TV Party Tonight! Part Seven: Presidents' Day edition - by Anne Marie

Protest Music

I’ve noticed that Colin often kicks off these Saturday TV Party Tonight! Rabbit Holes with the exhortation to “forget politics” and listen to some music.  But I’m having a difficult time shaking politics from my mind lately and it got me thinking about some powerful music that may not even exist if the music itself were not a political statement.

My daughter Caitlin and I were at Nelsonville Music Festival a couple of years ago and experienced watching Mavis Staples perform as we waited for the Flaming Lips to take the stage.  Caitlin asked me who Mavis was and I was able to offer only the briefest sketch of the Staple Singers and their involvement with civil rights before consulting Google to fill in the gaps.  Martin Luther King attended a Staple Singers concert in 1963 and, after the group met with him backstage, they were inspired to dedicate all of their songwriting efforts to the civil rights movement for the next several years.

I dive down the rabbit hole and listen to  "Freedom's Highway," about the 1965 Selma-to-Montgomery marches, "Washington We're Watching You," "Long Walk to D.C." and "Why Am I Treated So Bad," in honor of the Little Rock Nine.

(formerly, "NINA SIMONE- Don't Let Me Be Misunderstood") Wrestling for the soul of America. I grew up in the South and Midwest during the civil rights years and their aftermath. It challenged everything about my world and changed my perception of life.

From "City in the sky", the last album released on STAX Records by The Staple Singers. A Bad and funky message to the Capital.

Uploaded by NevilleMatheson71 on 2011-10-27.

Uploaded by selim anac on 2015-01-20.

Mavis Staples and Bob Dylan were an item for seven years until she declined his offer of marriage. Dylan, of course, more than held his own in the protest music arena, with songs against the Cold War, the Vietnam War and racial injustice.  I start with the venerable “Blowin’ in the Wind” (“How many times can a cannonball fly / before they're forever banned?“) and then listen to his songs telling the story of true events, “Oxford Town,” “The Lonesome Death of Hattie Carroll” and “Hurricane,” but framed in a way that the newspapers of the time were not framing them – exposing the underlying racism and social injustice.  I find an intense 1972 cover of “Oxford Town” by Richie Havens, a Steve Allen Show performance of “Hattie Carroll” in February 1964 following an insanely uncomfortable interview of Dylan by Allen, and a 1975 version of “Hurricane” with Emmylou Harris on background vocals:

Song written by Bob Dylan

Bob Dylan performs "The Lonesome Death Of Hattie C." on the Steve Allen Show from February 25, 1964.

Emmylou Harris - background vocals for this take but mid-tour, of The Rolling Thunder Revue, Dylan wanted to rerecord the song and used Ronee Blakley, who was doing background vocals for the tour, as the background vocalist for the final take that was released on Desire.


While lyrically Dylan was an amazing poet (and this has been officially confirmed now that the Swedish Academy awarded him last year’s Nobel Prize for literature), the political protest song that packs the most powerful lyrical punch in my view is Neil Young’s “Ohio,” written in reaction to the May 4, 1970 killing of 4 and shooting of 12 other students at Kent State by the National Guard. The students had gathered to protest President Nixon’s announcement of the invasion of Cambodia and expansion of the Vietnam War. Neil uses sparse prose, “soldiers are cutting us down” over a relentless beat to drive home that it is time to stop the madness and asks, “what if you knew her and found her dead on the ground?”  In that one chilling question I think he cuts to the heart of it all – what if you knew her?  What if you were not behind those gas masks and riot gear so that you were removed from, and thus dehumanized, those students?  I am deep down this depressing rabbit hole and play different versions of the song, but share a raw, live version from Toronto in 1971.

© 2007 WMG Ohio [Live At Massey Hall 1971] (Video)

But for all the underlying darkness that spurs their creation, the upside of protests songs is they drive positive change. “Ohio” may have been shunned by popular radio but it got airplay from underground FM stations and became an anthem for the anti-war effort, helping to lead to the withdrawal from Vietnam. 

I was too young to protest Vietnam, but I got my chance to see a protest song in action when I was in college. In 1986, I was President of the Boston University chapter of Amnesty International. On the morning of November 17th, Amnesty joined eighteen other campus groups to stage a walk out of classes in protest of BU’s decision to award Chief Buthelezi, a political rival of then jailed ANC leader Nelson Mandela, an honorary law degree.  Nearly 500 of us crowded onto Marsh Plaza to demand that BU divest of its investments in companies doing business with the apartheid-supporting government of South Africa. We awarded a mock honorary degree to Mandela and marched down Commonwealth Avenue singing the “Free Nelson Mandela” song and chanting “Amandla … Ngawethu.” 

