawrence, Watkins and Wilkins). OSU’s pass protection has not been good against the top D-lines they have faced, and likely can’t win this game if Barrett faces constant pressure. 

Colin: In your heart of hearts, do you really feel this Ohio State team is National Championship caliber? 

Baver: I definitely think Bama is on another level compared to Ohio State. The Buckeye offense will have to make huge strides with their passing game to win a national title. But that doesn’t mean Ohio State is incapable of upsetting the Tide should they get their shot…and underestimating Urban Meyer is not wise.

 Colin: Best case?

 Baver: A game similar to the win in Norman, Oklahoma, where Ohio State controls the game from start to finish, winning by 3 TD’s or so. That would include Barrett uncharacteristically being in sync with his WR’s, and having JT actually be accurate. That would also include a major upgrade in the performance of the Buckeye O-line.  

Colin: Worst case? 

Baver: Knock on wood here…. Even if all the usual Buckeye blunders on offense are on display, i.e. OSU’s pass blocking collapsing, Barrett throwing the ball like Bauserman, OSU coaches forgetting that Curtis Samuel is an actual option, etc.)….I still don’t see Clemson beating Ohio State badly. Ohio State isn’t going to go away, no matter how bad they may play at times during the game. Worst case? I’d say Clemson beating Ohio State by 10 to 14 points. 

Colin: Most realistic case and final thoughts… 

Baver: I see a game that will go back and forth and may very well be decided on the last drive of the game. I’ve been hard on JT, but he is still the guy you want behind center when the game is on the line. These two teams have such similar personalities, where they play their best when their backs are against the wall. I give the Buckeyes the slightest of advantages, but I wouldn’t want to lay points in this one. The Call: Ohio State 30 Clemson 28.