I search for Little Steven’s “I Ain’t Gonna Play Sun City” and, as I watch, I take heart in the fact that less than four years later, Mandela was free and Boston was one of the first cities in the US to divest of investments in South Africa, which economic pressure led to the dismantling of apartheid.

Artists United Against Apartheid was a 1985 protest group founded by activist and performer Steven Van Zandt and record producer Arthur Baker to protest apartheid in South Africa.

I think about the protests that have taken place over the past few weeks and the fact that more citizens seem engaged in our democratic process than in any period during my adulthood.  News reports have described the “tsunami” of calls that have flooded legislators’ offices since Trump took office, jamming phone lines for hours and days at a time. 

I turn next to some new Run the Jewels.  While my music tastes are fairly eclectic, rap and country are usually where I hit my limits.  But Killer Mike cuts to the heart of issues in an unsettling way. If you are up for the challenge, watch “Reagan” (but know that he was already dead, this was not inciting).  This is about using strong imagery to express protest.  It is freedom of expression through music and it definitely pushes buttons.  I find a recent Run the Jewels Tiny Desk Concert, which ends (starting at 8:10) with the song  “A Report to The Shareholders” (“You talk clean and bomb hospitals / So I speak with the foulest mouth possible“). Click here to listen

Finally, I find videos of the protest song “Quiet” by the artist who goes by MILCK and Fiona Apple's "Tiny Hands" that went viral at the recent post-election Women’s Marches.   IMHO, it is a good thing that people are not quiet and complacent in a Democracy and that protest music is not just a relic of the ‘60s.  I look forward to the protest music that is sure to flourish as we enter month two of this administration and artists continue to offer resistance through song. #DissentisPatriotic 

Video courtesy of Alma Har'el. The #ICANTKEEPQUIET Choir features members of both the GW Sirens & Capital Blend. Huge thanks to both organizations! #ICantKeepQuiet #OneWomanRiot Song: "Quiet" by MILCK. www.milckmusic.com


AML
2/4/17

Four Cents - Rob & Ricki and Oscar, Part Three: Oscar Commentary

Ricki - Concerning The Oscars: I like an art-house film as much as the next guy, but I've gotta admit, if some hip local tastemaker type tells me they just saw "A lovely Iranian documentary about a Pashti single mother who supports her family by raising pygmy Dalmatians in war-torn Syria, rendered in Farsi with French subtitles," I am likely to call "bullshit" on that picture simply because I know said tastemaker did not enjoy "Caddyshack."  (They never like Get Your Wings-era Aerosmith either.)  To me, the Academy of Motion Pictures Arts & Science's slavish devotion to La La Land is exactly the kind of misguided elitism that got Donald Trump elected President of the United States.  (Let's face facts, folks, Meryl Streep can badmouth Trump on T.V. award shows all she wants, but Gary & Kelly in Middletown, Ohio and Terry & Melissa out in the suburbs of Iowa - all of whom LOVED the new Star Wars movie and Bad Moms - still get one vote apiece in the national elections, the same as Meryl Streep and Michael Moore.) 

La La Land is essentially a movie ABOUT making a movie.  As such, it's exactly the kind of picture that the Oscars would rhapsodize over: "OH!, the storytelling, OH!, the cinematography, OH! the lush dancing-in-the-stars numbers with Emma & Ryan."  If Colin Gawel recorded a double-CD set ABOUT making a CD, I would probably like it, but I wouldn't expect Colin to try to foist it on the public-at-large, and I don't think HE would even want to.

As I said in my section of our Top Ten Movies blog, I enjoyed La La Land, but if there had been even one or two more quality movies out this year (and I kinda expect Arrival and/or Hell Or High Water to be those movies, once I have time to catch them) "LLL" would not have even made my Top Ten.

I can think of NOT ONE REASON that Captain America: Civil War did not get at least a Best Picture nomination from the Oscars.  Oh wait, yes I can: because it's a "comic book movie" and regular people might have liked it.  And ENJOYED it.  As much as I appreciated Manchester By The Sea and Moonlight and as much as I found them oddly simultaneously depressing AND uplifting,  I can't really say I enjoyed them.  And what I wouldn't have given for at least one COMEDY to get an Oscar nod, but God forbid we have a laugh while raising our crystal brandy snifters to Damien Chazelle's directorial prowess in La La Land.

Oooops, over to you, Rob, my cardiac pacemaker is signaling me that I'm becoming over-stimulated....... 

Rob - At the risk of short-circuiting your system, Ricki, La La Land isn’t about making movies. He’s a jazz musician. Sure, she goes on auditions, but you don’t see her on set. However, it is about people trying live their dream in Los Angeles, Hollywood’s hometown. And like The Artist before it, it’s a style that is rarely made anymore, reminding the voters of what it was like before, before the magic was gone. You want a populist voting system? You want to make movies great again? I give you La. La. Land.

The members of the Academy are busy folks. They can’t make it to the theater to see everything. The studios mail screeners of their movies for the members to watch in the comfort of their homes, as well as run “for you consideration” campaigns for individual categories. To me, this creates a rigged system. How likely are these voters going to look outside of what they are given and directed to look for? Good luck getting your movie recognized if it is released before September. I’m guessing Hail, Caesar! (released 2/5/2016) was nominated for production design because it was 1) a period picture and 2) about Hollywood.

The Academy made changes last year to ensure the voting body will become more diverse. I think this year’s nominations reflect those changes a little. Oscar nominees gets more attention from the studios. Their options for making more movies widen. If the new kids play their cards right, careers are made. The Oscars is how many people learn about some of these movies. Some folks will watch a movie just because it was nominated for an Oscar. Getting movies from a more diverse pool of storytellers is good for us all. Movies from women, gay and non-white filmmakers not only provide a different perspective but will inspire others like them, by showing there is a place for them on the movie theater screen.

In the end, it’s the Academy’s party. They will nominate whatever they want. They tend to lean toward more serious subjects, more “important” issues, flashier performances and Meryl Streep. Maybe one day movies with explosions will be recognized for more than how those explosions sound.

Four Cents will continue next week on Pencilstorm with an Oscars installment of Buggy Eyes and a Big Butt on Tuesday and Rob & Ricki's Oscars picks on Thursday.  Stay tuned.  

WWE Royal Rumble 2017 - Top to Bottom by Big Vin Vader

Royal Rumble 2017    -    Top to Bottom  

Follow @bigvinvader

This year’s Royal Rumble was a great example of a satisfying, crowd-pleasing PPV, even if few of the best moments came during the titular match itself.  Thankfully, the Rumble was far from terrible, even with a disappointing line-up and unsatisfactory finish.  The undercard, however, provided an amazing title match from each brand, as well as a damn fine Women’s Championship match and an unspectacular Cruiser Weight match.  Regardless of the show’s downfalls, the Rumble deserves its stature for dictating the course of the coming year.  Not only is the challenger for the main event of WrestleMania decided, but a handful of storylines are set up during the match.  And it’s been a long time since WWE delivered two title matches as satisfying as these, let alone on a single PPV card.  Furthermore, all four of the contests preceding the Rumble were title matches the stakes, which raised the stakes as well as fan interest in each one.

The Undercard

The Charlotte-Bayley feud is still pretty fresh, beginning last month during the Columbus RAW.  There’s a decent story in place between the two, again dating back to NXT, dealing with Charlotte’s undefeated PPV streak and the fact that Bayley has beaten her twice now.  While not as fiercely competitive or developed as last year’s Charlotte-Sasha rivalry, things are off to a good start, and there looks to be plenty of room for the feud to continue to build.
    The two kicked off the Rumble’s undercard with an impressively physical bout that was undoubtedly the best way to start the show.  The match was fast-paced and incredibly hard-hitting from the beginning, so much so that even the obligatory rest hold a few minutes in seemed well-deserved.  Bayley’s offense was credible from the start, and she initially seemed to get the better of the champ.  The best spot came when Bayley hit Charlotte across the jaw with a very Randy Savage-esque elbow drop, drawing blood.  Charlotte was in fantastic form as always, quickly taking charge of the match.  The only problem, and it’s getting to be a reoccurring thing, was the sheer abruptness of the finish, which again saw Charlotte victorious.  Climbing down off the top rope, Charlotte hit a Natural Selection on the apron and put Bayley away before the fifteen-minute mark.  The match itself was terrific, but the ending was way too sudden, and the whole thing would not have overstayed its welcome lasting a few more minutes.

Kevin Owens and Roman Reigns’ feud for the Universal Title has been about as underwhelming as KO’s reign as champion.  Chris Jericho’s interference was put to rest as he was suspended—a la Paul Ellering—above the ring in a shark cage.  There was a lot of buzz that Roman would claim RAW’s top prize, and that speculation frankly pissed me off.  It’s one thing to tell Owens as well as the fans that he’s ineffectual on his own, and another entirely to prove it outright and hand him a definitive loss.  Thankfully, Owens not only pulled off a surprise victory, but both men came out of the match looking great.
    The no disqualification stipulation was met with skepticism—why offer that kind of leeway if you don’t want interference on Owens’ behalf?—but that was all squashed as the wrestlers pulled out all the stops for this one.  Making use of countless tables, chairs, and plenty of vicious brawling on the outside, the match totally delivered.  It was so physical and savage, it’s almost easier to list some of the most impressive moments, including a frog splash from Owens off the top rope sending Reigns through a table, as well as a Stone Cold Stunner from the champ.  On his end, Reigns hit KO with a big Samoan drop through a steel chair, and a powerbomb through the main announce table, nearly picking up the win.  The most impressive spot of the entire night was WWE’s response to the incredible table spot from Okada and Omega’s already-legendary match at Wrestle Kingdom 11.  Owens set up seven steel chairs, house of cards-style, on the outside, and for seventeen minutes the two teased their going through the stack.  Reigns finally punched Owens off the top corner ringpost, sending him through the tower.  It was one of the most painful things I’ve seen in weeks, and I’m amazed Owens was able and willing to do it.  Incredible.
    Reigns had the match won following that, but Braun Strowman came out, chokeslamming him onto another announce table, which refused to give, and ultimately dropped him with a powerslam through a corner-propped table.  This allowed Owens, amazingly, to pick up a clean win under the stipulations and retain his title.  Even without Jericho’s interference, this wasn’t exactly satisfying, but they made the right move in making Owens look vulnerable, yet allowing him a clean win.  Once again, Roman Reigns proves he can deliver very good matches, and while Owens was the true star here, Reigns more than held his own.  Great match.

There was no doubt that John Cena and AJ Styles would put on an incredible match following their SummerSlam classic.  This rematch absolutely delivered, and nearly equaled their contest last August.  The story was built-in, with Cena wanting to avenge his loss, as well as win the World Title in order to tie Ric Flair’s sixteen championship reigns.  This made the outcome hardly a surprise, but even most John Cena detractors must feel the match lived up to its hype.  The Alamodome looked packed, and the crowd reaction was deafening throughout the entire match.
    There was little downtime, and the two traded some excellent back-and-forth action from the start. Cena looked absolutely determined throughout—in fact, half the time John looked downright deranged in his mission to score the win.  On top of that, he pulled off a number of surprising maneuvers he rarely brings out.  There weren’t any huge spots, but both wrestlers used nearly every move in their arsenal to try and put their opponent away.  This led to numerous finishers being hit and kicked out of, most notably AJ talking an AA from the second rope and still managing to escape the pin.  For his part, Cena took several Styles Clashes to the same effect.  Most impressive was a long exchange of submissions in the middle of the ring midmatch, which provided some nice ground action, with Cena locking in a Figure Four in a nod to Flair’s record.
    The sheer number of finishers, power moves, and near falls kept things exciting, and it’s amazing that they went twenty-five minutes given the ferocity of their strikes.  Cena picked up the win after catching Styles on the ropes and delivering another AA.  Not content, John rolled over AJ and dropped him with one more, finally getting the pin.  I’m no big John Cena fan, but even I’ll admit he deserved the win after such an effort.  It remains to be seen what each man’s direction will be in the coming months, but they can sit tight knowing they kicked 2017 off right.

I had high hopes for the Cruiser Weight title match between Neville and Rich Swann, particularly as they’re two of the division’s best pure talents, but I was ultimately let down.  Neville’s heel turn and debut in the division was much-needed, and it was absolutely the right call to have him leave with the title.  The match itself, however, belonged on RAW or even 205 Live, and just served to reflect how WWE have neutered the division since the Cruiser Weight Classic last summer.  There were few high spots and little flying from either man, with the whole thing working more as a stiff ground-based battle.  Still, Neville’s new submission finisher looked absolutely vicious, and it will be interesting to see where he takes the division as champion.  The most disappointing match of the night.

The Royal Rumble

There was a lot of talk about this year’s Royal Rumble, with The Undertaker, Goldberg, and Brock Lesnar all announced as entrants.  On top of that, there were rumors that Kurt Angle could possibly return, same for a rehabbed Finn Balor, and even talk that Samoa Joe would finally debut on the main roster.  Finally, there was the sheer excitement of the fact that there was no single, clear-cut winner going into the match.  Of course, hardly any of that mattered given the way that things were handled.  Regardless, here’s a brief rundown of what happened during the hour-plus match:

The periods seemed to be somewhat shorter than two full minutes much of the time.
Chris Jericho did very little but was in over an hour and broke Triple H’s record for cumulative time spent in Rumbles.
Braun Strowman (#7) dominated the ring for his time in the Rumble, racking up several eliminations, and looked pretty good while doing it.  He’s being properly booked as a monster heel and has a purpose on the roster at last.
Tye Dillinger debuted from NXT at #10, garnering a huge reaction.  Of course, Tye was the only surprise entrant, and even his presence was hardly a secret.  We’ll have to see which brand he gets drafted to (hopefully SmackDown).
Baron Corbin shockingly eliminated Braun, showing that he, too, is being primed for a major push this year.
Sheamus and Cesaro (after losing the RAW Tag Titles on the preshow) eliminated all three members of the New Day, before Sheamus tried to turn on his partner.  Jericho dumped both of them out at once, and they continued to argue, creating the long-expected rift between them.
The Wyatt Family seemed to stick together, until distrustful Luke Harper hit Bray with a big lariat and tried to go for a Sister Abigail.  Orton interfered on Bray’s behalf, proving he’s been loyal all along, and another team split up.  This could sow the seeds for a very interesting storyline, and Harper should be given time to shine now.
Lesnar came out at #26 and proceeded to wreak havoc on everyone in the ring.
Goldberg was #28, eliminating Lesnar in a matter of seconds, receiving the biggest crowd reaction of the show.
That is, until the Undertaker appeared mid-ring as #29, getting an enormous pop from the entire Alamodome.  He took on Goldberg very briefly.
Roman Reigns was the unannounced final entrant, and the boos were deafening.  The Undertaker lowered his singlet straps and looked concerned as Roman headed to the ring, so their rumored WrestleMania match seems to be locked in.  This was only furthered as Reigns eliminated The Undertaker (go back and read that again).  I don’t think I’ve ever heard such an enormously negative reaction.  It was amazing how loud the crowd made their disdain, and rightfully so.
Orton, Wyatt, and Reigns were the final three, and Roman made quick work of Bray.  Thankfully, in a surprise upset, Randy Orton took out Reigns and won the Rumble, keeping the World Title on SmackDown winning yet-another WrestleMania main event.

What Next?

The Rumble itself only set up a few notable feuds for 2017, and raised several questions.  For the most part, the story lines we did get a glimpse of look to be interesting.  Sheamus and Cesaro have been a good odd couple team, and now that they lost their titles to Gallows and Anderson they have little reason to stick together.  As it stands now, it looks like they’ll continue their turn on one another rather than trying to win their belts back.  Of course, this is nothing new as their partnership came out of their Best-of-7 rivalry last year, which may raise some complaints.  I’m willing to run with it, especially given how fun those matches actually turned out to be.
    The most exciting of the new directions, as far as I’m concerned, is the Wyatt family’s dissolution.  Luke Harper never trusted Orton, and it would have made sense for the Rumble to be the place for Randy to turn on Bray.  However, Orton stayed loyal throughout the match, with Luke leaving the ring as the odd man out.  There were a few minutes near the end where it seemed like Orton and Wyatt would have to go one-on-one, but that never materialized.  There’s talk of just how many times Cena and Orton have already faced one another for the World Title, and while that’s valid, I don’t see Cena’s run with the belt lasting all that long.  He’s set to defend it next month at Elimination Chamber, and I’m willing to bet right now that he’ll lose it in that match so he can go on later to beat Ric Flair’s record.  It would be amazing to see Bray win the belt, not just because he deserves it after all these years, but because an Orton-Wyatt main event at WrestleMania would be something unique and truly different.  Of course, as a friend pointed out, “It’s WrestleMania season, which means it’s time to push the Wyatts for a couple months then bury them for the rest of the year.”  Let’s hope not.
    Reigns seems locked in for a short-term feud with Braun Strowman, before he takes the grand stage battling the Undertaker at WrestleMania.  Honestly, this isn’t the worst turn things could take.  ‘Taker is well past his prime, and it would serve better to have him go against a more-limited performer such as Reigns, rather than waste an incredible athlete such as Finn Balor (another rumored opponent) on what will inevitably be an underwhelming match.  It still remains unclear whether Braun is set to challenge for the Universal Title in the upcoming weeks (hopefully not), or if Reigns will come after Owens for another shot (also not preferable).
    Goldberg and Lesnar still look to be set for a final confrontation at WrestleMania, which provides an interesting issue.  Their disaster match at WrestleMania XX had Goldberg go over, just as he did at Survivor Series and now the Rumble.  We need to see a longer match of better quality, which Goldberg has often been unable to provide.  So, will we get a real battle between the two, or will it be another over-hyped squash?  And what does Lesnar think of taking so many losses?
    Jericho and Owens still seem set to face off at Wrestlemania, but there has been no major rift between the two to set it off.  It seems unlikely that the Universal Title would be on the line for such a match, unless the US Championship were also on the line.  If that’s the case, having Owens win the match and hold both titles would be a nice way to settle things definitively.  Hopefully he makes it to Wrestlemania with his title reign intact, it would be great to see him in one of the major matches.  Plus, I’m still holding out the hope that he and Balor square off once again with the Universal Title at stake.  It makes perfect sense for Finn to come after having been stripped of the title, and they’ve had several great matches in the past.
    Finally, John Cena and AJ Styles’ current directions remain to be seen.  Again, I doubt Cena’s title reign will last too long, but it also seems unlikely that AJ will win back the belt so quickly.  Sure, a Styles-Orton main event would be a good match, but it’s hardly interesting from a storyline perspective.  AJ’s future is the one most up in the air after his amazing debut year, and hopefully he’s put back into the title picture soon, but with a real direction

Four Cents - Rob & Ricki and Oscar, Part Two: The Year In Review, 2016

Ricki - A coupla things we probably should have thrown in back in Part One, Our Top Ten Movies, 2016: I only watch movies at the theater.  I very seldom rent movies (though I live within walking distance of a Family Video, except in the wintertime, when I rarely leave the house, let alone walk anywhere).  I have never streamed a movie in my life.  I'm not so much anti-technology as just old & grumpy and set in my ways.  I love movie theaters.  I love settling into the dark and getting my movies 20 feet high.  At home I'm just as likely to bail on a so-so film that might get better if I gave it more time, and throw on a bootleg Lou Reed CD.

Rob - [staring blankly] You sound less like someone who likes movies and more like someone who likes to get out of the house from time to time, weather permitting. Well, old dog, there’s a new trick called Video On Demand, VOD for short.

It used to be that if a movie went straight to video it was a sign to stay away. Nowadays, don’t be too sure. There are higher quality, smaller budgeted movies being made under the roar of franchise moviemaking. In addition to a limited theatrical release, some of these movies are also released through outlets like iTunes, Amazon and cable providers.

The number of VOD releases seem to increase every year, which is great for those without access to an independent movie theater. Some of 2016’s VOD highlights include: The Invitation, Evolution, The Autopsy of Jane Doe, Little Sister, The Eyes of My Mother, Always Shine, Morris from America, Under the Shadow, I Am Not a Serial Killer, The Family Fang.

Meanwhile, in the multiplex, there were great thrillers (10 Cloverfield Lane, Don’t Breathe, Green Room, Midnight Special), solid comedies (The Nice Guys, Ghostbusters, Deadpool, Popstar: Never Stop Never Stopping) and strong stories that did without a straight, white male for a point of view (Hidden Figures, Moonlight, 20th Century Women, Elle).

Mel Gibson worked his way out of the doghouse. First, Blood Father, the action flick that hits on Gibson's trademarks of humor, rage and suffering, lightly doubles as an open apology and general statement of “I’m feeling much better now” as it gives the main character some of the same transgressions that caused him trouble. Second, while the first trailer for Hacksaw Ridge didn’t address him by name (“from the director of Braveheart”), the studio decided it was OK to promote his name once the positive reviews piled high.

Ricki - [sipping a Mountain Dew, while lying on the couch] Clearly I attach too much dedication to music and not enough attention to movies. Tell me more about these voodoo methods of watching movies on my television apparatus and more about those quality movies I missed in 2016.

Rob - Well, there was Rogue One, proving that the Death Star is the franchise's woobie. Nocturnal Animals successfully mixed artsy-fartsy with a great noir. Rebecca Hall gave the best performance of the year in Christine. Army of One hosted the best comedic performance from Nicolas Cage in years. In a Valley of Violence was the fun, classic western the Magnificent Seven remake failed to be. Norway proved they could made a disaster movie, too, with The Wave.

The 2016 class of dead filmmakers hit closer to home. Star Wars alums Carrie Fisher and Kenny Baker. The great Alan Rickman. Gene Wilder. George Kennedy. Anton Yelchin was a reliable character actor. Many times during John Wick: Chapter 2 I heard Jon Polito's voice from Miller's Crossing, "It's like I tell all my boys: always put one in the brain."

Ricki - By the way, on Saturday, partly out of guilt & shame, but mostly because it was almost 60 degrees out, I walked over to Family Video and rented that Tom Hardy Kray brothers movie Legend, which is only two years out of date. How am I doing, Rob?

Rob - It's a start, Ricki. [turns to look out a rain-swept window] It's a start.

 

  

Eight Romantic Rock Movies To Watch on Valentine’s Day Instead of La La Land - by Wal Ozello

editor’s Note: Rob Braithwaite and Ricki C. have been doing a great job of reviewing the Oscar noms this year. Check out what they have to say about La La Land. In the meantime, here’s Wal Ozello, our “Holiday Reporter,” with some ideas on Valentine’s Day.

If you haven’t seen La La Land yet, there’s no doubt your loved one is going to drag you to the movie theatre on Valentine’s Day to see this overhyped movie. I hope Emma Stone got paid millions for this one, and received a lifetime pass to Massage Envy because she totally carried this beast on her shoulders.  My two cents is to save your money, stay home, snuggle up on the couch and watch one of these amazing romantic rock movies instead.  It’s a diverse list and you and your loved one are bound to enjoy at least one of them.

Singles

This Cameron Crowe film features the Seattle Grunge music scene so much that it might as well be credited as a cast member. In fact, there’s cameos from Chris Cornell, Pearl Jam and Alice In Chains.  Featuring Bridget Fonda, Matt Damon and Kyra Sedgwick this movie depicts Gen X’ers looking for love while discovering who they are… infused with the angst of grunge music.  Make sure to check out how tough it is to pick up girls in the Seattle in the clip below.

Pair with: Decaf Café Mochas, Hamburgers and Fries

 

The Commitments

If Soul and Blues is more your thing, then see Alan Parker’s, The Commitments. The twist is the band is a bunch of white working class stiffs from Ireland playing a traditionally black American music form.  Egos come into play and so does romance, but of course there’s a big huge music number at the end.  Classic scene is watching back-up singers with thick Irish accents try to sing “Ride, Sally Ride.”

Pair with: Guinness and Fish & Chips

High Fidelity

Arguably in my Top Five All-Time Romantic Movies, this movie is about a guy who owns a record store and revisits all his past relationships.  Starring John Cusack and Jack Black in a supporting role, it’s a little bit of comedy, some angst from unrequited love and a whole lot of music. Don’t blink or you’ll miss out on a slew of cameos, including one from The Boss.

Pair with: Malbec and Rosemary & Garlic crusted Lambchops

 

Almost Famous

This coming-of-age story from Cameron Crowe is more about the lead character getting exposed to life through the eyes of rock n roll than a love story. The romantic edge to the story explains how love isn’t always puppy dogs and fairy tales, especially in the ego and passion filled world of rock n roll. A little darker than La La Land, but more fulfilling.  Kate Hudson gives a brilliant performance and the fake band, Stillwater, comes across so real that you’ll be searching for them on Pandora.

Pair with: Budlight and a Pizza

The Wedding Singer

If you’re a child of the '80s and you haven’t seen this movie, then download it immediately and start watching. Next to This Is Spinal Tap, it’s the best rock comedy you’ll ever see and the '80s references come a mile a minute.  Adam Sandler plays a wedding singer that falls in love with Drew Barrymore’s character, who’s getting married to another guy.  He helps her plan her wedding while all the time trying to figure out a way to profess his love and keep her from becoming “Mrs. Julia Gulia.” Make sure to stick around to the end for Steve Buscemi’s rendition of Spandau Ballet’s True.

Pair with: Cheap champagne and Baked Chicken

 

That Thing You Do!

If you’re looking for something more on the cheesy side, then go with this one.  Tom Hank’s directorial debut is a homage to the '50s one-hit wonders. The romance comes in the form of the band’s drummer falling for the lead singer’s girlfriend, played by Liv Tyler.  It’s filled with fun music and a few cameos, include Kevin Pollack as Boss Vic Koss, a local DJ celebrity from Pittsburgh.

Pair with: Iron City and Stew

Purple Rain

Yeah, I’m putting this one on the list.  Prince is an amazing guitarist and performer.  While his acting is a bit lacking and the story line is simplistic, it’s filled with a bunch of great R&B pop rock songs by the man himself. For those of you that love real music that you can dance to, put in your DVD of this and relive your high school days. Make sure you cuddle up next to your loved one on the couch for some extra fun. Here's a particularly hot scene.

Pair with: Chardonnay and Steamed Lobster

Walk The Line

If Country is more your thing, and you’ve actually made it this far down on my list, then may I remind you of this gem of a movie. Joaquin Phoenix does such an awesome job in this movie, you believe you’re actually watching Johnny Cash. Likewise, Reese Witherspoon nails it as his soulmate, June Carter. This movie is full of demons (what country story isn’t) but true love conquers.  I dare you to watch this proposal scene and tell me you don't want to see the rest of it.

Pair with:  BBQ Ribs and Jack Daniels

TV Party Tonight! Part Six: Random Stuff from Great Rock Docs - Colin G.

Before diving into tonight's TV Party, I'd like to shout out Pencilstorm movie critic Rob Braithwaite for successfully watching and reviewing 366 movies in a single year. If you haven't checked it out, click here for a starters guide, and click here for his and Ricki C's top ten movies of 2016. Great stuff. Please share it with your movie-loving friends before the Oscars. 

Along those lines, this week's TV Party will focus on great moments from the best rock docs. I'm no film expert but CD1025 Brian Phillips and myself did host a three year rock n roll movie series at the Gateway Film Center called "Reelin' and Rockin," so I have a little background in the area.  Click here for a recap of the first two years   

Still, thanks to everybody who chipped in with ideas online to knock the rust off my brain. I couldn't always find the scene I was looking for but I gave it a good try. Whatever, it's late, I've had beers, it's time for a TV PARTY!!!!!!!!!! Engage rabbit hole.... NOW.

So let's start with the best. "Hail, Hail Rock n Roll" is a must watch. And the behind the scenes footage is ESSENTIAL viewing.  The League Bowlers used to recreate the moment below before playing Oh Carol. I think the crowd thought we were really fighting. Ah, good times. 

Good thing the guys in Brian Jonestown Massacre never backed up Chuck. "You broke my sitar, motherfucker." I think I have a pretty good idea where Mr. Berry would have broken that sitar. 

A part of the movie "Dig!" by Ondi Timoner. Anton Newcombe is on stage with his band, The Brian Jonestown Massacre, when they start to swear and fight... to finally leave the stage. KEEP MUSIC EVIL.

Pretty dark stuff, which obviously takes us to the darkest scene from the darkest rock doc ever. I recently finished the book Altamont. and it's the perfect companion piece for Gimme Shelter. Lots of things went wrong. Oh, and could somebody please get that dog off the stage? 

At the start of "Under My Thumb". Some of the Hells Angels got into a scuffle with Meredith Hunter, age 18, when he attempted to get onstage with other fans. One of the Hells Angels grabbed Hunter's head, punched him, and chased him back into the crowd.

But Gimme Shelter wasn't all bad doses and pool cue beat downs at the hands of the Hells Angels. There were fun moments too. I LOVE this scene. Just another band loving their brand new song.  

Fragmento del Documental "Gimme Shelter"

Moving on.. I couldn't find just one good scene from this Ramones doc. but it's one of my favorites. Put a camera on Johnny, Dee Dee, Joey or Tommy and it's always cinema gold. 

Ramones: The End of the Century   Watch it now..

End of the Century: The Story of the Ramones (2003) Official Trailer #1 - Documentary Movie HD Subscribe to CLASSIC TRAILERS: http://bit.ly/1u43jDe Subscribe to TRAILERS: http://bit.ly/sxaw6h Subscribe to COMING SOON: http://bit.ly/H2vZUn Like us on FACEBOOK: http://bit.ly/1QyRMsE Follow us on TWITTER: http://bit.ly/1ghOWmt The story of the punk rock band The Ramones.

Speaking of pure gold, Keith Moon is the gold standard of pure cinema gold. Again, I couldn't find just one good scene from The Kids Are Alright (the movie of the same name mucks things up) but this is a really great compilation of Moon stuff with many from the famous Doc. 

Interviews by Keith Moon - drummer of British band The Who

And thinking of dysfunctional but talented people..  This scene of the late, great Jay Bennett and Jeff Tweedy trying to finish a mix is cringe-worthy and brilliant.  I thought the editing process in this flick was unfair to Jay. I wrote about it once. Click here to read When Wilco Stopped Being a Band and Became a Brand.  Great movie though. 

This movie and the Dylan auto bio "Chronicles" made me a bigger fan of Bob than his records ever did. The guy was fearless. 

More from Spitfire - http://bit.ly/1eM7XPi Renowned director Martin Scorsese's documentary No Direction Home: Bob Dylan chronicles the career of the singer and songwriter during the tumultuous years between 1961 and 1966. Dylan allowed Scorsese to have access to hours of footage that had never before been made public, including a number of live performances, and footage of Dylan in the recording studio.

Along those lines, I was never a big Metallica fan until I saw this movie. Still not sure I count as a real fan of the band, but I am a fan of Lars Ulrich after watching this. Actually, the book of the same name explains how Lars had final cut, and he left in the less flattering stuff, much to the dismay of the band's management who were afraid it would hurt the band's carefully-crafted tough guy image.  Who wants to watch a metal band go through therapy together? Turns out, everybody.  Mucho respect amigo.  

Uploaded by metallivideo on 2010-10-31.

Ok, I'm trying to find the scene from Tom Petty Running Down a Dream where Tom curses out some sleezy A&R guy trying to get a song placed on the Roger McQuinn album he is working on. I don't seem to have the skills to find it, but here is the trailer and the whole flick is fantastic. And how the hell did they get all that early film footage? I don't have video of my son's last birthday. 

© 2007 WMG Runnin' Down A Dream DVD Trailer

To wrap up, shout out to Biggie on this one. The Making of Pump by Aerosmith was released only on VHS before reality TV became a thing. Watershed watched it in the van many, many times back in the day. Part 3:  It's fascinating watching a band as big as Aerosmith still battling their company-man producer who is obviously only interested in turning out profitable product under budget and on time.  "I think we should focus on the A list..." 

http://z13.invisionfree.com/Mama_Kin_Bootlegs/index.php

Part 4: I miss this Steven Tyler. 

http://z13.invisionfree.com/Mama_Kin_Bootlegs/index.php

              Colin Gawel has to go to bed now. He has to open Colin's Coffee in the morning.